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Director of Netflix's Death Note Film Discusses Film's Violence


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BadNewsBlues



Joined: 21 Sep 2014
Posts: 6184
PostPosted: Sun Sep 18, 2016 3:54 am Reply with quote
Jonny Mendes wrote:
They will know that is based on a anime and they will think that all anime is ultra-violent, gore and full of nudity.



Around half the people who watched the 1987 TMNT Cartoon and the Live Action Movie never new about the comic book both works were adapted from or that the books are decidedly more darker and violent than adaptations. They also don't really care.

In other words most casual fans watching this are going to view this movie (or whatever it is) as it's own thing and whatever viewpoint they have good or bad isn't going to be held against either the manga or anime industry as a whole.



Jonny Mendes wrote:

If this movie was more like what Death Note is (a psychological thriller) and not some adult horror movie, the mainstream audience maybe will look how intelligent the story is and how good anime can be.


You're wrongly assuming that anyone new to anime (or manga) can't find it good for reasons that don't necessarily have to do with "intelligent" writing not everyone cares for thought provoking dramas, with heavy handed elements, and insert your own interpretation of the characters or story here.
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R315r4z0r



Joined: 30 Aug 2007
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PostPosted: Sun Sep 18, 2016 11:16 am Reply with quote
BadNewsBlues wrote:
Jonny Mendes wrote:

If this movie was more like what Death Note is (a psychological thriller) and not some adult horror movie, the mainstream audience maybe will look how intelligent the story is and how good anime can be.


You're wrongly assuming that anyone new to anime (or manga) can't find it good for reasons that don't necessarily have to do with "intelligent" writing not everyone cares for thought provoking dramas, with heavy handed elements, and insert your own interpretation of the characters or story here.

So... by all means change it to cater to people who don't care for the original content?

That argument goes both ways. There might not be people who like the elements of the source material. That's fine, but there are also people who do.

The difference is, if people don't like the source material, why would they watch the adaptation? Even if the creators of the adaptation have changed it dramatically to cater to the desires of the people who originally didn't like it, if you didn't like it, you're not going to give it a chance. Just common sense.

So that really is just a double whammy against yourself. Change the content to the dissatisfaction of the people who enjoyed it originally into content other people would prefer to see but would never watch regardless.
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leafy sea dragon



Joined: 27 Oct 2009
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PostPosted: Sun Sep 18, 2016 1:03 pm Reply with quote
R315r4z0r wrote:

So... by all means change it to cater to people who don't care for the original content?

That argument goes both ways. There might not be people who like the elements of the source material. That's fine, but there are also people who do.

The difference is, if people don't like the source material, why would they watch the adaptation? Even if the creators of the adaptation have changed it dramatically to cater to the desires of the people who originally didn't like it, if you didn't like it, you're not going to give it a chance. Just common sense.

So that really is just a double whammy against yourself. Change the content to the dissatisfaction of the people who enjoyed it originally into content other people would prefer to see but would never watch regardless.


Depends on which one is more popular and which one is more accessible. Adaptation displacement is in full swing in Hollywood, and always has been. What people know of the story of Count Dracula, for instance, is shaped entirely by the Universal Studios movie, which was charged HEAVILY from the novel it was adapted from. Same goes for The Wizard of Oz and Charlie and the Chocolate Factory, to where more faithful adaptations of these books have been soundly rejected by the mainstream. (And especially so for Bram Stoker's Dracula, which ruined the careers of everyone involved...except for Gary Oldman, who became famous through it for some reason.) Were the fans of these books happy when the movies came out? Of course not. Roald Dahl even refused to allow any movie adaptations of his books until the day he died. The real question is: Does anybody care?
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Jonny Mendes



Joined: 17 Oct 2014
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PostPosted: Sun Sep 18, 2016 1:47 pm Reply with quote
BadNewsBlues wrote:
Jonny Mendes wrote:
They will know that is based on a anime and they will think that all anime is ultra-violent, gore and full of nudity.



Around half the people who watched the 1987 TMNT Cartoon and the Live Action Movie never new about the comic book both works were adapted from or that the books are decidedly more darker and violent than adaptations. They also don't really care.

In other words most casual fans watching this are going to view this movie (or whatever it is) as it's own thing and whatever viewpoint they have good or bad isn't going to be held against either the manga or anime industry as a whole.



Jonny Mendes wrote:

If this movie was more like what Death Note is (a psychological thriller) and not some adult horror movie, the mainstream audience maybe will look how intelligent the story is and how good anime can be.


You're wrongly assuming that anyone new to anime (or manga) can't find it good for reasons that don't necessarily have to do with "intelligent" writing not everyone cares for thought provoking dramas, with heavy handed elements, and insert your own interpretation of the characters or story here.


Long story made short. If people want to see a live action Death Note, watch the 2006 Japanese movie. if people don't care about Death Note, watch this American movie. Wink
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BadNewsBlues



Joined: 21 Sep 2014
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PostPosted: Sun Sep 18, 2016 11:35 pm Reply with quote
R315r4z0r wrote:
So... by all means change it to cater to people who don't care for the original content?


Given adaptations have been done like that many times before and that not everyone wants an adaptation to to be exact adaptation of the source material? Why not.


R315r4z0r wrote:
That argument goes both ways. There might not be people who like the elements of the source material. That's fine, but there are also people who do.


Then as you said those people can either stick with the anime adaptation which has already been translated into english or watch the japanese dramas/movies.


R315r4z0r wrote:
The difference is, if people don't like the source material, why would they watch the adaptation?


I mentioned nothing about people who didn't like the source material I mentioned people who likely never read the source material and couldn't care less about it but who might wind up watching this and enjoying it. Which is not the same thing to what you're talking about. Those are the people the makers of this movie are trying to appeal to.

Not solely and specifically to he people who are aware of the original material and it's various adaptations. And for whatever reason expect this series to be another by the numbers adaptation.
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Jayhosh



Joined: 24 May 2013
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PostPosted: Mon Sep 19, 2016 12:06 pm Reply with quote
Anime fans can be so sensitive. "He obviously hasn't read the original source material, hmph!" "Uncultured swine!" You're not superior and more cultured just because you think you know exactly how adaptations should be made and enjoy jumping the gun on an unreleased end product because of a few lines from the director. Maybe it has to do with the fact that I rewatched the series relatively recently, but I think you guys are mis-remembering it if you genuinely believe it doesn't get pretty violent at times. Sure, I can see the adaptation blatantly depicting these scenes with less grace and subtlety, but that's also kind of predictable for a western remake too.

The Guest was actually a pretty good thriller, but the new Blair Witch wasn't very good (aside from the ending), so I suppose I'm cautiously looking forward to it. Assuming from those two films only, it seems the quality could go either way.
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SkerllyF



Joined: 02 Sep 2016
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PostPosted: Mon Sep 19, 2016 7:01 pm Reply with quote
That´s what happens when your mind is so drowned in PURISM. Even with anime series, anime fans can be annoying. They don´t understand than an adaptation doesn´t have to be a panel-by-panel animation of the source material. Even in TV Series, Hollywood doesn´t do panel-by-panel adaptations(If you saw iZombie, compare its comics with the TV series), but this happens because most directors want to make a too faithful adaptation, even when things end up like Ace Attorney(first 4 episodes) or Sailor Moon Crystal.
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SkerllyF



Joined: 02 Sep 2016
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PostPosted: Mon Sep 19, 2016 7:02 pm Reply with quote
Quote:
Anime fans can be so sensitive. "He obviously hasn't read the original source material, hmph!" "Uncultured swine!" You're not superior and more cultured just because you think you know exactly how adaptations should be made and enjoy jumping the gun on an unreleased end product because of a few lines from the director. Maybe it has to do with the fact that I rewatched the series relatively recently, but I think you guys are mis-remembering it if you genuinely believe it doesn't get pretty violent at times. Sure, I can see the adaptation blatantly depicting these scenes with less grace and subtlety, but that's also kind of predictable for a western remake too.

The Guest was actually a pretty good thriller, but the new Blair Witch wasn't very good (aside from the ending), so I suppose I'm cautiously looking forward to it. Assuming from those two films only, it seems the quality could go either way.



That´s what happens when your mind is so drowned in PURISM. Even with anime series, anime fans can be annoying. They don´t understand than an adaptation doesn´t have to be a panel-by-panel animation of the source material. Even in TV Series, Hollywood doesn´t do panel-by-panel adaptations(If you saw iZombie, compare its comics with the TV series), but this happens because most directors want to make a too faithful adaptation, even when things end up like Ace Attorney(first 4 episodes) or Sailor Moon Crystal.

And if you say things like this, the purists offend you because they think they now better. They should assimilate the truth
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Primus



Joined: 01 Mar 2006
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Location: Toronto
PostPosted: Mon Sep 19, 2016 7:38 pm Reply with quote
I was cautiously optimistic about this movie since Wingard has done some solid work. Then Blair Witch came along. Then I remembered Death Note was originally intended to be a theatrical release that was dropped to Netflix. I'm not so optimistic anymore.
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Lord Oink



Joined: 06 Jul 2016
Posts: 876
PostPosted: Mon Sep 19, 2016 11:08 pm Reply with quote
Jayhosh wrote:
Anime fans can be so sensitive. "He obviously hasn't read the original source material, hmph!" "Uncultured swine!" You're not superior and more cultured just because you think you know exactly how adaptations should be made and enjoy jumping the gun on an unreleased end product because of a few lines from the director.


Because anime fans are used to good adaptions. Anime is usually a panel for panel adaption. Unlike Hollywood adaptions which usually change things for stupid reasons., and people have become complacent about it. Fans of western media like comics and games just accept adaptions will be flawed and try to enjoy them regardless. Anime fans expect better because we're used to better, to put it simply.
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leafy sea dragon



Joined: 27 Oct 2009
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PostPosted: Tue Sep 20, 2016 1:20 am Reply with quote
SkerllyF wrote:
That´s what happens when your mind is so drowned in PURISM. Even with anime series, anime fans can be annoying. They don´t understand than an adaptation doesn´t have to be a panel-by-panel animation of the source material. Even in TV Series, Hollywood doesn´t do panel-by-panel adaptations(If you saw iZombie, compare its comics with the TV series), but this happens because most directors want to make a too faithful adaptation, even when things end up like Ace Attorney(first 4 episodes) or Sailor Moon Crystal.


I'd like to chime in that there have been at least two attempts from Hollywood to make as faithful an adaptation as possible. Watchmen got a mixed reception, and the remake of Psycho got slammed, bombed, and forgotten except to use as examples of why movie adaptations shouldn't be as faithful as possible.
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CCTakato



Joined: 24 Jul 2015
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PostPosted: Tue Sep 20, 2016 3:07 am Reply with quote
Frankly to me, at this point, I don't really care about live action adaptation of anime anymore. To me, the whole appeal of anime is that it's telling these complex and unique narratives through the medium of animation and that's what makes anime so appealing to me. If people want to make a live action crime drama with some supernatural elements and lots of violence, they should just make their own work instead of taking another country's work. That's what Hollywood did with Inception and it turned out to be a really great film even though some anime nerds might call it a "rip off" of Satoshi Kon. But I would almost prefer they do something like that with Death Note at this point. It would be a lot more honest. My biggest concern with the live action Death Note isn't about if it will "ruin the original" or not but what this is going to do for the perception of anime as an art form. Anime already has this negative stigma that it's all either little kid's shows like Pokemon or it's all violent gory porn for "weeaboos." Is the live action Death Note going to cause the broader public to reconsider anime as an art form that is just as viable as American comics and fantasy novels or is it going to continue to add to the negative stigma that anime still has? So far frankly the creators of this are falling into the latter camp here.
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BadNewsBlues



Joined: 21 Sep 2014
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PostPosted: Tue Sep 20, 2016 3:09 am Reply with quote
Lord Oink wrote:
Because anime fans are used to good adaptions. Anime is usually a panel for panel adaption. Unlike Hollywood adaptions which usually change things for stupid reasons., and people have become complacent about it. Fans of western media like comics and games just accept adaptions will be flawed and try to enjoy them regardless. Anime fans expect better because we're used to better, to put it simply.


Oh if that's case why do so many people whine about the anime adaptations of DragonBall, Naruto, One Piece, Parasyte, The New Berserk anime etc.?

leafy sea dragon wrote:
I'd like to chime in that there have been at least two attempts from Hollywood to make as faithful an adaptation as possible. Watchmen got a mixed reception, and the remake of Psycho got slammed, bombed, and forgotten except to use as examples of why movie adaptations shouldn't be as faithful as possible.


Watchmen wasn't really singled out for being a one to one adaptation of the comic the general complaints was Snyder misunderstood Moore's narrative/message and some other nonsense. The 98 Psycho film on the other hand was taken to task for being a 1 to 1 adaptation though.


CCTakato wrote:
If people want to make a live action crime drama with some supernatural elements and lots of violence, they should just make their own work instead of taking another country's work.


Japan doesn't own Death Note. It's wholly the work of Ohba and Obata.

CCTakato wrote:
Is the live action Death Note going to cause the broader public to reconsider anime as an art form that is just as viable as American comics and fantasy novels or is it going to continue to add to the negative stigma that anime still has? So far frankly the creators of this are falling into the latter camp here.


Neither is going to happen since when people look at this they're not going to associate this production with the entire anime and manga industry the same way no one associated DragonBall Evolution with either industry.
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CCTakato



Joined: 24 Jul 2015
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PostPosted: Tue Sep 20, 2016 3:49 am Reply with quote
You're completely missing my point. My point is that it's impossible to adapt anime into American live action because we have such radically different cultural and entertainment values. As an example, compare the American version of The Ring to the original Japanese version. Even though they're still the same basic plot and characters, the entire tone and many key moments are completely different in both films because they're both made to suit the different tastes of their respective cultures. Other American remakes of Asian horror tried to copy The Ring's success but few of them were ever able to match it and most of them have been forgotten about now and even The Ring hasn't been part of the American public consciousness in forever. I imagine it is going to be even more difficult with anime, especially with all the big name popular titles everyone wants to grab, that are simply too complex to fit into the limited constraints of a film format that has to be tailored to suit Western tastes and values while also appealing to its core fanbase. It's easier for American comics because most American comics tend to have lots of reboots and alternate universes and lend themselves more to being flexible with their stories as long as they keep the basic spirit of the original. With anime most of the time you just have the one story to work with to try and compress into a two hour time limit while still making it both digestible for the masses and true to the spirit of the original. And as I said, with the transition to live action, you're going to lose part of what the main appeal of anime is and that it's animation. I don't know about you, but I watch anime because it's animated. If I wanted to watch live action, I would watch live action. So it's better to me if Hollywood just makes their own original stories that are inspired by anime rather than trying to directly use anime as the latest remake cash cow. Doesn't everyone complain about how much they hate remakes and want more original works from Hollywood anyway? Yet everyone goes nuts over live action anime and I just don't get it.
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leafy sea dragon



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PostPosted: Tue Sep 20, 2016 4:11 am Reply with quote
CCTakato wrote:
Frankly to me, at this point, I don't really care about live action adaptation of anime anymore. To me, the whole appeal of anime is that it's telling these complex and unique narratives through the medium of animation and that's what makes anime so appealing to me. If people want to make a live action crime drama with some supernatural elements and lots of violence, they should just make their own work instead of taking another country's work. That's what Hollywood did with Inception and it turned out to be a really great film even though some anime nerds might call it a "rip off" of Satoshi Kon. But I would almost prefer they do something like that with Death Note at this point. It would be a lot more honest. My biggest concern with the live action Death Note isn't about if it will "ruin the original" or not but what this is going to do for the perception of anime as an art form. Anime already has this negative stigma that it's all either little kid's shows like Pokemon or it's all violent gory porn for "weeaboos." Is the live action Death Note going to cause the broader public to reconsider anime as an art form that is just as viable as American comics and fantasy novels or is it going to continue to add to the negative stigma that anime still has? So far frankly the creators of this are falling into the latter camp here.


My guess is that they're not going to play up the whole "based on an anime/manga" trait. I expect the marketing for this movie to treat it as if it were its own story. You'll likely get "Based on the comics written by Tsugumi Ohba and Takeshi Obata" somewhere in the opening credits, but that's it.

Death Note may be an evergreen property, but it isn't famous enough for random viewers to know it's based on something.

BadNewsBlues wrote:
Watchmen wasn't really singled out for being a one to one adaptation of the comic the general complaints was Snyder misunderstood Moore's narrative/message and some other nonsense. The 98 Psycho film on the other hand was taken to task for being a 1 to 1 adaptation though.


True, Zack Snyder was never too interested in the internal aspects of storytelling, instead being more focused on moments of awe. Watchmen would've been like 6 hours long if everything in the comic book was kept though, and it was Snyder's decision on what is removed, and of what remains, what is played up and what is downplayed. That's something every adaptation (except Psycho) undergoes.

Watchmen's ad campaign DID boast that Snyder used the comic book itself as a storyboard though, resulting in dialogue spoken word-for-word from the source material and framing and blocking appearing nearly exactly as it appeared in the comics.

CCTakato wrote:
I imagine it is going to be even more difficult with anime, especially with all the big name popular titles everyone wants to grab, that are simply too complex to fit into the limited constraints of a film format that has to be tailored to suit Western tastes and values while also appealing to its core fanbase. It's easier for American comics because most American comics tend to have lots of reboots and alternate universes and lend themselves more to being flexible with their stories as long as they keep the basic spirit of the original. With anime most of the time you just have the one story to work with to try and compress into a two hour time limit while still making it both digestible for the masses and true to the spirit of the original.


If Hollywood can do such a good job of adapting literature, sometimes with radical changes, to the point where the movie overtakes the book in popularity, I can see them being perfectly capable of condensing an anime or manga story into two-hour chunks, even if they have to make a movie series like with Harry Potter or The Hunger Games. Literature certainly doesn't have a malleable reboots-and-multiverse system major American comic book publishers have, and even then, comic books didn't do that sort of thing until Crisis on Infinite Earths in the late 80's.
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