Forum - View topicPJT tour group tears 4Kids a new one at Studio Pierrot visit
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fxg97873
Posts: 211 Location: Houston, TX |
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I thought I should note the Pop Japan Travel group for the 2006 Neo Tokyo Tour was able to visit Studio Pierrot (Bleach, Naruto, Tokyo Mew Mew) and have an audience with some of the staff members (Overseas Coordinator, Production Coordinator).
We "expressed" our disappointment at 4Kids's handling of Tokyo Mew Mew. Since we had a captive audience, we decided to expand to properties that Studio Pierrot had no business with but that were excellent examples of how 4Kids can take a no brainer hit like One Piece and turn it into pure crap. Suffice to say they were quite receptive on our comments. Now, we did state that most U.S. anime productions companies do a good or a least adequate job with Japanese properties. We also let them know that we understood that some changes sometimes had to be made (OPs, EDs, etc) but that some changes like striping away the original scoring were so unnecessary that we could see absolutely no justification for it. Their answers to some of these comments were quite surprising. For example, on the replacement of the original scoring, Studio Pierrot is told that this is necessary and they usually agree on the change with the trust that "the best music comes from America". They proceeded to cite popular U.S. artists. Of course, unlike in Japan were top artist and top composers are involved anime works, only the bottom of the barrel talent is involved with U.S. dubs (only speaking about original scores and music, NOT our excellent voice actors). As for other blatant changes, they were assured by 4Kids that these changes were necessary for U.S. broadcasting standards (they assumed 4Kids knew best). Under no uncertain terms, we stated that continued involvement with 4Kids would only lead to "Financial Ruin" with said properties. No matter what excuses 4Kids or their supporters might say about their changes and edits, the proof is in the pudding...dismal ratings. To quote Aka-San after leaving the studio, "4Kids is going to wonder why Studio Pierrot won't return their calls anymore". 10 points for Anime fans around the world. BUWHAA HAA HAA HAA HAAAAAA! mk2000 |
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daxomni
Posts: 2650 Location: Somewhere else. |
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Actually, regardless of what you may think of the American voice actors used for most anime, from what I understand they too are typically non-union part-timers whose primary talents may lie well outside the realm of voice acting. Although I have no specific problem with English voice acting in principle, I must admit that it's typically far below the level of core competency of the average Japanese cast. Our top-rung voice talent is typically wasted on content such as television commercials instead of anything related to anime. Personally, I'm rather curious how any of this could possibly be real news to an active Japanese studio. I guess they pay even less attention to foreign distribution and modification than I first thought. This seems to imply that the American market is still little more than a financial afterthought in the minds of the Japanese studios. I had hoped that the supposedly half-billion in annual anime-related revenues across the American market would have opened the door for a more thorough understanding of the views of American anime fans.
Can you elaborate on what you or they meant by "broadcasting standards"?
I'm not so sure how seriously to take any of this, but kudos for standing up for what you believe in. Regardless of what happens from here on out, you've shown that not every anime fan suffers in silence or merely complains to other fans that have no direct ability to make any changes. Is there any more information about your trip, such as a trip report perhaps? |
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Keonyn
Subscriber
Posts: 5567 Location: Coon Rapids, MN |
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Had to figure someone would use this as an excuse to dub bash and piss on US talent, there's always one, just surprised it found its way in the first reply. I completely disagree of course, as is obvious to any who follow the dub world, but that's another matter.
It's a good thing they did and all but one must wonder how much of a true effect they had. Yes, the studio was receptive to their comments, but it was a tour group, they could have very well just shut the door after they left and rolled their eyes. Either way, it's nice to at least hear that the unjust edits done by 4Kids are at leasy being addressed by the fans to the studios, I must question how much of an impact it will really end up having. |
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daxomni
Posts: 2650 Location: Somewhere else. |
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If you can dispute my comments with facts and sources, feel free to do so. Otherwise you might want to think twice before succumbing to reactionary and inflammatory knee-jerk rhetoric. |
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Godaistudios
Posts: 2075 Location: Albuquerque, NM (the land of entrapment) |
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The problem comes from the fact that judging acting is somewhat subjective, and as a result, will lead people who will argue on both sides of the fence. As an aspiring actor myself, (not voice, just indie film and theatre for now) I consider far more details rather than attacking the actors in One Piece and feel they may be judged too quickly since they represent the end result. Let me throw in a differing point of view for a moment instead, where there are some facts to be considered when it comes to One Piece. 1) The re-writes - actors have little to zero control over the dialogue they are required to read. 2) The director - this guy determines the performance more than the actors do - the guy directs them to perform, and the actor does it - simple as that. He (sometimes) picks the actors and they do what is required of their role, like it or not, fan or not. 3) The company - this may be the single greatest point missed here. They chose the demographic audience, the edits made, the choice as to how it will be marketed and sold. I do think actors do get crapped on by the fans. Fans judge without thinking of all the factors that go into the making of the production and make statements of ignorance. Actors don't typically get to chose the role they are in, and most are trying to do the best they can. There is a reason why voice acting is sometimes called the lowest form of acting. Sure, there are some bad actors in the bunch as well. But should you be blaming them, or the director who hired the bad actor? Might I also suggest to you that an actor might do a line (or role for that matter) that would be perfect in such a way that the fans would love him, but if the director doesn't like it, it's gone? Think about it the next time you pick on the actors. Yes, some things can be poorly acted, but if the entire dub as a whole is a sham (which 4kids One Piece is), it's probably not because of the actors at that point. to fxg97873: My friend Eric Svee was on that tour! I know he enjoyed himself, but didn't tell me that much about the visit to Studio Pierrot. He brought back a lot of photos that I'll eventually have loaded up to a website. |
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fxg97873
Posts: 211 Location: Houston, TX |
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Yeah! I know Eric! He was one of the first persons I met at LAX before flying into Narita! Actually, for those of you who wanted confirmation or a report of some sort, we were on Japanese TV! The video is currently on Google video as "Otaku from USA". Pretty much the whole week we had FujiTV and NihonTV following us around with their cameras...so it is possible that there is another video somewhere out there. Here's the video link: http://video.google.com/videoplay?docid=-7997440351334855659 Our friend Eric is on there...as for me, I'm the guy in the black Nikey hat and jacket who says, "Um, yes I'm into...I like Japanese animation a lot...". Later on in the video, I'm the one caught staring lewdly at the Maids in the Maid Cafe...i'm quite internationally embarrased Currently I only have my photos from Harajuku posted: http://www.evolutionkakumei.com/cosplay/Harajuku-Spring-2006.html Other members have posted their photos. PM me if you guys want a link or not. mk2000 |
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joel_s95387
Posts: 1804 Location: California... The Village Hidden In The Porn |
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Like many people, I am glad that 4Kids problems have been addressed, but I also agree that they won't have much impact. As long as the international language is still money, I don't see 4Kids going away any time soon.
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fxg97873
Posts: 211 Location: Houston, TX |
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For those asking about "Impact" with Studio Pierrot, the only thing I can say is this:
1. They typically don't allow tours. It's not like visiting Disney World and seeing the animators through windows while a Disney tour guide tells you about them. We are not being charged for this either. The Overseas and Production Coordinator took about an hour and a half from their busy work schedule to talk to us, ask our opinions and listen to our comments. I mean, they could have just had a lowly staff member in charge of it if they really wanted to. The tour could have been 15 minutes long if they chosed to (essentially the amount of time it takes to see both of their animation floors). Interestingly, they showed us a video that recapped every anime they had ever made. They then gauged us for which ones were our favorites (personally I said Twelve Kingdoms). They then proceeded to give us a bag of free stuff with posters, Mags (Shonen Jump) and other goodies...all for free. Their place is small (like most Japanese places) and it was hard to fit us in there. So the key question is...why did they go through the trouble? Nothing is free in this world so obviously they are trying to get something out of this themselves. There are plenty of tourist in Japan but we were an actual 'anime' tour...which seemed to fascinate and amuse them and the rest of Japan to no end (we had two TV stations following us around for an entire week!). It is my personal opinion that they wanted feedback from American Otaku to get a feeling for what properties we like and any other tidbit information. The overseas coordinator did specifically say at some point that they were hoping "Naruto would become the next DragonBall". Apart from money there must be some prestige the studio will get if they have an international blockbuster hit. I believe they saw us as an opportunity for a feedback group to gain if even the slightest insight as to what it would take to do that in the U.S. (we obviously told them that companies like 4Kids is not the way to go) 2. Concerning 4Kids themselves, you guys are right, we probably didn't have any impact...because it seem like they had already put two and two together. When we brought up Tokyo Mew Mew they were quick to acknowledge that they were really curious as to why it had done so poorly. When we brought up OnePiece, they were also quick to acknowledge their puzzlement as to how it COULD NOT have been a hit in the U.S. considering how popular it is in Japan. In other words, 4Kids had already screwed up one of their properties and it had screwed up a mega hit like OnePiece. We had the feeling that they weren't necessarily pushing other people down to work with 4Kids again. So yes...we had no impact on that mk2000 Last edited by fxg97873 on Sun Apr 09, 2006 9:45 am; edited 2 times in total |
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daxomni
Posts: 2650 Location: Somewhere else. |
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I don't agree that I'm actually picking on the actors. In anime, the American voice actors appear to be folks with other careers that took the job as a part-time gig. At least, that's what I've read and seen in on-disc interviews. That doesn't mean they're bad people; it just means they probably have other interests and talents that may not directly tie in with voice acting. Still, I agree with you that other folks in the chain can have a detrimental affect on the quality of the voice acting. Obviously the voice actors have to take what they can get and at some point every volume had to be signed-off by someone who was not a voice actor. If they allowed crap to be recorded it's not always the voice actor's fault. However, I've had plenty of time to get a feel for what Japanese and American voice actors are capable of over the years and so far it appears to me that the Japanese voice actors simply have more range, better inflection, and a more natural delivery.* Does that mean they're better people? Not really, it's just that I happen to enjoy watching in both English and Japanese (with English subtitles) and on many occasions I've let the disc start in English only to find that the voice acting is so unnatural that it's actually distracting. *Except when 'laughing'.
That's quite a sight. So what was that like? Personally, I don't think I'd be too crazy about being followed around with cameras while I was on vacation and it came across with something of a sideshow angle. It was pretty damn funny to watch though and it's certainly one of the most unique souvenirs you could have. Anybody have the re-translated version? Ahh, how cute. Checking it out... Busted! |
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fxg97873
Posts: 211 Location: Houston, TX |
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Honestly it was quite annoying after a while. I was shocked to death when I arrived at the airport with the group and first saw them there. I answered some questions but I know many people in our group wanted nothing to do with the cameras. Some specifically asked not to be on TV. A know the Naruto fangirls (the ones getting the Naruto figurines from the vending machines) at some point started yelling at them to leave them alone (I wasn't witness to this though). Some of the other members specifically said that they literally started to run away from them during our Akihabara trip. During our Karaoke night, they kept insisting that we sing anime songs...like we all somehow knew how to read Kana or something. Fortunately we had Eurobeat Initial D songs to save us (this Karaoke night was filmed by another TV station. The one on the video was early on in the tour and only featured a few members of the group).
I'm still laughing.
Yes, she was the cutest one there (although this screencap does not do her justice). She was SO HAPPY to be working and just had the cutest and most Moe attitude. I believe you heard her on the video making cat noises going "Nyah, Nyah"...very cute. Though, the TV cameras kept asking us, "What do you think of this girl...is she the cutest Japanese girl you have ever seen?". Derek, the guy in the picture above, took way to long to answer that. In my opinion, she couldn't have been older than 14 years old so I was a bit uncomfortable answering that question.
That my friends is Rick-san! He was the star of the show as our hardcore American Otaku. He was the only guy who could speak Japanese somewhat okay, could Karaoke to anime songs on the spot and knew all kinds of obscoure otaku Bulletin Board references...(you haven't heard Japanese until you hear it with a Puerto Rican accent. ) But yes, their skirts were pretty short so the bendy was good mk2000 |
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Mohawk52
Posts: 8202 Location: England, UK |
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One can only hope that in future the Japanese studios will be a bit more discerning when it comes to who gets what title based on that titles content. They need a bit of education that what is exceptable for children in Japan is not necessarily also exceptable in the rest of the world, especially in the Christian West, or US specifically. The lesson I hope 4Kids has learned is that they can’t turn everything they touch into gold and not every anime is a “Pokemon”. Last edited by Mohawk52 on Sun Apr 09, 2006 12:02 pm; edited 1 time in total |
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Godaistudios
Posts: 2075 Location: Albuquerque, NM (the land of entrapment) |
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There is some truth to that. I typically prefer it in Japanese about 95% of the time. The fact remains that anime recorded in Japan is closer to the source. They establish the characters, and it's difficult to fill a role since they are essentially replacing the dialogue. Nonetheless, when it comes to judging the acting in anime, most people don't consider those other factors I mentioned. |
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Tenchi
Posts: 4558 Location: Ottawa... now I'm an ex-Anglo Montrealer. |
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Yup, money is the sound of inevitability. Also, Pierrot is more on the production side of things, with the people in suits who make the big decisions as to whether or not to sell to an American syndicator like 4Kids being in the executive offices and boardrooms of places like Toei or Kodansha, and those people are not clueless, credulous bumpkins easily distracted by 4Kids Entertainment's shiny trinkets in order to let 4Kids steal the rights to their properties and then infringe upon the sacred artistic purity of their half-hour toy commercials. |
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fxg97873
Posts: 211 Location: Houston, TX |
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Yes, but dammit, the Japanese make the best half-hour toy commercials in the world! Actually, it's not as bad as it was before where they couldn't really count on DVD sales to reap in money, it really was JUST the toys they could sell from the show. For Mecha shows like Gundam it was no big deal, but for shows like Marmalade Boy or Boys over Flowers, it really WAS a half hour toy commercial. I finished Marmalade Boy and I'm half way through Boys over Flowers, but I swear, if I see another freaking mid nineties voice memo device , I'm going to stab my eye out! (well, not really, but I might get REALLY ill tempered...and I know when I'm ill tempered thanks to my Boys over Flowers mood detector). mk2000 |
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