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Lemonchest
Joined: 18 Mar 2015
Posts: 1771
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Posted: Thu Dec 08, 2016 10:37 pm
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jroa wrote: |
WARNING, THERE WILL BE SPOILERS in the rest of this post
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Lemonchest wrote: |
But it waits for him to give those magic words that every girl longs to hear & she smiles so hard she shoots up into the sky in a sequence that I'm pretty sure intentionally parallels Wendy kissing Peter Pan in the 2003 film. Whatever may or may not be going on in her mind, the fact remains that it's an external act of validation from a male love interest that makes the magic happen, so to speak. |
I'd say that what happens inside Maria's mind is pretty important. But your point of view seems to be implying that because the show didn't go for exactly the type of portrayal you were expecting in every single scene, regardless of its own rules and internal logic allowing for what actually happened, then it's exactly the same as if it had done almost nothing in that respect and is thus no better in terms of gender representation than Peter Pan in the end.
Everything you've mentioned happened only after Maria herself had actively saved him. That's fairly significant because she was the big damn heroine, not him, who was vital to defeating Galfa. I think that alone already makes it clear who, if anyone, was the dominant party in that whole scene and arguably in their relationship. It certainly wasn't the male love interest who was taking charge of matters and saving the girl. I think that's a good message in and of itself.
That's why the Peter Pan comparison is not too relevant either, because Maria's actual portrayal is nothing like Wendy's. They couldn't be more different in most ways. But even so, I don't think interesting female characters should be forbidden from having those feelings. For that reason, I'd say that context plays an important role in determining the meaning of the sequence instead of just looking at her reaction in an isolated manner from both the rest of the show as well as her own character.
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I only meant it to be a visual, rather than thematic comparison. In case it's been lost in the noise, I like MtvW & think that, for all the flaws I find in it's finale, it's still leagues ahead of what we usually get on these subjects in anime.
Even so, given what comes before, I cannot just go with whatever the intent behind the scene was when I find the ultimate execution of it to be a thematic contradiction, albeit dramatically satisfying. Is it a deal breaker? Not at all. But again, it's one of a number of issues I had with the final two episodes that collectively left me cold.
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Quote: | "So that dove is being pushed onto me, and I'm going to lose my powers?! That's exactly what the church of the heavens wanted to see!" She sure sounds happy. |
Do you really need me to describe what happened immediately after that phrase was spoken? Because it's almost insincere to imply she's actually mad about the situation. Not to mention her interactions with Ezekiel, which started out rough at first yet ended up being quite positive and outright forgiving. |
Since I can't legally watch it, if I'm so wrong as to need correcting, please do. My memory of the final episode is that Maria is pretty much brow beaten by the rest of the cast into going along with what Michael et al have planned for her, herself seeming more sarcastic & resigned than enthusiastic about it. The Ezekiel part in particular I recall going something like:
Michael: Ezekiel, you're going to be born a human. Who would you like to birth you?
Ezekiel: You'll be my mummy, right Maria?
Joseph: Right, Maria?
Maria: Well fudge, I can't exactly say no now, can I? Hop into my womb, buddy.
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Quote: | Yes, you can argue that the point is that she doesn't need to be a witch to still be her. To which I'd respond that by the same token why should she have to give up being a witch at all? |
I'd definitely argue that Maria may have only "stopped" being a witch in the literal sense (notwithstanding some ambiguities that I'd rather not discuss now) and yet still remains one in the figurative or symbolic one, which is ostensibly just as or even more important in the long run. |
If Maria had never really been a witch with actual magic to begin with, then the idea that her being one in spirit, at least, at the end of the story would hold water for me. But she had power, she was persecuted & punished for using said power & she ends either having lost it, or still with the curse that will rob her of it the moment she actually does the dew. She ends having lost something she started with & I do not buy the justification for it happening, or consider what she gets in return to be adequate compensation.
At the end of the day, MtvW ends with religious orthodoxy being restored, the social hierarchy intact & Maria having been stripped of her magic. You can argue that the important thing is she stayed true to herself, or in losing her magic she found what she really wanted (love?). But you've yet to convince me to find that satisfactory, or at least that there was good story or character related reasons why it was necessary.
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Quote: | I'm sure you have binders full of them, but it's not relevant.
edit: Not that others don't share your opinion or disagree with mine, which I'm sure many do. It's just that it's not relevant unless you're referencing others arguments to support your own or refute mine. |
Let's not get personal here. I was, although indirectly, referencing the arguments expressed by Gabriella and others. So it's relevant, especially when you're apparently implying that the show is ultimately not valuing women or even somehow condemning them to a life of servitude to man. |
That's not what I'm implying at all. Again, I liked MtvW. My problem with the ending is that its execution, for me, intentionally or not, undermines its message & put a dampener on the whole experience. If it doesn't bother you, you liked it, or you think the intent of the series as a whole is what matters most, then great. We don't really disagree about what MtvW was trying to be; only on whether the last episode was a satisfying conclusion or not.
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jroa
Joined: 08 Aug 2012
Posts: 548
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Posted: Thu Dec 08, 2016 11:19 pm
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Lemonchest wrote: | But you've yet to convince me to find that satisfactory, or at least that there was good story or character related reasons why it was necessary. |
Frankly, I had already made a lot of posts about Maria last year and while I doubt I'd convince you, given enough time I'd definitely provide plenty of reasons in support of my interpretation.
Unfortunately, time is only one of the currencies that I am lacking right now, thus I will have to end this conversation way more abruptly than I'd like.
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Key
Moderator
Joined: 03 Nov 2003
Posts: 18445
Location: Indianapolis, IN (formerly Mimiho Valley)
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Posted: Fri Dec 09, 2016 1:29 am
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Lemonchest wrote: | Incidentally, MtvW takes place around the same time as the Hussite wars. |
It would have to be after the Hussite Wars at the very least, as they are what introduced the hand cannons to warfare and Joan of Arc's trip to the stake, which is referenced in episode 1, happened in their midst.
The other evidence that the series gives us about the date are references to the Black Death having struck before Anne was born ("long before" in the English dub, which may be misleading) and the facts that mercenaries were still marauding local villages and levies from nobles were still being used in battles. Barring historical inconsistencies, the latter two actually put a cap of 1445 on the story, as that's the point when France transitioned to a standing army (in part to deal with the marauding mercenaries). The waves of Black Plague in that part of Europe hit in 1400 and 1438-1439, so if we assume that Anne is around age 6 then a date of 1444 or 1445 is reasonable. I think she looks at least a couple of years older than that, so late 1440s with the timing being stretched a bit is also reasonable. Of course, given Martha's age it's theoretically possible that she is referring to the 1400 episode of the Black Death, but that would mean that Maria is a lot older than what she looks like she is. (Of course, we also have no way to know what, exactly, Martha meant by when she was a "younger woman.")
The rest of your post I'll leave to others to address.
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Lemonchest
Joined: 18 Mar 2015
Posts: 1771
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Posted: Fri Dec 09, 2016 6:22 am
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You could have just said it's set between 1431 (the death of Joan d'Arc) & 1453 (the battle of Castillon). The specific date doesn't matter, since I only mentioned the Hussites in relation to presenting Bernard & more specifically his texts being burned by Michael & Gilbert as a "good" ending at a time when The Church was prone to doing just that to assert its superiority over those who dissented or deviated (including Maria & her fellow witches).
Anyways, this discussion has more than run its course.
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TarsTarkas
Joined: 20 Dec 2007
Posts: 5935
Location: Virginia, United States
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Posted: Fri Dec 09, 2016 8:18 am
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Another semi-historical anime where people expect a twenty first century PC message for an anime taking place in the fifteenth century.
I for one want the past to be depicted as it was, and not framed by the present.
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Animegomaniac
Joined: 16 Feb 2012
Posts: 4157
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Posted: Fri Dec 09, 2016 8:51 am
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TarsTarkas wrote: | Another semi-historical anime where people expect a twenty first century PC message for an anime taking place in the fifteenth century.
I for one want the past to be depicted as it was, and not framed by the present. |
She's a witch in what seems to be spandex, I'd think it'd be weird if it didn't have a modern message.
My rewatch of the series wasn't as good as the initial viewing... there's angels and witches coexisting so it's hard to imagine why that world isn't a lot more pragmatic when it comes to contrasting opposing view points. In the base historical context, there's the Church on one hand and on the other there's "You're wrong, the Church is right". So you have the odd situation in the series where Heaven is ok with witches existing while the Church is still the same historic Church, the "never suffer a witch to live" one
It's good that Michael doesn't play favorites but I'd still like to have seen a little more cause behind Heaven's action.
Oh and the series really needed to explain the difference between witches and humans. I think it's obvious from her actions with that previous village that she's a lot longer lived than she appears but it's hard to say how long or even how. The series would have been greatly aided with these details spelled out with more than "She's a witch, you know, a witch. Brooms, flying, familiars and magic, the whole package."
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kgw
Joined: 22 Jul 2004
Posts: 1181
Location: Spain, EU
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Posted: Sat Dec 10, 2016 10:43 am
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Quote: | (...) In the base historical context, there's the Church on one hand and on the other there's "You're wrong, the Church is right". So you have the odd situation in the series where Heaven is ok with witches existing while the Church is still the same historic Church, the "never suffer a witch to live" one |
Actually, there was a current in the Church which stated the "witchery" was just superstition or the fact of believing in them might show people were following pre-Christian beliefs, which was wrong.
That's one of the reasons why there were more "witch hunting" in Protestant than in Catholic areas, centuries later.
In the end, he could say "so she's just treating illness, and there is nothing wrong with it. Besides, God is above any tiny power she might have or have not".
Last edited by kgw on Sun Dec 11, 2016 4:47 pm; edited 1 time in total
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LinkTSwordmaster
Joined: 23 Dec 2005
Posts: 538
Location: PA / USA
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Posted: Sat Dec 10, 2016 2:13 pm
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Wow, lots of posts & spoiler tags already. I can't imagine throwing my hat into the ring will add more than what has already been said, but posting might add some volume to the already-existing opinions.
I thought the review more or less was on point. It's not a bad show, and I think there is definitely some critical merit to hunting it down either on BluRay or Hulu or something. The thing is, it left me feeling really conflicted & with a sour punch in my stomach by the time it was over, much so to the point that I am troubled by a lot of the choices & characterisation that the show ultimately ended with......based on the potential I saw early on.
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jroa
Joined: 08 Aug 2012
Posts: 548
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Posted: Sat Dec 10, 2016 9:47 pm
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LinkTSwordmaster wrote: |
I thought the review more or less was on point. It's not a bad show, and I think there is definitely some critical merit to hunting it down either on BluRay or Hulu or something. The thing is, it left me feeling really conflicted & with a sour punch in my stomach by the time it was over, much so to the point that I am troubled by a lot of the choices & characterisation that the show ultimately ended with......based on the potential I saw early on. |
The show had a lot of anime original material, but it was still ultimately based on a three volume manga (there's a fourth volume which came later and is literally just an extra epilogue). I don't think they could run too far away from the source's underlying framework and the way that ended, especially not without twice as many episodes. For a 12 episode series, I think it was pretty good. Admittedly, I've already made clear that my views on characterization tend to radically differ from those who have the most issues with the conclusion.
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meruru
Joined: 16 Jun 2009
Posts: 475
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Posted: Sun Dec 11, 2016 3:40 am
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The one thing that always bugged me about this show: wtf Maria's coat has 4 sleeves? Seriously, look at it. You can clearly see it's got long sleeves hanging down, and her arms are coming out of.... somewhere else?
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wastrel
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Posted: Sun Dec 11, 2016 8:13 am
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meruru wrote: | The one thing that always bugged me about this show: wtf Maria's coat has 4 sleeves? Seriously, look at it. You can clearly see it's got long sleeves hanging down, and her arms are coming out of.... somewhere else? |
No, her coat only has 2 sleeves, but it also has two slits in front of the sleeves where Maria usually has her arms through, so she's wearing it more like a cloak than a coat.
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