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Just finshed Gungrave (Caution: *SPOILERS* with NO tags).


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Tony K.
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PostPosted: Mon Nov 14, 2005 8:31 pm Reply with quote
So I finished the last DVD a few minutes ago, and I must say the ending was SEVERELY disappointing.

I mean, the flashbacks were Excellent material, but the fact that just about every major or supporting character was either killed off, Necrolyzed, or both and the giant hypocrisy of Beyond the Grave not even doing what he was brought back to do really ticked me off. On top of that, Mika Asagi is now THE most annoying character next Quess Paraya.

I found it especially funny when other characters called her "strong" and that she started to break out in tears before they even started saying it. Her character is just a complete and utter hinderance that really ruins the mood of the present day material. And it doesn't help that her seiyuu has a really shrill voice. Nothing like listening to her cry in DTS 5.1 to give yourself a headache Anime dazed...

Oh, but wait. And it was especially irritating to hear Brandon say he could never bring himself to shoot Harry, only to have BOTH of them kill each other in the last episode.

I'll give this series credit for having good art and animation, with another stellar soundtrack by Tsuneo Imahori. But because of the crappy ending, the drop in quality of story after the flashback, and that cursed Mika Asagi, I'm sorry to say Gungrave has now gone from one of my favorites, to just average overall.

If any of you out there rated this an Excellent or above, please tell me why by pointing out some kind of underlining theatrical element or character symbolism right now, because my ears are really warm from the slight anger I'm trying to get over.

EDIT: Changed subject title and removed spoiler tags.


Last edited by Tony K. on Mon Nov 14, 2005 11:57 pm; edited 2 times in total
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DKL



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PostPosted: Mon Nov 14, 2005 8:34 pm Reply with quote
... you're gonna have to wait a while since I need to dig up my post at AoD...

damn, I wish I put it on a word document Confused
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DKL



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PostPosted: Mon Nov 14, 2005 8:44 pm Reply with quote
Here we go:

Back at the restaurant, BRANDON has already lost the ability to walk, HARRY asks him one last time why he’s protecting him. BRANDON tells him that he keeps making the same mistake over and over again by choosing HARRY MACDOWEL over MILLENION and that he couldn’t possibly kill his best friend, that’s why he didn’t pull the trigger 13 years ago

I think being who he is, BRANDON couldn’t simply just TELL him this, he had to SHOW it

After finally understanding each other, they decide “it’s time to go home” and end it dramatically by shooting each other.

There’s a little symbolism here too if you pay attention, I think this meant that they completely trusted one another enough now to pull the trigger without hesitation *hence, having each other’s guns… I mean would you trust just anyone with your gun? *

It says:

“No more lies… no more betrayal…”

Anyway, this action has just about everyone who gets to the scene later on shocked… except for MIKA, who finally really understands the true bonds and extent of FAMILY

The thing is, even though HARRY killed and betrayed BRANDON, BRANDON never really stopped considering HARRY as his best friend, his family. So now MIKA finally understands the concept to heart and that FAMILY is FOREVER

Look at what happened with SID, just because he betrayed the organization by not giving his son up, doesn’t mean that BEAR and BIG DADDY didn’t consider him family anymore… the same applies here

MILLENION is simply the organization that brings people together. FAMILY is what keeps it together. THE CODE OF IRON is there to protect it, but then everyone's different perception of FAMILY transcends THE CODE OF IRON.

The epilogue shows us how HARRY and BRANDON met as kids, we also see the rest of the cast *that is dead* one last time welcoming HARRY and BRANDON "home"

Pretty sweet

As for the thing with MIKA, she exists to BE protected... just because you can't do anything for anyone doesn't mean that you should be left to die...

she embodies the OLD MILLENION and what it stood for

It's actually rare to see someone who didn't like the GUNGRAVE ending...

I still tend to tear up everytime I see it

...

well, yeah, that's my take, a little iffy since it's been about 3 months since I've marathoned

If you see weird crap in my argument, just point it out... we could discuss it more mainly since I'm always interested in GUNGRAVE discussion

...

plus, the stuff above does need a little revision mainly since I might not be entirely clear about what it is that I'm saying


Last edited by DKL on Tue Nov 15, 2005 12:56 am; edited 1 time in total
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Tony K.
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PostPosted: Mon Nov 14, 2005 11:35 pm Reply with quote
DKL wrote:
There’s a little symbolism here too if you pay attention, I think this meant that they completely trusted one another enough now to pull the trigger without hesitation *hence, having each other’s guns… I mean would you trust just anyone with your gun? *

It says:

“No more lies… no more betrayal…”

Anyway, this action has just about everyone who gets to the scene later on shocked… except for MIKA, who finally really understands the true bonds and extent of FAMILY

But the problem is, I can't accept the fact that Harry betrayed his BEST friend, KILLED him and EVERYONE he cared about, and only shows remorse by crying for his mistakes and having themselves kill each other.

Sorry, but that doesn't cut it for me. This only goes to prove that the death of Daddy, the Tokioka bothers, Maria, Bunji, Bear, and just about everyone else was all for what, to show the value of being Family?

Harry DESTROYED that concept in addition to taking precious lives when he was on the verge of becoming the boss of Millenion. Aside from Brandon, their old street gang, Sherry, and possibly Bear, Harry never cared for anyone else in the series. Yet he still even KILLED Brandon, and it takes a second chance through Brandon's walking corpse to lead him back to the values of Family.

Family is sacred and life is precious. Harry took away a lot of both. And to me, that's just unforgiveable regardless of however long it takes for someone to realize that.

Karma should carry out the punishment, when some of those people didn't even deserve to die. It just baffles me how easily Harry is forgiven at the end.

DKL wrote:
The thing is, even though HARRY killed and betrayed BRANDON, BRANDON never really stopped considering HARRY as his best friend, his family. So now MIKA finally understands the concept to heart and that FAMILY is FOREVER

Again, I'll reiterate how I feel everyone's death meant next to nothing. The fact that Harry either contributed directly or indirectly to all of those casualties, including Brandon's, shows he lost his sense of what Family was. And all of a sudden, he just rediscovers it within 10-15 minutes of reminiscence after murdering his best friend 13 years ago?

I also find it absurd that Mika would be happy to discover and realize the ultimate ideal of "Family is forever," while totally disregarding the fact that the murderer of her mother and the man she fell in love with (both for Maria and Mika) had the same epiphony of that same concept, which I guess was reason enough to forgive all of Harry's sins prior to that moment and not be angry at him anymore Rolling Eyes.

I'm sure at least Daddy and Maria were close enough to be considered Brandon's Family. Yet after all of that rage and quest for vengence as Beyond the Grave, he just threw it all away in the end for a man that he had forgiven quicker than it takes me to turn around and fall on my bed.

And finally, I'd like to point out my personal contrasting views between a best friend and family. Best friends can be friends or not, but family is always family, no matter what. Friends can become ex-friends and kill each other, but do families always stay as family and still kill one another?

If Harry's betrayal of Brandon and Brandon's forgiveness of Harry's murdering are considered family, then that's one messed up set of values.

DKL wrote:
MILLENION is simply the organization that brings people together. FAMILY is what keeps it together. THE CODE OF IRON is there to protect it, but then everyone's different perception of FAMILY transcends THE CODE OF IRON.

The epilogue shows us how HARRY and BRANDON met as kids, we also see the rest of the cast *that is dead* one last time welcoming HARRY and BRANDON "home"

Millenion did bring people together. Family did NOT keep it together because everyone switched sides after Harry took over. The Code of Iron protected no one because Sid and Daddy were killed, and it did nothing to help Brandon's memory after he was killed. The transcendence above the Code of Iron only goes to show the TRUE meaning of Family, which Harry had lost his grasp on.

The Code of Iron was to always kill traitors. I'll credit the metaphor that Brandon "chose Harry over Millenion," but Harry chose himself over Brandon and what Daddy had wanted Millenion to be, which was Family.

Family is supposed to stick together, no matter what. Harry did not stick with Brandon, therefore he shunned the most focal point of that concept completely.

DKL wrote:
As for the thing with MIKA, she exists to BE protected... just because you can't do anything for anyone doesn't mean that you should be left to die...

she embodies the OLD MILLENION and what it stood for

I never said she had to die. And I would've been OK had they written her character to better reinforce the symbolism of being someone/something to be protected.

It's just that from an observational perspective, she always seemed to grieve nonstop. And her dialogue and actions never captured the essence of old Millenion for me either. She rarely had any interaction with anyone to even be considered Family, aside from the relation Brandon had with her mother.

I also didn't see how her personality contributed to any other character (aside from Brandon again) to show that she understood the concept of being in a family.

Contrary to being that residual element of old Millenion and that something to protect, I don't think you exactly have to be considered the entity to BE protected in the first place.

Simply put, while it's nice that she represents the affirmation of old Millenion, my stance is that her character was still horribly written (and voiced). The writers (and sound director) could've done a MUCH better job, in my opinion.

EDIT: Removed all the spoiler tags for easier reading and fixed some grammar.


Last edited by Tony K. on Tue Nov 15, 2005 12:06 am; edited 2 times in total
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DKL



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PostPosted: Mon Nov 14, 2005 11:41 pm Reply with quote
... Okay, this is getting somewhere, let's rock...

err...

later, since I need to watch something off the TV...

but for now, do we still need spoiler tags? It kinda implies ENDING in the title anyway
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Tony K.
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PostPosted: Mon Nov 14, 2005 11:47 pm Reply with quote
DKL wrote:
later, since I need to watch something off the TV...

Yeah, I'm going to watch Bleach, myself Razz.

DKL wrote:
but for now, do we still need spoiler tags? It kinda implies ENDING in the title anyway

OK, we can drop the spoiler tags. It kind of hurts me eyes to proofread over all of that highlighted text anyway Anime dazed. I'll go edit that big post and remove them.
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DKL



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PostPosted: Mon Nov 14, 2005 11:49 pm Reply with quote
Christ, it was my fault in the first place o_o

Okay, lemme just see that show I'm gonna watch then I'll have a nice long reply for ya! Razz
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joel_s95387



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PostPosted: Tue Nov 15, 2005 3:31 am Reply with quote
Hey can i get in on this too? Personally I liked the ending and DKL summed it up real nice about the symbolisms. I have to admit I lost intrest in the series after the flashback ended. I still purchased the DVDs, All 7 Volumes The Postcards Were Pretty Cool, but it wasn't with the same enthusiasm.

Mika being still alive at the end and the bad guys dead, the good guy had done his role and really there was no more reason for him to live.

I just thought of something Idea. Maybe I wasnt too thrilled by the scenes after the flashback because of the game. The game gave me the story so everything wasnt really new and we all know there is more to anime than just eye candy. If you didn't like the ending, try the game maybe it's the ending you wanted. spoiler[Brandon KILLS Harry.] Duh.

P.S. - Bleach is awesome
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DKL



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PostPosted: Tue Nov 15, 2005 4:14 am Reply with quote
Tony K. wrote:

But the problem is, I can't accept the fact that Harry betrayed his BEST friend, KILLED him and EVERYONE he cared about, and only shows remorse by crying for his mistakes and having themselves kill each other.

Sorry, but that doesn't cut it for me. This only goes to prove that the death of Daddy, the Tokioka bothers, Maria, Bunji, Bear, and just about everyone else was all for what, to show the value of being Family?

Harry DESTROYED that concept in addition to taking precious lives when he was on the verge of becoming the boss of Millenion. Aside from Brandon, their old street gang, Sherry, and possibly Bear, Harry never cared for anyone else in the series.



Yeah, that was the point. He only cared for his TRUE friends (you’re forgetting Lee and Bob) and did destroy what Millennion actually stood for. This was a twisted realization of the freedom he always dreamed about; it just turned out like this mainly since he got lost along the way.

An interesting thing about that though is that I remember Toshiyuki Tsuru (the director) stating that for Harry, there were, for the most part, only two things: You’re either his friend or his enemy. There isn’t really much in-between. This is the reason why he killed Brandon when Brandon pointed a gun at him since it was apparent that they were drifting apart and that Brandon would eventually be his enemy based that conversation between Brandon and Daddy he overheard.

With everyone else though, at one point he pretty much controlled them with power; in that sense, their alliance was sort of superficial as opposed to Daddy’s Millennion which was forged by the bonds of trust.

A very good scene to note of his kindness is that one scene where Harry goes and visits the orphanage. It’s a bit twisted too considering all that he did to get that power to be this kind.

Tony K. wrote:

Again, I'll reiterate how I feel everyone's death meant next to nothing. The fact that Harry either contributed directly or indirectly to all of those casualties, including Brandon's, shows he lost his sense of what Family was.


In the climb to power, you naturally lose sense of what the hell it is you’re trying to do in the first place; Tsuru wanted to point this out. It’s a pretty common theme in stuff like this.

[quote=”Tony K.”]
And all of a sudden, he just rediscovers it within 10-15 minutes of reminiscence after murdering his best friend 13 years ago?
[/quote]

What you’re not taking into consideration though is the decades worth of weight those 15 minutes of reminiscence had. Of which, I might add, was conveyed BRILLIANTLY by portraying the different versions of Harry and Brandon over the years.

Ultimately, Harry learned of his mistakes the hard way. Everyone he cared about died, his entire organization betrayed him, the Orgmen that took so much time and money to make were destroyed and he was ultimately forced to live in such lowly shame. In fact, he really only acknowledges his denial later on in the last episode when the reality of the situation is just incredibly apparent.

If you recall, he even pleads Brandon to shoot him since he doesn’t want to bare the weight of shame and guilt anymore.

Talking about that, actually, the thing about the whole episode was that Harry wanted Brandon to have shot him back then 13 years ago in the elevator. I think he would’ve preferred that as opposed to being betrayed by his best friend. But at the time, Brandon just couldn’t bring himself to do it.

That alone proves that Harry really cared about Brandon. Harry cared enough for him to want to be killed instead of not being able to realize his dream along side Brandon.

The thing with Brandon’s death is that they were caught in the moment especially when Harry provoked Brandon; Harry went through complete anguish and madness when Brandon chose not to take his side.

Things like that just happen, especially considering all that they went through to get to where they were at that point in time.

Tony K. wrote:


I also find it absurd that Mika would be happy to discover and realize the ultimate ideal of "Family is forever," while totally disregarding the fact that the murderer of her mother and the man she fell in love with (both for Maria and Mika) had the same epiphony of that same concept, which I guess was reason enough to forgive all of Harry's sins prior to that moment and not be angry at him anymore Rolling Eyes.



This could be considered the very moral of GUNGRAVE.

At the very beginning of the series, Mika wanted to exact revenge on her mother’s murderer; she even put it before actually burying her and mourning her death. I think Tsuru wanted to point out the very tragic nature of revenge and ultimately how superficial the concept is in itself.

If you remember, the fact is that she eventually decided that revenge isn’t worth the trouble and that there are more important things in life; this was made very apparent in the scene where she begged Brandon to forget all about “revenge” and killing Harry and to just go away with her somewhere. That decision alone proves the significant jump in her character; she decided that getting revenge at the expense of Brandon’s life (or lack thereof) and suffering (from fighting his old comrades) wasn’t worth it. But Brandon, being who he is, kept fighting because it was his duty.

Tony K. wrote:


I'm sure at least Daddy and Maria were close enough to be considered Brandon's Family. Yet after all of that rage and quest for vengeance as Beyond the Grave, he just threw it all away in the end for a man that he had forgiven quicker than it takes me to turn around and fall on my bed.



Brandon wasn’t fighting with blind rage and a simple thirst for vengeance. That may be the impression you get at first, but it wasn’t really like that. He was doing his job, but the real conflict came from the fact that a part of him was thinking that he didn’t want to do it. There was a lot of emotion being tossed all over the place mainly because he wasn’t really sure what to believe in anymore.

When we look back on it, the ball was really set in motion with the death of Bob Poundmax. Brandon was hesitant to actually carry out his duty at first, but then Bob, out of obligation to Harry and Lee, decided that only one of them should walk away from their battle. And it just all spiraled down from there.

Tony K. wrote:


Millenion did bring people together. Family did NOT keep it together because everyone switched sides after Harry took over. The Code of Iron protected no one because Sid and Daddy were killed, and it did nothing to help Brandon's memory after he was killed. The transcendence above the Code of Iron only goes to show the TRUE meaning of Family, which Harry had lost his grasp on.


… I think you don’t really know why people switched sides in the first place. Remember, Big Daddy himself approved the thing and only Biscoe, Norton and a few others were the ones who weren’t really going to float well with the idea of Harry taking over.

Daddy had to let him take over though since it might’ve caused a war within the organization since Harry owns a large fraction of it; it was for the sake of harmony. Even if Daddy suspected that Harry wasn’t shooting at him straight, it was better than doing nothing.

Really, it was only later that everyone caught onto Harry’s BS; they were had. But before they knew it, everyone was already too deep in to get out especially since Harry had the Orgmen. Although, I like how Bear later on points out that the Organization does not stand on its feet simply because of the enforcement by monsters.

The Code of Iron was put into effect with the intention of protecting the Family. It has actually sustained Millennion through most of its life as elaborated by the characters. But when Harry took over, he kinda twisted the thing to work in his favor, not Millennion’s.

Tony K. wrote:

The Code of Iron was to always kill traitors. I'll credit the metaphor that Brandon "chose Harry over Millenion," but Harry chose himself over Brandon and what Daddy had wanted Millenion to be, which was Family.

Family is supposed to stick together, no matter what. Harry did not stick with Brandon, therefore he shunned the most focal point of that concept completely.


… Again, Harry was caught up in all the power and guilt of what he did to get to the top. Naturally, you just get confused with all that blood on your hands. Harry’s definition of Millennion and its principles and Daddy’s definition of Millennion and its principles are different, of course. The thing with Harry is that he made the thing work more into his and Brandon’s favor.

But remember, Harry called Brandon the traitor… to some extent, he was right. Brandon chose Big Daddy over Harry. While Harry can be considered a traitor to the Organization, he never actually betrayed Brandon and only wanted Brandon at his side when he finally realized his dream of freedom.

Brandon was the one that turned his back on Harry. He did so for duty, but as pointed out in the end… he ultimately couldn’t follow through with the idea of killing his best friend.

Right before he died though, Brandon tried to tell himself that Harry was doing all of his betrayal for the sake of the Family. This is why Brandon was under the impression that he was betrayed, but in actuality, he was just deluding himself from the truth.

(That was revised from my last definition a bit… I seem to be coming across new facts as I go along with this new set of content)

The thing is, Brandon didn’t come back to life to look for vengeance or an apology. He did so for duty. But like the thing in the elevator, he just couldn’t follow through with it when it came down to Harry. His very goal of coming back to life eventually changed during their profound reunion though. He felt the need to prove to Harry that he never really did turn his back on him back then like Harry initially thought. The answer was actually very simple, but Harry was too blinded by his anguish and guilt to really know why Brandon didn’t shoot him back in the elevator all those years ago.

It wasn’t really needed, but Harry just begged for Brandon’s forgiveness because he had finally completely realized the truth and weight of all the wrong that he had done up until this point. He did so even if he couldn’t possibly say anything good enough, which is what makes it so powerful, because you know that he is being completely sincere about it.

The thing at the end was very symbolic when Mika finally understood that Family was indeed forever as demonstrated by Harry and Brandon. It really put a better emphasis on the huge jump of her character mainly since she had long abandoned the concept of getting revenge.

Tony K. wrote:


I never said she had to die. And I would've been OK had they written her character to better reinforce the symbolism of being someone/something to be protected.

It's just that from an observational perspective, she always seemed to grieve nonstop. And her dialogue and actions never captured the essence of old Millenion for me either. She rarely had any interaction with anyone to even be considered Family, aside from the relation Brandon had with her mother.

I also didn't see how her personality contributed to any other character (aside from Brandon again) to show that she understood the concept of being in a family.

Contrary to being that residual element of old Millenion and that something to protect, I don't think you exactly have to be considered the entity to BE protected in the first place.

Simply put, while it's nice that she represents the affirmation of old Millenion, my stance is that her character was still horribly written (and voiced). The writers (and sound director) could've done a MUCH better job, in my opinion.



I think I must’ve worded my thing funny… Well, I actually just tossed it in there at the last minute to be honest.

Anyway, Mika would be the last person to actually REPRESENT what Daddy’s Millennion was like; you get a better sense of this with the characters that were around during that time.

It was more symbolic of what it stood for, not what it was.

You seem to be forgetting the important conversation Mika had with Gary and Widge and all her other interactions that eventually built up her understanding of the concept of Family. Gary and Widge explained to her that the point of Daddy’s Millennion and his concept of Family was that it was there to protect you unconditionally. That alone should’ve imbedded the concept into her head quite well, but as the series went on, it developed her understanding of it better and showed to what extent it actually goes to.

In the final scenes when she got to the site where Brandon and Harry were, she realized that it went to THAT extent. We don’t necessarily see what everyone else sees at the site mainly since I think Tsuru wanted to imply that it was too beautiful a sight for her and couldn’t possibly be physically portrayed in a drawing.

Anyway, through all the mess and murder and whatnot, Harry and Brandon never really forgot how strongly they felt about their friendship in the past.

I think the definition of tragedy is pretty much put into context here. Harry realized his wrongs only when everything was already gone. But the bittersweet nature of the whole thing comes into focus when this is offset by the complete poetry of Brandon coming back to life a second time as a means of giving Harry a second chance and to relieve him of all the guilt he has endured over the last decade. That in itself could be considered a living hell for someone like Harry.

What this whole thing tells me is that: in the end, Brandon didn’t come back to kick ass; He came back to prove that he was a true friend.



Anyway, looking back on my analysis, I think that Mika’s character was written quite well.

Sure she’s weak, but how could any human be strong in these kinds of circumstances? When Brandon told her she was strong, that was for encouragement since he knew that he wasn’t going to be able to protect her forever.

As for finding Mika’s voice grating, well, nothing I can do there… you could always check out the dub :p

I’ve seen the series in both languages quite comprehensively. While the dub doesn’t have the AWESOME DTS 5.1 surround, I lean towards the English production mainly since I felt that it had a lot more power, ESPECIALLY in the ending, which was just too well done for words.

Naturally, you don’t need to go out and check it. I was just stating what version all my observation has been on.

-------------------------
Oh my god, this thing spanned about several pages in a word document… you could write up a response, but I don’t think I’ll be able to reply for a while because DAMN I’m exhausted…

Anyway, this was a good debate. I’m quite happy that I was able to talk in detail and further flesh out my thoughts on the series like this, so thanks for all the hard work.
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Fiction Alchemist



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PostPosted: Wed Nov 16, 2005 6:00 am Reply with quote
EDITED.

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DKL



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PostPosted: Thu Nov 17, 2005 2:33 pm Reply with quote
A lot of interesting insight FictionAlchemist, but I need to debate you on some points

But really, this show actually has a LOT of points that can be discussed, but it's too bad that not many people seem to do so Confused

...

I'm rather surprised that the site doesn't even have a review of the 7th volume Sad

Anyway...

I'll do it later Razz *yes, that again... I need to actually type it up which could take a while... plus, I have my assignments*

----------------------

Oh yeah, I'm really looking forward to the TRIGUN moive, I just hope that we get KURODA to write and NISHIMURA to direct again...

I mean, so we get this caliber of quality

*It's a no-brainer though that MADHOUSE is getting the job for the animation Very Happy *
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Tony K.
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PostPosted: Sun Nov 20, 2005 10:57 pm Reply with quote
DKL wrote:
What you’re not taking into consideration though is the decades worth of weight those 15 minutes of reminiscence had. Of which, I might add, was conveyed BRILLIANTLY by portraying the different versions of Harry and Brandon over the years.

Ultimately, Harry learned of his mistakes the hard way. Everyone he cared about died, his entire organization betrayed him, the Orgmen that took so much time and money to make were destroyed and he was ultimately forced to live in such lowly shame. In fact, he really only acknowledges his denial later on in the last episode when the reality of the situation is just incredibly apparent.

If you recall, he even pleads Brandon to shoot him since he doesn’t want to bare the weight of shame and guilt anymore.

Talking about that, actually, the thing about the whole episode was that Harry wanted Brandon to have shot him back then 13 years ago in the elevator. I think he would’ve preferred that as opposed to being betrayed by his best friend. But at the time, Brandon just couldn’t bring himself to do it.

Well I guess I'm a bad person then, because I think Harry should've suffered more. If I had built that kind of trust prior to being killed by my best friend, I'd have come back and made him pay at all costs for the initial betrayal.

Ironically, I always give people second chances in real life. But for some reason, I can't bring myself to empathize for Harry's character and just be expected to realize how sorry he is and forgive him. I don't really believe in an afterlife, so Hell would be out of the question for his punishment.

I suppose it also doesn't help that I neither trust anyone in real life (at least, to a 100% degree), nor do I have a "best" friend. I have some close friends, but that bond you see between Harry and Brandon is only something I've observed in fiction, making it slightly more difficult for me to ever understand Anime smallmouth.

DKL wrote:
That alone proves that Harry really cared about Brandon. Harry cared enough for him to want to be killed instead of not being able to realize his dream along side Brandon.

Again, sorry, but I just can't get across the cold, hard fact that if my best friend shoots me to death, he doesn't care about me, whether it be heat of the moment or not.

DKL wrote:
This could be considered the very moral of GUNGRAVE.

At the very beginning of the series, Mika wanted to exact revenge on her mother’s murderer; she even put it before actually burying her and mourning her death. I think Tsuru wanted to point out the very tragic nature of revenge and ultimately how superficial the concept is in itself.

If you remember, the fact is that she eventually decided that revenge isn’t worth the trouble and that there are more important things in life; this was made very apparent in the scene where she begged Brandon to forget all about “revenge” and killing Harry and to just go away with her somewhere. That decision alone proves the significant jump in her character; she decided that getting revenge at the expense of Brandon’s life (or lack thereof) and suffering (from fighting his old comrades) wasn’t worth it. But Brandon, being who he is, kept fighting because it was his duty.

Well the fact that Harry was actually trying to pursue her in the first place is one of the main reasons I'd attempt to take him out of the picture.

I remember when Harry said he would remove every trace of Daddy to get his "revenge" for making Brandon choose Millenion over himself.

Regardless of what did happen at the end, what if Brandon was actually killed (permanently) before Harry had a chance to realize his "mistakes" and there was no one there to protect Mika anymore?

She'd have been as good as dead, and Harry would probably stay the way he was when he killed Brandon the first time and rule for the rest of his life with that mad power he had. It wouldn't necessarily be revenge, but more like survival from that point on.

DKL wrote:
As for finding Mika’s voice grating, well, nothing I can do there… you could always check out the dub :p

I’ve seen the series in both languages quite comprehensively. While the dub doesn’t have the AWESOME DTS 5.1 surround, I lean towards the English production mainly since I felt that it had a lot more power, ESPECIALLY in the ending, which was just too well done for words.

The dub is good from what small parts I heard a while back, but I only watched it Japanese because of the DTS and that I thought Ron Allen's voice was a little heavy for Brandon's character. Tomokazu Seki is one of my favorite seiyuu, so I wanted them to at least cast that role fairly well. Not that he talks much anyway, but something just slightly lighter would've been nice...

And I'd love to counter-argue with you a lot more, but dang, I've been so busy working and doing schoolwork, while sneaking in episodes of Bleach this past week, that I just lost my train of thought on all of this, making me feel like an idiot who can't finish what he started now Anime cry...
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DKL



Joined: 08 May 2005
Posts: 1960
Location: California, USA
PostPosted: Sun Nov 20, 2005 11:12 pm Reply with quote
...Nah, don't worry about it, I think we can meet half-way here and close the argument mainly since in the end, while BRANDON didn't necessarily feel the need to forgive HARRY, I think it really just comes down to whether the viewer can forgive Harry or not

*Which is hard… I know*

As for what would've happened?

Yeah, MIKA'd be pretty dead and everyone would be miserable I guess

*Mika would still think about revenge, HARRY would always have the shadow of regret and guilt and stuff looming over him, members of the family will feel shafted*

ALTHOUGH, Harry probably would've eventually been bumped off sooner or later by... well, someone... I can say that much

-------------

RON ALLEN did have a heavy voice, but after a while, I was quite sold by it *around the 4th volume, which in turn got me to like just all of it*

... BUT, the DTS track is NICE from what I remember, so that's totally a definite plus for the Japanese track
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Phyrain



Joined: 24 Oct 2005
Posts: 14
PostPosted: Fri Nov 25, 2005 6:40 pm Reply with quote
I believe the relationship between Brandon
and Mika's mother shows a good portion of
Brandon's character. I don't fully understand
why Brandon gave her up and let Daddy
have her. I think this describes Brandon
sense of responciblity. It feels like Brandon left
her out of a sense of duty, but was it duty
to her because he couldn't be there for her,
or was it duty to the family or Harry. I think
this describes Brandon's motives and would
clearify the ending a bit.
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Nico413



Joined: 08 Dec 2005
Posts: 4
PostPosted: Thu Dec 08, 2005 4:12 pm Reply with quote
admittedly on the first watch i was really annoyed atthe way they ended the series. Butthen i went back and saw it a few more times and in the end I liked it. It was not the riddle him full of bullets i would have liked to see but then as you see how much they both lost, friends, loved ones, wifes.. the ending really does take on a much more symbolic feel.
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