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The definition of "anime" has become more blurred, and confusing.


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mdo7



Joined: 23 May 2007
Posts: 6915
Location: Katy, Texas, USA
PostPosted: Mon Feb 17, 2025 1:32 am Reply with quote
Disclaimer: I want to make it clear that the purpose of this topic thread is not to stir up any flame war or a very heated discussion about what is anime, or what could be anime, or debating the definition of anime. The purpose of this thread is to highlight and spotlight about how the word "anime" is being used in a way to describe an animation that looks like anime but is not animated in Japan. I also want to bring up how some anime database are determining which Japanese animation is "anime", and which is not classified as anime.

So please keep it civil, and free of any soapboxing and let's try not devolve this thread into another flame war over the debate of the definition of anime. If it does get to the point of a flame war over it, I may have to ask/request the moderators to maybe lock this thread if it this ever out of control, thank you!!!

Before I go deep into this topic, do any of you know Kenny Lauderdale on Youtube? For those of you that don't know who he is, he made a very interesting video about what could be anime, and how the term often get stretched to the point where the definition of anime becomes blurred and almost hard to define. You can watch the video here, turn on CC for full closed captioning (Kenny also has an extended version of this video here with more material in there, no closed captioning for this one though). Please watch the video before you continue to read or make any comment post after you read my entire post.

OK, are you done watching the video from Kenny (either one of them, or both if you can)? OK, I think many of you in the past on ANN have scorn or criticized (or even cringe at) Netflix for the way they used the "anime" label to label and market their non-Japanese animation and adult animation (or anything that looks like anime that wasn't created or produced in Japan). Now I want to make it clear, Netflix's Castlevania is not an anime, and it's never going to be because it's not animated in Japan (although to be honest, the animation on Castlevania looks pretty close and almost borderline to Japanese animation despite not being animated in Japan), and no matter what you may say, Ultraman: Rising on Netflix is not an anime because ILM does the animation, and no Japanese animation studio was involved with this despite being based on a Japanese franchise IP (this is the same situation with the 1994 American Sailor Moon live-action/animation hybrid pilot). So yes, despite the animation based on Japanese IPs, they're not anime. Netflix is not the only one that is engaging in this type of tactic, I believe Acura (yes, the Japanese car company subsidiary of Honda) has produced a series of "anime" shorts, titled Chiaki's Journey to market their Type S car brands worldwide, but here's the thing, the animation for Chiaki's Journey wasn't done by a Japanese studio, it was done by an animation studio in the UK. So Acura/Honda is doing the same thing that Netflix did when it comes to using the "anime" label to market their stuff for consumers. So even a Japanese company would resort to using a foreign animation studio to make and market an "anime" which wasn't even done or produced by a Japanese animation studio to fool people including anime fans like us. Speaking of Japanese companies using foreign animation studios...

At the same time, since early 2010's, Japanese animation companies has been outsourcing their anime production and animation to studios in South Korea, China, Philippines, Vietnam, Indonesia, India, and probably inevitably to animation studios in Latin/South America, probably Europe, and maybe USA & Canadian animation studio in the near future. I mean as Kenny said at the end of the video I linked above: Is anime still "anime", even if the animation is outsourced to a foreign studio and not done in Japan? So yeah, Netflix and Acura probably do deserve a fair criticisms for abusing the term "anime" for their animation work that wasn't done in Japan, but at the same time, you got Japanese companies and even animation companies in Japan outsourcing their animation work to foreign studios outside of Japan, this is where the definition of "anime" get blurred and hard to define. Do they deserve any criticism for outsourcing animation work outside of anime and still called it "anime", and speaking of what anime can be defined as...

Now, for the last few years we have anime co-production that have been part of the anime (and are acknowledged by anime databases like ANN's Encyclopedia, Myanimelist/MAL, Anilist, & AniDB) like for example, Cyberpunk: Edgerunners, Super Crooks, & Star Wars: Visions. Those are anime, we can't also forget past co-production like Cybersix, and Alfred J. Kwak (yep, that's an anime like Kenny pointed out in the video. Beside ANN, all the anime databases have classified this title as anime). But I want to also bring these up, all of you are very familiar (and a lot of us has grown up) watching Rankin-Bass's titles like Rudolph the Red-Nosed Reindeer, Frosty The Snowman, and their most obscure work, The King Kong Show. What you may or some of you may not know is Rankin-Bass's uses of well-known Japanese animation studios like Toei, Mushi Production, and a studio that would later become Studio Ghibli. Beside the King Kong Show (which has been acknowledged as an anime) and speaking of Topcraft (the studio that would later become Studio Ghibli), there is one Rankin-Bass/Topcraft's title that I want to focus as part of this thread, The Stingiest Man in Town (Japanese title: Machi Ichiban no Kechinbō). This particular title has been classified as anime by ANN's Encyclopedia, MAL, Anilist, and AniDB. So this is the only Rankin-Bass's title done by Topcraft to be classified as anime as a consensus. So if this is anime, then does that make all of Rankin-Bass's works animated by Topcraft anime too by default? Does this mean that Frosty's Winter Wonderland, The Flight of Dragons, and The Last Unicorn should be re-classify as anime given we that we made the consensus that The Stingiest Man in Town is anime, why not put The Last Unicorn on that same category since both of them were animated by Topcraft? Does this applied to Thundercats' 1st season too (Topcraft did the animation for the 1st season)? Does this mean that all of Rankin-Bass's work animated by Topcraft are now anime by default?

Beside The King Kong Show, and The Stingiest Man in Town, there is another particular work, this one wasn't done by Rankin-Bass (although this work has been mistaken and misidentified a lot as a Rankin-Bass title when it's not), but the studio that did Rankin-Bass's stop motion animation TV specials was involved with this stop-motion animation for Sanrio and the animation does look a lot like something you see from Rankin-Bass, here is Nutcracker Fantasy from 1979. This title uses the same stop-motion animation technique found in Rankin-Bass's stop motion works and it's done by the same studio, M.O.M Production (yep, this studio that did Nutcracker Fantasy is also responsible for doing all your Rankin-Bass's Christmas stop-motion animation work you watched every Christmas/Holiday season). And yes, ANN's Encyclopedia, MAL, Anilist, and AniDB have all classified this title as anime. So if Nutcracker Fantasy is an anime, then does that mean that all of Rankin-Bass's stop-motion animation titles like The Life and Adventure of Santa Claus, Santa Claus is Comin to Town are now anime by default given they were all animated by the same studio? Does that make Rudolph the Red-Nosed Reindeer, and Jack Frost anime by default because of that one studio if it uses the same stop-motion animation technique found in Nutcracker Fantasy?

You understand how far the definition of anime goes when you have one animation work done by a studio like Topcraft (that later become Studio Ghibli) classified as anime, does that applied to every animation work they did including Rankin-Bass's titles (ie: The Last Unicorn). What about M.O.M Production, when you classify Nutcracker Fantasy as anime, does that extend to all of Rankin-Bass's stop motion animation titles they worked on, are they anime now by default when the studio used the same stop-motion "Animagic" animation technique?

And this is not the last thing that is causing confusion when it comes to the definition of anime becoming blurred and hard to define. Despite the co-productions, unfortunately, there are division in anime fandoms about which Japanese titles/works and co-production are anime and which is not. This is where I get really frustrated because it seems like anime database companies are creating a different standard on which Japanese animation gets to be called anime, and which is not.

Ladies and gentleman on ANN, I assume many of you have watched (or even heard of) Scott Pilgrim Takes Off. Now, ANN's Encyclopedia, Anilist, and AniDB have classified this as anime, but you know who refused to classify this as anime: MAL/Myanimelist

That's right, MAL has refused to classify Scott Pilgrim Netflix anime as anime despite it passes the checklist to qualify as anime. MAL not classifying Scott Pilgrim as anime has caused controversy amongst fans of the show, the graphic novels, and also within the anime fandom, and I'm not making this up:

From MAL forum: Will the Scott Pilgrim anime be added to the database?, This is anime but Scott Pilgrim isn't?

From MAL sub-Reddit: Why don't they add "Scott Pilgrim takes off"?

So you see, it takes one anime database like MAL to throw off the definition of anime by changing their definition of what is and counts as anime, and what is not anime despite Scott Pilgrim Takes Off has already been classified as anime (and it passes the checklist and threshold to be classified as anime).

And to add to the confusion: There's The Lord of the Rings: The War of the Rohirrim. MAL has refused to classify this as anime. Beside MAL, AniDB doesn't recognize it as anime too. Only one recognized this title as anime: Anilist. So only Anilist recognized this title as anime, while others don't recognized it as anime. So this is causing more confusion, and distort the definition of "anime" amongst people that don't have any knowledge of anime. And yes, IMO, I think War of the Rohirrim does qualify to be an anime given it was directed by Kenji Kamiyama.

The definition of anime gets weirder for this one because have anyone on ANN ever watched Dante's Inferno: An Animated Epic? MAL, Anilist, and AniDB doesn't recognized this as anime, but only one recognized it as anime: ANN's Encyclopedia!!! They're the only one that see this particular work as anime (ANN called it a OAV). Do I think this is anime? No, and I was baffled by ANN inclusion of this title to be an anime. I mean sure it has Production I.G, and Manglobe involved in this work, but it has Korean animation studios doing the other half of it so how can this be a full anime if majority of the animation were done by South Korean animation studio with only 2 Japanese animation studio involved? For ANN to called this title an anime is messing up the definition of anime when you only have 2.

Last but not least, there is one title that I considered as anime (it passes my checklist and threshold to be qualified as anime), it's Catwoman: Hunted. I mean it was animated by OLM Studio, and it was directed by a Japanese director (all of these meet the threshold to be considered as anime). ANN's Encyclopedia, MAL, Anilist, and AniDB has not recognize this as anime despite it meet the threshold, I mean all of the anime databases has no problem considering Batman: Gotham Knight, and Batman: Ninja as anime. So if both Batman titles can be classified as anime by ANN, Anilist, MAL, and AniDB, then why not Catwoman: Hunted given that it's animated in Japan, and directed by a Japanese director? Do I think Catwoman: Hunted deserve to be anime? Yes, it passes my checklist and threshold to be worthy of being an anime.

So TL:DR: the definition of "anime" has become too broad, too ambiguous, too confusing, too misleading because of all the things I mentioned above. Beside Netflix, you got Acura creating "anime" shorts that wasn't even animated in Japan. You got anime producers and anime studios outsourcing animation work outside of Japan and still called it anime despite animation probably not done in Japan. You also got a case like Rankin-Bass that one work that is classified as anime (The Stingiest Man in Town) which raises question that if other Rankin-Bass's titles that had animation done by that same Japanese studio that should be re-classify as anime from that one title. You also got anime databases making judgement and setting up a different criteria on which Japanese animation get to be classified as anime, and which is not get on the anime database entry like MAL refusing to classify Scott Pilgrim Takes Off as anime while others already classified that title as anime.

So what you do you think? Has the definition of anime become too confusing to you after I stated all the evidences above, and do you agree that the term and definition of "anime" has become meaningless because of whatever I said? What is your take on whatever evidences I presented? How can we make a perfect standard on which can be classified as anime, or well, how can we make a proper definition of anime when whatever I said seems to stretch and confuse the meaning of that word?

I appreciate your responses, and let's keep it civil please.
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Alan45
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Joined: 25 Aug 2010
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PostPosted: Mon Feb 17, 2025 8:53 am Reply with quote
"Anime" like most words does not have a legal definition here. As a result people and organizations can apply their own definition for there own purposes. This does not remove all meaning from the word.

For the official ANN discussion of the definition of anime:

animenewsnetwork.com/encyclopedia/lexicon.php?id=45

The most important part
Quote:
According to Anime News Network publisher, Christopher Macdonald, "On Anime News Network, we define anime based on the origin of the animation. If it is primarily produced in Japan, it is anime. It should be clear, that by adhering to a definition that defines non-Japanese animation that mimic common anime styles as 'not anime,' Anime News Network does not endorse the notion that these 'anime-style' works are in any way inferior to animation produced in Japan. "

That said, I have my own definition for my purposes. For me in addition to being made in Japan it has to be by authors and artists raised in Japanese culture, made for a Japanese audience and initially issued in Japan. I'm willing to be flexible on some of these requirements. The fact that some of the animation was outsourced is not a problem as long as the story and artistic direction remain in Japan

I realize that my definition is a bit stricter than the sites but that is because what drew me to anime was that it was born from a different culture than mine. Other people will have different circumstances and may have broader definitions. That is not something to fight over.
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Jose Cruz



Joined: 20 Nov 2012
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Location: South America
PostPosted: Fri Feb 21, 2025 2:30 pm Reply with quote
Alan45 wrote:
That said, I have my own definition for my purposes. For me in addition to being made in Japan it has to be by authors and artists raised in Japanese culture, made for a Japanese audience and initially issued in Japan. I'm willing to be flexible on some of these requirements. The fact that some of the animation was outsourced is not a problem as long as the story and artistic direction remain in Japan.

I think yours is the definition most people use for anime: Anime is Japanese animation, which means animation made by the Japanese people.
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mdo7



Joined: 23 May 2007
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Location: Katy, Texas, USA
PostPosted: Fri Feb 21, 2025 3:57 pm Reply with quote
Although this is the de-facto definition for anime, but now that Japan is even out-sourcing animation to South Korea, China, Taiwan, Philippines, Vietnam, Indonesia, and probably also to other studio outside of East/Southeast Asia like India (and this was well-known since 2010/2012). That's why the definition of anime is becoming hard to define. If you say it's animation made by the Japanese people, then is it still anime even if it's outsource their animation to another country, can it still be called anime? I mean what happen in the future Sunrise/Bandai-Namco Filmworks outsource a future Gundam anime to let say Powerhouse Studio (the same studio responsible for Netflix's Castlevania) in the US, is that still anime?

That's why it's hard to say if the definition of anime has become blurred, confusing, and hard to define given that Japan's animation industry have continue to outsource their animation, and it doesn't help that their industry's work culture already borderline to exploitation due to over-work and also causing problems in work-personal, work-family balance leading to labor shortage amongst animators in Japan which lead to one studio want to change that practice. The shortage of animators in Japan due to animators quitting their career are probably the reasons why animation are being outsourced to foreign studio outside of Japan.
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Alan45
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PostPosted: Sun Feb 23, 2025 7:49 am Reply with quote
I don't see outsourcing of animation as a problem at all. It does not change the definition of anime.

As long as the creative and artistic control is held in Japan it remains a Japanese product, that is to say, anime. All the outsource studio is doing is copying the art work provided by the Japanese studio. This does not change the Japanese cultural background which is what I'm looking for.

By the same token, work for hire done by a Japanese company for an American company is not for my purposes anime. In the case of a so-called co-production, it depends on who provided the basic source material and who has artistic control.

Strange as it may seem, the actual animation is only a small part of what makes a complete animated production. Especially so in a case where someone else retains artistic control. Don't get me wrong, I'm not dumping on the foreign studios. I can't draw at all, so to me the ability to not only draw but to do so in a specific designated style is remarkable. This is, however, an absolute requirement for any animator, Japanese or not, but it is not creative in any way.
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mdo7



Joined: 23 May 2007
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PostPosted: Sun Feb 23, 2025 12:18 pm Reply with quote
Alan45 wrote:
I don't see outsourcing of animation as a problem at all. It does not change the definition of anime.

As long as the creative and artistic control is held in Japan it remains a Japanese product, that is to say, anime. All the outsource studio is doing is copying the art work provided by the Japanese studio. This does not change the Japanese cultural background which is what I'm looking for.

Although I agree with you on this, I don't know how many people in the anime fandom will share the same thought or even agree with you. The problem for me is that when Netflix started to use the "anime" label for their adult animation/and non-Japanese animation that looks like anime, that cause frustration and probably downright anger amongst some in the fandom. And to make this worse, you got Acura calling their so-called "anime" shorts an anime when it was later found out the animation wasn't done by a Japanese studio at all. So my biggest concern is that Japanese company that make anime decide to pull a Netflix/Acura by outsourcing their animation to a foreign studio and still called it anime when the animation wasn't even drawn by a Japanese animators at all. Alan, you can still called it an anime by your definition but that's not going to make a reactionary in the fandom happy if they found out the anime wasn't drawn or had animation done by a Japanese animators/studios.

I know this because I had some anime fans showing backlash toward Japanese companies and studios outsourcing animation to foreign studio let alone an American animation studio. Is that backlash going to grow in the near future even though it's a vocal minority?

Would anime fans dare call for Mamoru Hosoda to be cancelled because he teamed up with Cartoon Saloon (a well-known Irish animation studio) for working on Belle? I mean I had some weird encounter with some anime fans online that I don't know how to describe the way they have this line of thinking about Japanese animation companies/studios outsourcing to foreign studio equal bad or cause for an outrage within the fandom. Again, it's a small but possibly a vocal minority, but I do get concern about that level of backlash within the fandom toward outsourcing anime to foreign studio.

Alan45, you wrote:
By the same token, work for hire done by a Japanese company for an American company is not for my purposes anime. In the case of a so-called co-production, it depends on who provided the basic source material and who has artistic control.

You're not wrong, and I agree with this. Although, when it comes to Rankin-Bass, that's another story.

But when you have one anime database creating a set of criteria on which Japanese animation get classified as anime, and creating inconsistencies on one title as anime, and another one that doesn't get a database entry. That can cause a lot of big confusion on which title is anime, and which is not. That's what happened to Scott Pilgrim when MAL refuse to recognize it as anime despite it passes the checklist and threshold to be classified it as anime. Even though you have anime co-production, you're going to have anime databases that determine which get classified as anime, and which is not and that leads to problem, frustration within the fandom.
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Alan45
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PostPosted: Mon Feb 24, 2025 8:15 am Reply with quote
I don't see the problem. As I stated above, there is no legally established meaning to the word anime. More to the point, anime is a loan word from Japanese of relatively recent origin which means it does not have a settled meaning in English. Basically, within some limits anyone or any company can establish its own meaning. There is no one out there in a position to force ANN and MAL to use precisely the same definition.

Technically, in Japan, anime simply means animated so Netflix is not wrong. Should they be using a loan word when a native word is available is another question.

Look at it this way, in anime fandom, almost everyone understands the core meaning of the word. All the the examples you give are at the fringes of the meaning. They are shows for which a good argument can be made either way. Whether they are Japanese with foreign involvement or foreign with Japanese involvement they warrant discussion.

The bottom line is that you have to come up with criteria that works for you. Just respect that others may have slightly different criteria especially at the fringes of the definition. Use that as a basis for discussion, not warfare.
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FishLion



Joined: 24 Jan 2024
Posts: 363
PostPosted: Mon Feb 24, 2025 6:26 pm Reply with quote
Alan45 wrote:
The fact that some of the animation was outsourced is not a problem as long as the story and artistic direction remain in Japan.

Artistic direction and is my line in the sand as well though I am flexible on story depending on the scenario. Scott Pilgrim, an American IP and comic with an original adaptation directed by Japanese people is certainly anime. Rankin-Bass depends because I don't know the process, did Americans produces storyboards and direction then hand the animation off to Japanese producers to complete or did they do some concept work and Topcraft produced the animation completely from those ideas? I am not familiar with the history, but something like Scott Pilgrim that is an iteration on American IPs with new stories made by a Japanese studio clearly different from something like Acura where the entirety of the animation process is contracted from start to finish besides the basic idea (I believe that is what was meant and not that they did the manual part labor to animate Japanese storyboards)

Which is why I agree that worrying about outsourcing labor is very besides the point, the art direction and stories are what make anime so memorable, not the fact that a person from a specific place drew every individual frame.

On that note, I also don't really mind the term being "diluted." Since we are on a niche forum we can chat and intellectualize about the exact percentage of work that needs to be officially made in Japan for it to count as "anime" all we want, but something like Castlevania being labeled anime by Netflix and other is really not an issue in my opinion. In the average person's mind, adult animation is South Park stuff, animation with no adjective is children's programming, and anime is animation made in Japan or emulating their style. Netflix isn't trying to change the meaning of anime by doing this and putting stuff like Castlevania into "adult animation" or some new "anime-themed" category doesn't make sense from a media library organization stand point. I'm fine having that discussion with people for fun, like right now, but ultimately it doesn't matter if anime calls Castlevania anime, Netflix is trying to connect people with content they enjoy and not be a scholarly animation curator.

All that said, I do think we could use a new term to refer to animation that isn't Japanese, for children, or like South Park, but until we have that I would rather Castlevania be with the anime then hidden among Big Mouth or Peppa Pig.
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Alan45
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PostPosted: Mon Feb 24, 2025 7:04 pm Reply with quote
Just for the record: Acura is a sub brand of Honda.

Honda Motor Company
Automotive manufacturer
Honda Motor Co., Ltd, commonly known as just Honda, is a Japanese multinational conglomerate automotive manufacturer headquartered in Minato, Tokyo, Japan.

Technically since it is a Japanese company any animation produced at their direction probably qualifies as anime. You would have to be familiar with the in house process that produced the commercials to say any different.
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FishLion



Joined: 24 Jan 2024
Posts: 363
PostPosted: Mon Feb 24, 2025 9:02 pm Reply with quote
Alan45 wrote:
Just for the record: Acura is a sub brand of Honda.

Honda Motor Company
Automotive manufacturer
Honda Motor Co., Ltd, commonly known as just Honda, is a Japanese multinational conglomerate automotive manufacturer headquartered in Minato, Tokyo, Japan.

Technically since it is a Japanese company any animation produced at their direction probably qualifies as anime. You would have to be familiar with the in house process that produced the commercials to say any different.

That is true, to me the big question is did they write a check, give a vague idea, and say go wild? Or did Acura give art direction? Paying a company to make an idea with little to no guidance would be more like commissioning the studio for their idea than Japanese art direction in the way anime represents. You are correct that we have no way to know the process, but paying an outside studio to turn a vague idea into a full work of art would strike me much less as a product of the country of the client and more as a product of the studio and their locale, not that we will have a definitive answer on Acura and not that I care if people call anime style animation anime or not personally.
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mdo7



Joined: 23 May 2007
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Location: Katy, Texas, USA
PostPosted: Tue Feb 25, 2025 1:18 pm Reply with quote
By an odd coincidence, looks like This Week in anime column is exploring the topic on the "is it anime?". I wonder if the guys who did the today's segment may have looked at my thread and were inspired to do the column.

Alan45 wrote:
I don't see the problem. As I stated above, there is no legally established meaning to the word anime. More to the point, anime is a loan word from Japanese of relatively recent origin which means it does not have a settled meaning in English. Basically, within some limits anyone or any company can establish its own meaning. There is no one out there in a position to force ANN and MAL to use precisely the same definition.

Although you're not wrong, and I would agree with you on the definition is not legally established. But still...

Alan45, you also wrote:
Technically, in Japan, anime simply means animated so Netflix is not wrong. Should they be using a loan word when a native word is available is another question.

That is true, and Netflix is technically in the correct, but oh boy, they started a backlash from the fandom, and good luck trying to tell the whole fandom including the rabid elitist fringiest of all the anime fandom that Netflix is technically correct.

Lastly, you wrote:
Look at it this way, in anime fandom, almost everyone understands the core meaning of the word. All the the examples you give are at the fringes of the meaning. They are shows for which a good argument can be made either way. Whether they are Japanese with foreign involvement or foreign with Japanese involvement they warrant discussion.

The bottom line is that you have to come up with criteria that works for you. Just respect that others may have slightly different criteria especially at the fringes of the definition. Use that as a basis for discussion, not warfare.

Well, I agree with you and you're not wrong, and I already set up my definition of anime over the last few years. I don't ever tend to use it as warfare, but dealing with the rabid elitist fans are probably the one thing that make it harder for me to engage it with other anime fans online.

FishLion wrote:
Artistic direction and is my line in the sand as well though I am flexible on story depending on the scenario. Scott Pilgrim, an American IP and comic with an original adaptation directed by Japanese people is certainly anime. Rankin-Bass depends because I don't know the process, did Americans produces storyboards and direction then hand the animation off to Japanese producers to complete or did they do some concept work and Topcraft produced the animation completely from those ideas?

FishLion, as I said in the OP, 2 of Rankin-Bass titles has been classified as anime by ANN's Encyclopedia, MAL, Anilist, and AniDB. So if they're classified as anime by the whole consensus, then they're anime in my eyes. I agreed that if you classified The Stingiest Man in Town as anime, then maybe that should extend to other Rankin-Bass titles/works that had animation done by that same studio (which would be Topcraft).

FishLion, you also wrote:
Which is why I agree that worrying about outsourcing labor is very besides the point, the art direction and stories are what make anime so memorable, not the fact that a person from a specific place drew every individual frame.

I worried about it not only because we're changing the definition and meaning of anime. I'm worried this would cause more scrutiny and backlash from the anime fandom. Particularly the rabid elitist fans that can't stand the idea of anime having their animation outsource to a foreign animation studio. That's the thing I worried about since I've encountered those type of elitist fans online.

FishLion wrote:
Since we are on a niche forum we can chat and intellectualize about the exact percentage of work that needs to be officially made in Japan for it to count as "anime" all we want, but something like Castlevania being labeled anime by Netflix and other is really not an issue in my opinion.

I'm not sure if this forum is technically niche given that the medium is already mainstream, and that a lot of people that don't have ANN profile/account can technically be reading this thread as of this post. So yeah, people are going to be sharing this thread I created on other forum, and even on Reddit. So not niche if this thread get share on other forum and sites like Reddit.

Lastly, FishLion, you wrote:
All that said, I do think we could use a new term to refer to animation that isn't Japanese, for children, or like South Park, but until we have that I would rather Castlevania be with the anime then hidden among Big Mouth or Peppa Pig.

We already have a term for that, it's called Adult Animation and the US has a long history of it. Netflix could've just used that term instead of labeling it as anime because there are children's anime out there and I don't want something like Pokemon being associated with Netflix's Castlevania when it comes to using the label "anime" to label all their adult animation.

Hell, even WB/DC Comics help separate their adult animation titles from their child-demographic titles and stuff.
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FishLion



Joined: 24 Jan 2024
Posts: 363
PostPosted: Tue Feb 25, 2025 3:53 pm Reply with quote
mdo7 wrote:
FishLion, as I said in the OP, 2 of Rankin-Bass titles has been classified as anime by ANN's Encyclopedia, MAL, Anilist, and AniDB. So if they're classified as anime by the whole consensus, then they're anime in my eyes. I agreed that if you classified The Stingiest Man in Town as anime, then maybe that should extend to other Rankin-Bass titles/works that had animation done by that same studio (which would be Topcraft).

I would certainly agree with that. I don't really restrict the definition of anime much in my eyes. To me even a co-production with a Japanese team and somewhere else such as Ghost Cat Anzu counts as anime because plenty of Japanese animators worked on it even if plenty of French animators did as well.

My point about Rankin-Bass is that without that consensus, art direction would be the dividing line for me, although it would definitely qualify regardless with all the work Topcraft did.

mdo7 wrote:
I worried about it not only because we're changing the definition and meaning of anime. I'm worried this would cause more scrutiny and backlash from the anime fandom. Particularly the rabid elitist fans that can't stand the idea of anime having their animation outsource to a foreign animation studio. That's the thing I worried about since I've encountered those type of elitist fans online.

I'm not worried about rabid elitist fans, their entire existence revolves around finding something to complain about with the way things are. There is no amount of pandering we could do that will prevent them having backlash about benign topics.

mdo7 wrote:
I'm not sure if this forum is technically niche given that the medium is already mainstream, and that a lot of people that don't have ANN profile/account can technically be reading this thread as of this post. So yeah, people are going to be sharing this thread I created on other forum, and even on Reddit. So not niche if this thread get share on other forum and sites like Reddit.

I say we are niche because we are a relatively small forum compared to places like reddit, it is hard to say how much reach the threads have exactly because it can be shared many places and it's hard to measure those metrics.

At the same time, discussing the technical definition of anime definitely seems like inside baseball to me. I am here because I am a big nerd and taxonomical questions like this are interesting to me, but as much as I want to see people's thoughts and share mine I ultimately don't think it matters if the definition is a bit blurred and I think the vast majority of people aren't super concerned.

mdo7 wrote:
We already have a term for that, it's called Adult Animation and the US has a long history of it. Netflix could've just used that term instead of labeling it as anime because there are children's anime out there and I don't want something like Pokemon being associated with Netflix's Castlevania when it comes to using the label "anime" to label all their adult animation.

Hell, even WB/DC Comics help separate their adult animation titles from their child-demographic titles and stuff.

I think the context is very relevant here. Adult animation has a connotation of being shows in the vein of the Simpsons, things like Family Guy and South Park and Big Mouth, shows that almost universally play into adult humor as the main point of attraction even if other elements like action are prevalent in some of these shows, like Inside Job. There are adult shows that are not anime like such as DC animated shows, but these are still not the majority of the content that comes up when you look at the genre.

For that reason, I can understand both why WB separates their content that way and why netflix labels things like Castlevania anime. If you come to WB animation, you already know you are coming for the famous DC characters or to see a new creation from those creators. If you already know DC is what you want, then forking into adult and child offerings makes sense. Netflix on the other hand, is recommending shows to watch based on genre. The genres I see on most services are animation, adult animation, and anime. Animation caters to the kind of shows you would see on CN during the day, adult animation caters to the adult humor crowd, and anime is Japanese animation and derivative types of animation.

If we could have a new term that covered anime and anime derivatives then I would like that, maybe even roll stuff like Harley Quinn, Castlevania, and anime into a new category that represents where those parts of the Venn diagram intersect. That way anime fans could have their anime only genre searches and we could have a genre to indicate adult animation that isn't centered mainly on adult humor whether it's styled after Japanese or other styles of animation.

That is all nitty gritty though, my main point is that Netflix isn't trying to use a technical definition, they are trying to advertise content based on genre, and Castlevania objectively fits with anime better than adult animation in my opinion. I would rather Netflix say something that's technically wrong and effectively advertise stuff like Castlevania so more fans of that type of content can discover it and more gets made than be technically correct but make me dig through a million US adult humor animated shows to find shows like Castlevania.
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mdo7



Joined: 23 May 2007
Posts: 6915
Location: Katy, Texas, USA
PostPosted: Tue Feb 25, 2025 8:55 pm Reply with quote
FishLion wrote:
I would certainly agree with that. I don't really restrict the definition of anime much in my eyes. To me even a co-production with a Japanese team and somewhere else such as Ghost Cat Anzu counts as anime because plenty of Japanese animators worked on it even if plenty of French animators did as well.

I can say the same for Belle which not only was directed by Mamoru Hosoda, we got Cartoon Saloon lending their hand to this anime film, and yes it still considered an anime in the wider consensus.

FishLion wrote:
My point about Rankin-Bass is that without that consensus, art direction would be the dividing line for me, although it would definitely qualify regardless with all the work Topcraft did.

Don't forget M.O.M Production/Video Tokyo Production, the one that is responsible for all of Rankin-Bass's stop motion "animagic" animation. This same studio was responsible for Nutcracker Fantasy, that one has been classified as anime by all of anime databases and the wider anime consensus in the community, and yes Nutcracker Fantasy uses the same stop-motion animation technique found in Rankin-Bass stop motion animation titles/works. So if the studio that did Nutcracker Fantasy was also responsible for Rankin-Bass's stop motion animation and both of them has the same animation technique, and Nutcracker Fantasy is classified as anime, then that means all of Rankin-Bass's stop motion animation titles done by the same studio are now anime by default.

Quote:
I'm not worried about rabid elitist fans, their entire existence revolves around finding something to complain about with the way things are. There is no amount of pandering we could do that will prevent them having backlash about benign topics.

I understand that and they're a minority (a very vocal minority and doesn't represent the reasonable fanbase in the anime). But I'm also concern this vocal minority could make our fandom look more toxic and probably racist/xenophobic because it could turn off some new fans or may make some anime fans to quit the fandom because they don't want to be associated with a fandom that has a vocal but xenophobic rabid elitist fans.

FishLion, you also wrote:
I say we are niche because we are a relatively small forum compared to places like reddit, it is hard to say how much reach the threads have exactly because it can be shared many places and it's hard to measure those metrics.

Well, ANN is known as "The Internet's most trusted anime news source" (it's on their banner after all Wink Laughing ), so I can't say if we're a niche or there are anime fans out there that aren't going to waste time to go on ANN forum and leave a random comment post on there once in a while or they probably never bother to sign up to have a ANN account. But, you're right that it's hard to say how many times this thread could've been randomly shared on other anime forum, and Reddit. And we can't measure that after all, but I hope this thread assuming it's finding it's way into other anime forum and Reddit will make reasonable and knowledgeable anime fans to debate, raise questions, and have reasonable talks/debates on it.

Lastly, FishLion. You wrote:
I think the context is very relevant here. Adult animation has a connotation of being shows in the vein of the Simpsons, things like Family Guy and South Park and Big Mouth, shows that almost universally play into adult humor as the main point of attraction even if other elements like action are prevalent in some of these shows, like Inside Job. There are adult shows that are not anime like such as DC animated shows, but these are still not the majority of the content that comes up when you look at the genre.

For that reason, I can understand both why WB separates their content that way and why netflix labels things like Castlevania anime. If you come to WB animation, you already know you are coming for the famous DC characters or to see a new creation from those creators. If you already know DC is what you want, then forking into adult and child offerings makes sense. Netflix on the other hand, is recommending shows to watch based on genre. The genres I see on most services are animation, adult animation, and anime. Animation caters to the kind of shows you would see on CN during the day, adult animation caters to the adult humor crowd, and anime is Japanese animation and derivative types of animation.

If we could have a new term that covered anime and anime derivatives then I would like that, maybe even roll stuff like Harley Quinn, Castlevania, and anime into a new category that represents where those parts of the Venn diagram intersect. That way anime fans could have their anime only genre searches and we could have a genre to indicate adult animation that isn't centered mainly on adult humor whether it's styled after Japanese or other styles of animation.

That is all nitty gritty though, my main point is that Netflix isn't trying to use a technical definition, they are trying to advertise content based on genre, and Castlevania objectively fits with anime better than adult animation in my opinion. I would rather Netflix say something that's technically wrong and effectively advertise stuff like Castlevania so more fans of that type of content can discover it and more gets made than be technically correct but make me dig through a million US adult humor animated shows to find shows like Castlevania.

Yeah, I sort of understand what you're pointing out here. As I mentioned on a This Week in Anime thread and a reply to you on there. As I said, the DCAU and children animation from the 90's are very different from today's kid animation. I mean I've already mentioned on that same thread about Gargoyles, and The Mask: The Animated Series having adult and mature theme despite both of these titles were made with children demographic in mind and different from adult animation like South Park, etc.... Speaking of South Park, I remember a time when Arthur (yes, that Arthur) parodied South Park, and Beavis & Butthead in the same episode. Imagine that, a children animation like Arthur parodying and making reference to 2 adult/mature animation work in the same episode. I couldn't believe they got away with a parody/reference to adult animation in a kid animated show!!! Well, Arthur wasn't the only one that did this (yep other kids show parodied and reference South Park too) just to be fair. But yeah, you understand what I'm pointing out here.
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Alan45
Village Elder



Joined: 25 Aug 2010
Posts: 10125
Location: Virginia
PostPosted: Wed Feb 26, 2025 7:30 am Reply with quote
FishLion Wrote:
Quote:
I'm not worried about rabid elitist fans, their entire existence revolves around finding something to complain about with the way things are. There is no amount of pandering we could do that will prevent them having backlash about benign topics.


mdo7 wrote:
Quote:
I understand that and they're a minority (a very vocal minority and doesn't represent the reasonable fanbase in the anime). But I'm also concern this vocal minority could make our fandom look more toxic and probably racist/xenophobic because it could turn off some new fans or may make some anime fans to quit the fandom because they don't want to be associated with a fandom that has a vocal but xenophobic rabid elitist fans.


In most forums you cannot do anything at all about them so there is no point in worrying about it. You can't suppress them and responding to them is playing their game. The most effective thing you can do is ignore them.

That is why I am here in a moderated forum. The really toxic people are not allowed and we can have a reasonable discussion.
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FishLion



Joined: 24 Jan 2024
Posts: 363
PostPosted: Wed Feb 26, 2025 11:10 am Reply with quote
@Alan45

That is very true, that is why I appreciate this place so much, they give you enough leeway to be wrong and have disagreements so you can learn while also not letting too many bad faith discussions through.

@mdo7

I do like that it could be seen more, but I also think not knowing is part of the fun. I could not usually have these sorts of unbroken discussions on reddit, the most popular stuff goes to the top and gets most of the attention and discussion while most comments are never touched on. A lot of comments here aren't responded to, but at least topics are all single threads that are viewed in order of posting and you can put in your two cents for the discussion even if it goes nowhere.

It is also really funny how kids shows have had pandering for adults, I guess it would make those shows more interesting to those who view cartoons as mostly childish, I have never had that problem because as an animation fan I find a lot of kids' programming fascinating. Especially ones like Bluey that seem to earnestly try to appeal to large age ranges and not merely be kids show with a bit of fan service for adult animation fans.

I did like that you mentioned Gargoyles (though I haven't seen the Mask cartoon), because that one always seemed very anime-like in the way it seems to be made so it is easily digestible to children but also has a lot of depth for more mature fans, that describes a lot of shonen and shojo programming. The main difference to me is that shows like that are extreme outliers when you look at the history of US animation and thus we don't really have a genre convention to identify animation that is made for children and adults in a way that goes beyond pandering the way you pointed out Arthur doing. I think shows like Gargoyles, Teen Titans, and anime could all be organized under such a genre if one is ever created and that it would be helpful to have such a label for sure. I do also think this type of media is becoming more prevalent, Avatar was mentioned but with stuff like Over the Garden Wall and The Owl House there is definitely animation out there targeting the traditional children demographic and making more mature stories. I definitely get what you mean by saying there is animation like that out there and I just wish we could call it something more distinct.

I do also want to briefly mention the way some genres are getting new material is really interesting. Bluey is structured like a young children's show but is made with so much heart and beauty that people of any age often enjoy it, Inside Job clearly has a lot of adult humor animation DNA but also digs more into how the characters would change over time in a serialized way that goes beyond slow moving episodic fair like Futurama. That is all I will say as to not get to off topic, but the way that young children and adult specific animation have slowly been becoming more diverse is something I like a lot.
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