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NEWS: GKIDS Acquires N. American Rights to Naoko Yamada's A Silent Voice, Liz and the Blue Bird Anim




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Thulebox



Joined: 15 Mar 2024
Posts: 11
PostPosted: Thu Nov 14, 2024 4:22 pm Reply with quote
Uh oh. With the last licensed movie from Eleven Arts being Blue Thermal from 2022 and then news like this I'm worried about them.
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chrisc1978



Joined: 31 May 2008
Posts: 369
PostPosted: Thu Nov 14, 2024 4:26 pm Reply with quote
So what happened to Eleven Arts?
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tinyirnfist0



Joined: 13 Oct 2021
Posts: 43
PostPosted: Thu Nov 14, 2024 6:02 pm Reply with quote
Thulebox wrote:
Uh oh. With the last licensed movie from Eleven Arts being Blue Thermal from 2022 and then news like this I'm worried about them.


Actually, their last release was DEEMO Memorial Keys which was in 2023.
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Cardcaptor Takato



Joined: 27 Jan 2018
Posts: 5180
PostPosted: Thu Nov 14, 2024 6:16 pm Reply with quote
It's too bad about Eleven Arts because as much as I love GKids we need more than one US distributor putting out anime movies especially now with GKids owned by Toho.
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FireChick
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Joined: 26 Mar 2006
Posts: 2483
Location: United States
PostPosted: Thu Nov 14, 2024 8:26 pm Reply with quote
chrisc1978 wrote:
So what happened to Eleven Arts?


All I remember hearing was that they were subjected to a hacking incident, but nothing else after that.
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Primus



Joined: 01 Mar 2006
Posts: 2815
Location: Toronto
PostPosted: Thu Nov 14, 2024 9:23 pm Reply with quote
chrisc1978 wrote:
So what happened to Eleven Arts?


They ended up in a no-man's land. GKIDS has the ability to get titles into Oscar conversations and in the case of Heron, even do strong numbers at the U.S. box office. Sony has the ability to get their movies seen across multiple markets to decent results (if it's a franchise film). Netflix has the ability to get your film in front of a massive audience, while paying for an entire production's budget, multiple times over.

What could Eleven Arts do to combat that level of competition? Not much, so they'd be left with the movies no one else wanted. There aren't a tonne of anime films that aren't franchise tie-ins and there's going to be very few leftover after those three take their picks. How many of those movies are decent and marketable to a North American audience? It's the same reason you don't see Sentai or Viz acquire many movies.
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MFrontier



Joined: 13 Apr 2014
Posts: 13735
PostPosted: Thu Nov 14, 2024 11:12 pm Reply with quote
Sad about Eleven Arts but I do have a lot of faith in GKIDS at least.
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Jabootu



Joined: 17 Jan 2024
Posts: 244
PostPosted: Fri Nov 15, 2024 8:36 am Reply with quote
Hopefully this will set the stage for procuring the rights to other KyoAni films and seeing them in theaters too. I would pay $200 to see K-On! the Movie theatrically. Maybe this inches us a bit closer to that happening.
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TdFern 87



Joined: 03 Jun 2017
Posts: 254
PostPosted: Fri Nov 15, 2024 8:50 am Reply with quote
Looks like GKids struck gold with this one but what did happen to Eleven Arts they got bankrupt or something?
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NJ_



Joined: 31 Oct 2009
Posts: 3103
Location: Wallington, NJ
PostPosted: Fri Nov 15, 2024 10:07 am Reply with quote
Primus wrote:
What could Eleven Arts do to combat that level of competition? Not much, so they'd be left with the movies no one else wanted. There aren't a tonne of anime films that aren't franchise tie-ins and there's going to be very few leftover after those three take their picks. How many of those movies are decent and marketable to a North American audience? It's the same reason you don't see Sentai or Viz acquire many movies.


Also their reach in theaters was trash compared to Fathom Events.

Speaking for my area, when Viz and Toei got the Sailor Moon movies to theaters, it was in a lot of locations unlike R's original screening through Eleven Arts which was in one location in the far west.

They even had Mazinger Z Infinity in the same locations which was insane considering Mazinger's a bit more obscure in the states in comparison.
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