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Singer Hikaru Utada to Go on Indefinite Break in 2011
posted on by Egan Loo
Singer-songwriter Hikaru Utada has announced on her web diary on Monday that she will go on an indefinite hiatus from her musical career starting next year. Before she takes time off, she will release her Utada Hikaru Single Collection Vol. 2 album this fall. This will be her first "best-of" album in six and half years, and it will include her recent songs such as "Dareka no Negai ga Kanau Koro," "Be My Last," and "Beautiful World," as well as new material.
Utada explained in her Monday message that since she began her musical career at the age of 15, there is a part inside her that stopped growing. When she will return to music is still undetermined, but she said that she feels it will probably be after she has had time to grow a little as a person and naturally wants to share her music again. She added that she does not know if it will take two years, five years, or however long it will be.
Utada is an internationally known, bestselling pop artist born in New York City and raised in Japan and the United States. Her debut album, 1999's First Love, is still Japan's bestselling album ever with about 8 million copies sold. Bandai Visual used Utada's "Kiss & Cry" and "This is Love" songs for the Freedom anime project. Utada also sang the theme songs for the Casshern live-action movie remake and the Hana Yori Dango 2 live-action television adaptation.
More recently, she provided a 2007 remix of her 2000 cover of Frank Sinatra's "Fly Me to the Moon (In Other Words)" for the trailer to Evangelion: 1.0 You Are [Not] Alone (Evangelion Shin Gekijōban: Jo), as well as her "Beautiful World" song for the anime film itself. She also contributed the "Beautiful World -PLANiTb Acoustica Mix-" for the second film, Evangelion: 2.0 You Can [Not] Advance (Evangelion Shin Gekijōban: Ha). In addition to her singing career, she played the heroine Pinoko in the 2001-2002 Black Jack net anime series. She toured the United States and the United Kingdom last year.
Source: Natalie via Tokyograph
