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NEWS: 2 Live-Action Nodame Cantabile Films Green-Lit for 2010


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Shigi



Joined: 01 Nov 2007
Posts: 41
Location: CA, USA
PostPosted: Tue Dec 09, 2008 6:09 pm Reply with quote
Quote:
Specifically, it will continue the Paris chapter of two budding musicians who met each other as a student-teacher pair in Japan.


Was anyone else a little confused by this statement in the article? Chiaki and Nodame were both students. Laughing

I am happy the drama's being continued!
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enurtsol



Joined: 01 May 2007
Posts: 14869
PostPosted: Tue Dec 09, 2008 7:09 pm Reply with quote
Maidenoftheredhand wrote:
enurtsol wrote:
OH NOEZ! A live-action film adapting another manga?! The Japanese film industry must be bankrupt of new ideas! Razz


Um the live action version was around before the anime and it won several awards including best drama


In case some haven't figured it out yet, I was being sarcastic, applying many people's reflex reaction whenever a Western outfit adapts an anime or manga. Razz


Maidenoftheredhand wrote:

edit: And I am guessing there are two movies because they can't fit the story into one movie without chopping it to pieces.


Ergo, worse than Kill Bill, making you pay twice for a movie - and with the price of going to the movies these days.... Laughing
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Maidenoftheredhand



Joined: 21 Jun 2007
Posts: 2634
PostPosted: Tue Dec 09, 2008 8:24 pm Reply with quote
enurtsol wrote:

Ergo, worse than Kill Bill, making you pay twice for a movie - and with the price of going to the movies these days.... Laughing


Hey I am upset that not only will I probably not be able to pay a theater to see these movies, I probably won't even be allowed to purchase them on DVD. I hope I am wrong but it doesn't seem like Nodame Cantabile LA will be licensed in the US.

And these are actually movies I would want to pay to see.

And yeah sorry I do have trouble realizing someone is being sarcastic on the Internet. Smile
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rg4619



Joined: 30 Jun 2007
Posts: 163
PostPosted: Tue Dec 09, 2008 8:27 pm Reply with quote
Quote:
Do "they" ever license any Asian dramas here in the West? Movies, sure, but actual TV series? I don't think I've ever seen any.


Several Korean series have been officially subtitled and released in the US (by YA Entertainment and the American subsidiary of KBS). Most are sold online, although YA Entertainment supposedly distributes a small handful of titles through Best Buy.

I think some people hoped to cash in on the worldwide Korean TV boom. Nevertheless, success seems meager at best.
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Raja



Joined: 30 Jul 2003
Posts: 68
Location: Tottori
PostPosted: Tue Dec 09, 2008 9:32 pm Reply with quote
enurtsol wrote:
Ergo, worse than Kill Bill, making you pay twice for a movie - and with the price of going to the movies these days.... Laughing
Especially considering the standard Japanese movie ticket price is ¥1800...

By the way, a nitpicky comment: The DVD cover pictured in the article is NOT the cover for Nodame Cantabile in Europe; it's the bonus materials disc covering shooting locations in Prague and Paris. There's a space for it in the Nodame in Europe box set, but it was sold separately from it.

(and yes, I bought them both... Embarassed )
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Talon87



Joined: 05 Dec 2005
Posts: 89
PostPosted: Wed Dec 10, 2008 12:12 am Reply with quote
TatsuGero23 wrote:
It's classical music which is a hard sell these day of ages in the US.
The entire point of Nodame Cantabile, as you must realize, is defeating this mentality. And I would say it does a great job of this, given my family's response watching over my shoulders last summer. Then there's the symphonic rock and other neo-classical movements which are drawing in self-labeled "guitar heroes" by the truckload. These teens are interested in the root of the awesome sounds they heard on the electric, and that's how they discover classical music. I mean, for goodness sake! That was the whole point of the punk violinist Mine in Nodame! He loved classical music, but only when he could give it his own personal "rock" inflection and thereby channel his soul into his instrument. I remember when I first watched the J-drama and met Mine's character: and I thought to myself, "Hey! It's funtwo!" (Sidenote: for those who don't know, skip to 5:34 on that Nightwish link for a familiar meme. Wink )

I don't disagree with you that classical music is a hard sell in modern America. I only disagree that this is the reason why Nodame is ill-prepared to capture the American audience. I don't think Nodame is ill-prepared at all! I think it is perfectly poised to capture the American market's hearts. A nice romantic story for the teen girls, "epic" symphonic duels for the teen guys, and a nice blend of classical music's more "rockin' " pieces (like the signature Symphony No.7 of Beethoven's) and its more mellow ones (as we see later in the series). Teens will see themselves in the characters while their parents will be reminded of their own teenage youth many years ago. I mean, hell, I was never a "band geek" and I'm only in my mid-20s and even I got nostalgic watching this series!

I don't think they will ever import Nodame as it is, though: not because of the subject matter but because of the cast. I think there'd be a much better chance for domestic success if they were to refilm it with American actors who had American names and who went to an American music school. Replace Chiaki and Nodame's academy with Juilliard. Replace the Tokyo Philharmonic with the New York Philharmonic. Personally? I think Nodame would scare Americans away for being all in Japanese before it would scare them away for being about classical music. Just compare the US market for classical music with the market for anime and foreign films combined and I think you'll see why I feel this way. How many symphonies perform each year in America? How many high school and college symphonies compete in contests? Yes, classical music is a niche American interest, but its audience is an order of magnitude greater than anime and J-drama's audience! And so given the success of little ol' anime in the US of A, I think that the Nodame J-drama definitely could succeed where other TV shows have failed.

I do recognize that it's a lot cheaper for them to import the series and slap an R1 label on it at no added cost, but the chances for failure are also a lot higher for the reasons I've explained. While it's incredibly expensive to refilm the series (very expensive!), if it paid off it could be a huge success. Just imagine if the series attracted "guest stars" who are real-life budding musicians in the United States. Not Kelly Clarksons, mind you: I'm talking violinists, cellists, and conductors! These kids get no press in today's world but a live-action American Nodame could change that for them.

And we know that Hollywood is definitely not averse to redoing foreign television series as opposed to cheaply importing and dubbing them over with English audio. Ugly Betty is a redo of a Columbian soap called Betty la fea which aired from 1999 to 2001. ABC could have just imported it and sold it directly to DVD but they chose not to and it's paid off for them quite well. And we all know about the American version of the The Office -- a show whose original version was already in English, our own tongue!! (lol @ over-localization) So the idea of a studio investing the dollars to redo Nodame for the west is 100% realistic. The only danger I would see for Nodame is TV execs complaining that the series is "too short" to bring over, since they love them some cash cows.
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poonk



Joined: 05 Jun 2008
Posts: 1490
Location: In the Library with Philip
PostPosted: Wed Dec 10, 2008 12:48 am Reply with quote
Talon87 wrote:
Personally? I think Nodame would scare Americans away for being all in Japanese before it would scare them away for being about classical music.
Totally agree with you there. No one in the West, unless they're already into Asian dramas (and therefore probably already intimate with fansubs Wink), is gonna plunk down the better part of $100 (I'm guesstimating, cost-wise) for a foreign-language TV series boxset starring a bunch of actors they don't know. It's just never gonna happen (or at least not in great enough numbers to be profitable).

Quote:
And we know that Hollywood is definitely not averse to redoing foreign television series as opposed to cheaply importing and dubbing them over with English audio.
...(snip)...
The only danger I would see for Nodame is TV execs complaining that the series is "too short" to bring over, since they love them some cash cows.
Again, agreed-- any U.S. adaptation would probably have to be "open-ended," allowing for season-after-season of episodes should it prove successful, and thus defeating one of the reasons why I* enjoy J-/K-dramas: since they are typically intended to wrap up in 11-16 episodes (unlike Western shows), they are designed to end with a "bang" and not a "whimper" (i.e. they are not obligated to keep a series running indefinitely and therefore can supply a satisfying finish instead of dragging the story out until no one cares anymore). If a series is well-received and source material exists, maybe it will get a second season, but often not.

*Then again, I probably wouldn't be the target audience for any sort of American remake anyway...
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Talon87



Joined: 05 Dec 2005
Posts: 89
PostPosted: Wed Dec 10, 2008 1:21 am Reply with quote
Totally agree with ya, poonk, about why J-dramas > American dramas. I don't demand closure, but I do demand letting shows that are ready to end end. If a show isn't ready to end until episode 150, fine. If a show is already ready to end by episode 15, fine. Just let it end when it should end. Don't force it to end prematurely, and don't force it to stay "alive" in name only, becoming a shell of its former self.

I've never seen either of these series, but I get the impression that both Lost and 24 fell victim to this. It seems like both series were insanely popular with their fanbases but that doomed them to the "jump the shark" fate so common with American television. The moment anything is popular on American TV, you can guarantee that the execs will make it keep on running until Americans are sick of it. It's worst with sitcoms, but it's not like dramas are immune. ABC's The Practice comes to mind. It was a great show up until around the final two or so seasons. Another famous example is Star Trek, with Berman & Braga running the beast into the ground -- it took the fanbase's abandonment of Enterprise to finally give Trek the much-needed vacation it had been begging for since Star Trek Voyager.

Oh, forgot to mention: I'm right there with ya, buddy, at not being the American TV corporations' target audience member. But my parents and sister sure are, and they all three seemed interested in Nodame but bemoaned the fact that it was "Japaneez," lol. I'm sure many of you can relate.
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Frederika Bernkastel



Joined: 10 Dec 2008
Posts: 1
PostPosted: Wed Dec 10, 2008 10:09 am Reply with quote
Sorry to get off topic, but I would not say Lost is an example of what you're trying to prove. A lot of people who've seen about two episodes think that's the case, but it's not. Lost is probably more akin to J-dramas in terms of plot management. It was plotted out to last between 5 and 6 seasons from very early on (it's going to be six, with seasons 4-6 as "half" seasons), and though it's really popular to say that the writers don't know where they are going with the plot, they do, actually. Wink When you actually watch the show, it becomes very apparent that they know exactly where they are going -- hell, the season 3 finale showed us a scene that wound up taking place chronologically at the end of season 4's flash forwards.

I just get testy when people try to talk about Lost when they've never watched it. Ahem. The same way I hate it when people talk about anime and J-dramas when they've never watched any.

I got my mother to watch the Nodame live action (which I prefer to every other format of Nodame, mostly because it was my first exposure to the story) and she got really into it. I've watched anime with her before, though I wouldn't consider her a "fan". There is a cultural barrier there but it's not insurmountable. Anyway, I think someone could release the Nodame drama in the US without going broke. For one thing, it doesn't need to cost freaking $100. The original series is 11 episodes. It could be sold in a box set with no more than four discs and cost no more than $40-50. But then again, we are talking about price-gouging American distributors, so that will probably never happen.
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TatsuGero23



Joined: 18 Nov 2008
Posts: 1277
Location: Sniper Island, USA (It's in your heart!)
PostPosted: Wed Dec 10, 2008 12:06 pm Reply with quote
I still feel Nodame will be a hard sell due to in large part of the classical music theme. But will also be a hard sell in how the story focuses on music and the characters rather then just the characters and the concept of music.

The idea of a US remake of the series is thrown around but I see that as unlikely or unlikely to survive intact and true to the original source material. Its not just a series where its a love story or comedy where the 2 main characters just happen to be musicians. The music is a very centralize theme and as important as the characters themselves. Its on of the things that makes the show so great. I honestly can't see this aspect surviving a US remake. It's style of comedy is far different then US comedies and it's drama has the same hurdle.

Can you honestly see any US actress being faithful to Nodame's character? Her lack of diginity? Her otaku or obsessive behavior? What about Stressman's character or Chiaki? I can't see any type of executive want to keep that aspect of the story intact.

Nodame Cantabile is very light hearted but I can't see a US being able to do the same. Especially not how it is today. If a US remake is done, odds are it'll be closer to something you would see on the CW like Felicity or god forbid something on Fox like the OC or whatever it is that has young actors in it these days. No, odds are in a remake the music will turn more into a premises rather then being so central to the show or in a number of episodes the main theme. Something where the drama would be a bit higher and the dialogue more cynical then the manga, drama, or anime. In Nodame Cantabile, the characters add to the music but it's more likely in a western remake to be the other way around.

Yes there is a market with a number of people who have an appreciation for music that isn't limited to the strings of a guitar and the buzz of an amp. But like you said it's niche, and its even narrower cause its a J-drama/comedy and Anime. I doubt the series would flop but I as doubt it will be a ratings magnet which is all executives care about in the end. The anime has the best odds of the 2 to get licensed state side due to a more general acceptance of anime these days.

If they really want Nodame to work in the states and in turn, help bring classical back to the public eye then I would say a legitmate online stream would be the best start. There you can measure its viewership and gauge its appeal to a more general, non-otaku, non-asian drama audience.

You gotta remember, even though the anime & asian media market and audience is bigger and more organized then it use to be. It's still small compared to other medias. Why do you think the anime industry has struggled so much the past years? And does anyone remember Prince of Tennis? That was suppose to be a thing trying to get younger people to get into tennis more in the US and that didn't work so well despite its anime fandom in the US and popularity in Japan. Don't forget Lupin the 3rd and Detective Conan.

I love the Nodame Series and I'm glad I can at least get the manga now. But I won't hold my breath for a US release of the shows or movies. Al least nothing outside of a normal anime release or a limit release like the Train Man stuff.
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Umai_Mouri



Joined: 31 Oct 2005
Posts: 158
Location: The Big Apple
PostPosted: Wed Dec 10, 2008 1:46 pm Reply with quote
poonk wrote:
She was also funny as Ellen in Stand Up!!, blatantly pursuing Ken-Ken even as Kou-kun was mooning over her...[/size]

Ah, I remember! Sadly, I haven't seen the last few episodes of Stand Up!! Anyway, Becky really has good luck with JE boys. lol
Yama-pi~ <333

maaya wrote:
I have a feeling that half-japanese-foreign actors are getting more and more common in Japan (usually those mixes are pretty good looking Wink ).

Absolutely. Musicians of mixed background are also becoming common and gaining popularity. (eg. Yuna Ito, Anna Tsuchiya, and Olivia Lufkin)
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GB3



Joined: 17 Oct 2008
Posts: 14
PostPosted: Mon Dec 15, 2008 4:51 am Reply with quote
Yay, more good news! I really liked Becky in the drama, she did a great job playing Tanya. It was like as if she was the actual Tanya. She was really fun to watch. Juri and Hiroshi were amazing too! They were all funny...
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