Forum - View topicNEWS: LA Times Looks at Mamoru Oshii and Hayao Miyazaki
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Tony K.
Subscriber
Moderator Posts: 11446 Location: Frisco, TX |
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Type-o:
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Tenchi
Posts: 4548 Location: Ottawa... now I'm an ex-Anglo Montrealer. |
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Uhh... as far as I know, Mamoru Oshii had nothing whatsoever to do with the animation sequence in Kill Bill. |
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cascade
Posts: 8 Location: Houston Texas |
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Oshii all the way.
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ShellBullet
Posts: 1051 Location: I hit things, with my fist. |
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I'm racking my brain, is there any actual sex in any Oshii movies? They talk about sex and Kusanagi appears naked a few times, but really that's about it. |
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Perfectsword
Posts: 527 Location: Somewhere in NY |
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I dont really know what to say. The article make the Creators / Directors look like enemys; which is kind of sad. I dont really know what they trying to get at; Family anime vs. Mature anime i guss. I think we need both. But the thing that made me a little pissed is:
"Look," Ishikawa continues. " 'Innocence' is even difficult for me to understand. But I trust Oshii's talent. And if you dilute it for an American audience, it wouldn't be cyberpunk anymore." What the hell? Steryotyping B*stard...Other than that i guss it was just simply a bestile argument. No point to it. |
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Gamelore
Posts: 76 |
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Clearly Dreamworks "know[s] what sells in the U.S." by their choice of over-the-top cover art, and lack of proper subtitles. Somehow this idiocy played out exactly how I imagined it would have, except for the whole thing about, oh, WANTING TO REWRITE THE SCRIPT. I'm sure the 2 minute clip was a bunch of action scenes, too, which obviously are all that dimwit cared about. I so love the MPAA distributing anime... |
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Kazuki-san
Posts: 2251 Location: Houston, TX |
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I can't say anything about the cover, because it doesn't compare to the Japanese one, but the subtitles were a production error that has been corrected. Such things happen to every company at some point. |
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Aaron White
Old Regular
Posts: 1365 Location: Birmingham, Alabama |
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Someone on another messageboard posted a link to some art by a painter who's apparently an influence on the look of the new GitS movie, and I could see the resemblance; it was eroticized, fetishized pictures of female maniquins that looked not unlike Katsuragi. I've lost the link, but it was probably innappropriate for this forum anyway...
There's an interview with Oshii in an old book of Animerica interviews in which he criticizes Miyazaki for not making sophisticated adult films, by which I assume he means police procedurals with giant robots. |
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Tempest
I Run this place.
ANN Publisher Posts: 10461 Location: Do not message me for support. |
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I noticed that too. Its dissapointing that sucha potentially good article is poorly researched. It also suggests that I.G is Oshii's studio, whci is very far from the truth. Oshii is given carte blanche at I.G, but he's not an owner or director of the company.
I think they're trying to show two very different aspects of anime. From reading it, I think people might get the impression that Oshii and Miyazaki are enemies, which is very far from the truth. They're actually friends (not best buddy's or anything, but friendly).
Just before, it the article stated that Dreamworks wanted to write the script because they knew what would work in America. In otherwords, they wanted to "dilute it for American audiences." It was Ishikawa that believed it could succeeed in America without being diluted. Which is why he refused to let Dreamworks dilute it.
-t |
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UltimaShadowfax
Posts: 288 |
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If that article got its facts incorrect, couldn't someone do something about it legally?
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Tenchi
Posts: 4548 Location: Ottawa... now I'm an ex-Anglo Montrealer. |
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I don't think any of the errors are potentially libellous. If someone points out the errors to them, the L.A. Times will just print a little item about it in their "corrections" section followed by the standard "The Times regrets any inconvenience these errors may have caused." disclaimer or whatnot.
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jfrog
Posts: 925 Location: Seattle |
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I'm not sure I would've minded so much. Scriptwriting is clearly not one of Oshii's strong points, they're usually really overcomplicated and overpretentious - just compare Innocence to Patlabor II to see the difference. Anyone know what happened to Kazunori Ito? I mean, I like the way Oshii's visual style has been developing and all, but he needs another Ito script to work with like a fanboy needs a parent's basement.
Anyways, I think it's really great that this article got published, it's so rare to see English-language anime criticism. Wish they would've gotten Takahata in there, I've only read like one or two interviews with him and they were both really fascinating. Especially when he rips into Spirited Away.
The artist is Hans Bellmer, and I'm personally a big fan of his doll sculptures. Then again, I'll like pretty much anything involving really deformed human bodies. Even briefly liked Saikano for that reason, before I realized that it sucked. |
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Neilworms
Posts: 155 Location: Chicago IL |
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Miyazaki and Oshii aren't enemies, its more of a stylistic battle, they both respect each others work, but feel that each other person needs to improve their respective styles. You can read more about the relationship between Oshii and Miyazaki at these articles from nausicaa.net here and here. Also as for how the article was researched, I'd say they did a really good job. I mean this kind of information is stuff most amereican otaku don't really know about nor really care to look up. Desipte the fact that there was a glaring error about Oshii's involvement in Kill Bill, more articles of this calabre should be published in English... I mean Miyazaki and Oshii were treated like artists from opposing schools of thought, not just as craftsmen who make cute stuff for kids or kids who can't grow up. :P |
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ZeroZero
Posts: 2 |
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It sounds harsh, but in the article Oshii comes off like one big prentensious blowhard compared to Miyazaki.
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Akito-san
Posts: 4 Location: At the computer... |
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that's hilarious who the hell says stuff like that? honestly... |
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