Forum - View topicHey, Answerman! [2007-09-07]
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Cephus
Posts: 139 Location: Redlands, CA |
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Come on, George Lucas doesn't care if his MOVIES contradict each other, why would he care about the books? |
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Furudanuki
Posts: 1874 |
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That definition is a convenient starting point, but I'd strongly recommend checking other sources to get a more rounded viewpoint (Wikipedia and Google are your friends). The ANN definition makes some absolute blanket assertions when the reality is nowhere near so simple.
Many characters thought to be moé are neither eager nor perky. For example:
Rei Ayanami - Neon Genesis Evangelion Mai Kawasumi - Kanon Sakaki - Azumanga Daioh Machi - Nagasarete Airantou Primula - Shuffle! Anju Maaka - Karin
Akiko Minase - Kanon Ama Shigure - Shuffle! Shana - Shakugan no Shana Maria - Hayate the Combat Butler Akira E. Ferrari, Alicia Florence & Athena Glory - ARIA the Animation & sequels Matsuri Shihou - sola |
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sabriyahm
Posts: 292 Location: Georgia |
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You lose 50 cool points for calling Lackey a hack! |
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Zac
ANN Executive Editor
Posts: 7912 Location: Anime News Network Technodrome |
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She is. She also has a legion of ghost writers, a'la RL Stine. |
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kyokun703
Posts: 2505 Location: Orgrimmar |
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While Lackey's original books (Arrows and the Vanyel trilogy) weren't bad, the rest of her books are pretty bad, and *extremely* formulaic. I was able to predict what would happen where in every single book. LKH has degenerated into almost solid porn. It isn't even any fun anymore. |
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petran79
Posts: 122 |
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Just as it happens with Japanese animation today, the quality works are fewe also in US animation.
American animation has some good works that unfortunately are not that widely known like they deserve to be. One example is Fritz the Cat. The first x-rated animated movie. Even if it doesnt reach the wit of the comic strip it still has some unique visuals. Screened at a time when there were actually animated movies for adults, like most of R. Bakshi's works . The Japanese own a lot to this movie. Also Billy Plympton's work are very funny as well as D.Herzfeld. Overall look for the Oscar short animation winners and nominees. You'll find many masterpieces unlikely to be seen on TV. Who can forget movies like "A boy named Charlie Brown". Also works by J.Humbley are of the best I've seen and other UPA classics. They're the kind of titles that give US animation a uniqueness and originality Problem is how to make these works more widely known to a wider audience. I've seen younger viewers who have the energy to watch and know almost every low quality new anime or cartoon, but are prejudiced towards different and older animation. And the older viewers are not what TV broadcasters have in mind. What is rather missing is an education in animation (credit to Rembrand Films for the excellent documentary 'The animated century'). If TV broadcasters regard children as consumers then cartoons will never rise in quality. |
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Kenotic
Posts: 167 |
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Can I be you? Seriously, I think the thing is overblown. Like a said before, it seems like everything with female leads is considered "moe," an overly cute female (which is most anime through the years) even more so. I guess if I had to boil it down to one character, watch "The Melancholy of Haruhi Suzumiya" and study Mikuru Asahina. She was all but created to be a "moe" stereotype. |
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Berserkfury819
Posts: 229 Location: Detroit Mi. Spider-Man is dead. R.I.P. |
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Before I start on fan fiction, I would like to point out that Christopher Tolkien did not write any Middle Earth books. He edited them. The whole history of Middle Earth Series are essentially J.R.R. Tolkiens rough drafts, and they were published so that people could look at his original ideas. "The Silmarilion" is a group of stories about the makings of Middle Earth and the history of the elves. J.R.R. Tolkien died before he could publish it, and so his son edited the stories, put them in order and got them published. The book that came out earlier this year "The Children of Hurin" is essentially an extended version of one of the stories in "The Silmarilion."
Zac, thank you for calling out Lackey and Hamilton. Fan fiction. I'm probably going to get a lot of hatred for this, but I can't stand fan fiction, and here's why. I'm a writing major in college, and as someone who writes his own stories and is constantly revising and editing my own work, I think its disgusting that someone else can come along and write a story with characters established by someone else. It's hack, there's no talent behind it, and its the easy way out. Coming up with your own characters and plots is hard and a lot of time has to be put into it (unless your R.A. Salvatore or Christopher Paolini). If you want your work to be taken seriously, create something. If all your doing is using someone else's characters for your own story, its essentially plagarism. If I may quote George R.R. Martin "Write in your own universe. If you don't excercise those literary muscles, you'll never develop them." |
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Kyuriko
Posts: 152 |
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If I wanted to watch Japanese animation, I would watch Japanese animation.
I cannot say that I was too fond of Suzukaze as Kenshin either; I much preferred Casino's performance. While it is true that Watsuki had based the character on Kawakami Gensai and wanted him to have a feminine appearance even as an assassin, I still enjoy that Casino made a clear distinction between the "assassin" and the "rurôni". The loss of catchphrases in translation are always a disappointment to me because it is their trademark, but it has never really bothered me because there are some things that simply cannot be translated. And before anyone rushes to their defense, I actually do enjoy most of the Japanese cast - just not Kenshin.
That, my friend, is the very definition of what translation is - it is the translator's job to go beyond simply finding an English equivalent of words and phrases in a foreign language. I am honestly having a hard time understanding what you are trying to say in your second point, though; care to provide a few examples to clarify your argument? And translators are viewing the original when making their translations - otherwise, what on earth are they translating from? What is to say that fan translations are not doing the exact same thing you are accusing official translators of doing? I cannot tell you how many times fan translations have made extremely - almost too - literal translations. But in the end, hearing this endless debate about translations grates my last nerve. There is no one "right" way to interpret something. But if you think you would do a better job than they can, then by all means be my guest.
Yes, because dropping the atomic bomb on the anime market just because you and a handful of hardcore fans prefer subtitles would be a downright dandy idea. |
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The Xenos
Posts: 1519 Location: Boston |
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And then there's DC Comics or Marvel Comics where Characters created decades ago are still being milked by writers and editors today. Of course the difference is that someone from the copyright owner approves of these and hires the writers. Though the results are varying degrees. (I don't want to even get into the whole copy right and creators rights debate here.) One prime example right now is Wonder Woman. She's been tossed around from author to author with one set of issues not even matching what happened the previous year, never mind how the character was ten or so years ago. You have one author writing a character and the next one or even a concurrent one writing the same character in a different way. Now ideally editors are supposed to prevent this and make sure the author knows the character, but not every editor does their job right. Personally, I think DC editorial right now is a damned mess. (And let's not get me started on the more cult favorite character of The Question who've I've really gotten into in recent years.)
I was mainly focusing on these fans who somehow think fan fic is something to sell. The thing is, as much work as you put into it, the idea of selling it at con just doesn't work. With fanart, as Answerman said, you see what you're getting. It's something to sell. Writing not only takes more work to make, it takes more work to read and grasp the quality. Maybe it's because I try to write myself and cannot draw, but I think drawing a character and making them recognizable takes more skill than writing down their name. Any idiot can write a fanfic by just putting down their name. Sure, they usually are written horribly out of character, but they still are instantly recognizable because someone else has already made a name for them. You're riding on that character someone else made and named. Yet with fan art you have to work more on likeness so someone can take one glance and know who it is. This is why I'm interested in selling comics myself at cons, original ones. Being illustrated as a comic., it's easier to show off. You have an image and it's easier for the reader to skim a comic than a written novel. Though, again, I'd rather focus my time on original characters than waste time on pure fan art and fan fiction. I admit I'd like to toss in a fun parody strip or pinup here and there, especially if you're selling at an anime con, but I don't want it to be the crux of the book. Last Otakon I attended, I loved checking out the small press and self published comics people had. That was so much more interesting than random fanart of characters from established anime and manga. If I want art, I'll hunt down a legit poster. Though I confess to picking up some prints of more obscure series, namely a Blame! poster by Dan Kim. Plus I do have some Sandman fanart I've gotten at comic cons, namely some prints and a couple actual paintings by Japanese style painter Andy Lee. Oh and I got a FLCL print from my friend who was selling prints. My friend has a web comic yet unfortunately doesn't quite agree on my self publishing comics idea. He's sticking to just fan art prints as well as selling stuff in costume. Yet, hey, it's his booth and it's his choice. If I want to do things my way, then I should get my own booth. It's his comic and artist's alley table, he calls the shots. |
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The Xenos
Posts: 1519 Location: Boston |
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Amen! Thank you for being honest and straight forward about it. I guess even I wasn't brave enough to come out and say it. Plus that's an amazing quote. |
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The Xenos
Posts: 1519 Location: Boston |
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Man, I think that deserves to be edited into the column proper. I especially love:
I'm going to have to keep that and quote you on it in the future. |
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Richard J.
Posts: 3367 Location: Sic Semper Tyrannis. |
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I'm going to comment on fan fiction, since I've written a little. The vast majority is crap. A small portion, however, could be considered practice for original quality writing. (Yes, I arrogantly consider what little I've written in this way.)
Writing using another person's characters and world setting isn't easy if you're trying to match your characterization and plotting to their style. However, it does provide a way to test your own abilities at writing. It can be more comfortable than starting completely from scratch and it can allow a person to develop an idea or character in a setting that lets them work out the parts that don't really work with zero risk to any personal creation. Most fan fiction is bad, some is good, and in twenty years you might come across an interview with a successful novelist who mentions that they posted some crappy fic long ago for Naruto or whatever. I'm not really trying to defend anything. There is a ton of absolute garbage out there. Yet you can find a very few gems of well written fic. All I'm saying is the earliest writings of some great authors were probably garbage too before they spent a few more years writing various things. Some fan fiction is practice for the real thing, the majority is just the work of people who should know better. Kind of like watching American Idol when they show all the auditions. |
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Kyokat
Posts: 50 |
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Do all of you complaining about fanfic/art also hate doujin for not being 100% original? I'd mention AMVs, but Zac has already expressed that he thinks using other people's music (or at least Weird Al's) is a complete copout and people should record their own.
What about when Disney reinvents Aladdin and The Little Mermaid? What about Sgt Frog, which uses Gundam left and right? Hell, what about sequels? Pirates of the Caribbean 2 was such a cop out; they should have spent that time coming up with new characters. Half the fun of pop culture is sharing it with others, and going "I like this, and wouldn't it be cool if the characters also did this?" And people like the familar. So what if it relies on already created characters? Maybe it'll give them more depth and flesh them out. Yes, a lot of fanfiction is crap, but so is a lot of everything else. That's no reason to act like you're better than someone else because they write it and you don't. |
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Zac
ANN Executive Editor
Posts: 7912 Location: Anime News Network Technodrome |
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You dumping out some lazy-ass hackneyed Trigun fanfiction is not the same as Disney's creative team making a version of Aladdin or a sequel to an ongoing franchise. Please stop equating fanfiction with anything that's remotely derivative, including sequels. It's not the same thing. It's not about being "totally original", it's about quality and creativity. It's awfully presumptuous of you to assume that someone writing fanfiction is giving the characters "more depth". I'm really getting the stink of ego from a lot of these "fanfiction is the same as major motion pictures and anything that's ever referenced anything ever!" excuses. You are not Gore Verbinski, you are not JK Rowling. How dare we call a spade a spade, I know, but xxHaRrYxDrAc0xx's 50 page text file about how Harry Potter and Cho Chang cut their hair between chapters 50 and 51 of Harry Potter and the Half Blood Prince is not the same as Pirates of the Caribbean 2. |
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