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Analysis of Isekai and Self-Indulgent Fantasies

Why, from a metatextual and subtextual reading of the media, are a good chunk if not a majority of Isekai designed to self validate the fantasies and views of it's audience and not, say, deconstruct those same fantasies or to provide commentary.

A question i have had for a long time regarding Isekai but one that i feel should be discussed for the artistic progression of the medium

Why, from a metatextual and subtextual reading of the media, are a good chunk if not a majority of Isekai designed to self validate the fantasies and views of it's audience and not, say, deconstruct those same fantasies or to provide commentary.

Examples I give of self indulgence are Shield Hero and Arifureta. Both are supposedly about underdogs but they are written and set up in such a way that the "underdogs" actually have powers comparable or greater than their antagonists. In addition, there is a common thread of validating negative behaviors by having the protagonist be "spited" by the world or other characters: Naofumi being framed and the lead of Arifureta being thrown into an underground labyrinth. Finally, there is the angle of being paired with a "waifu" character, Yue for Arifureta and Raphtalia for Shield hero despite, at least in Shield Hero's case, the treatment of Raphtalia in early days and their interaction are tinged in uncomfortable subtext.

To summerize my point, I find a good chunk of isekai to be self indulgent and self validating fantasies for the audience rather than aspiring for say, exploration of personal and cultural ideals using a different world as a comparison point, or using an isekai to explore maturation and personal growth