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Angel M Cazares
Joined: 23 Sep 2010
Posts: 5499
Location: Iscandar
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 Posted: Thu Jan 25, 2018 10:15 pm
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This looks like another intriguing and well produced anime show from Netflix. It is very exciting for me to see Netflix finally delivering true original anime works funded by them and only available in their service. Hopefully the days of Netflix holding Japan broadcast anime series hostage for months will be over soon.
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donhumberto
Joined: 19 Jan 2017
Posts: 822
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Posted: Fri Jan 26, 2018 3:17 am
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All I can say is Thank you, Netflix. With the flood of utter trash being announced lately they have become one of the last beacons of hope in the more and more otakufied anime industry...
Needless to say, this looks gorgeous
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MarshalBanana
Joined: 31 Aug 2014
Posts: 5499
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Posted: Fri Jan 26, 2018 4:55 am
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| donhumberto wrote: | | All I can say is Thank you, Netflix. With the flood of utter trash being announced lately they have become one of the last beacons of hope in the more and more otakufied anime industry...
Needless to say, this looks gorgeous |
There is no such thing as otakufied, it sounds like you have zero clue to what an Otaku is.
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Admiral Pizzaman
Joined: 08 Apr 2014
Posts: 504
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Posted: Fri Jan 26, 2018 6:39 am
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After what they did with Devilman: Crybaby, I think I begin to respect Netflix. And as always, I like Production I.G's visual styles.
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donhumberto
Joined: 19 Jan 2017
Posts: 822
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Posted: Fri Jan 26, 2018 6:54 am
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| Admiral Pizzaman wrote: | | After what they did with Devilman: Crybaby, I think I begin to respect Netflix. And as always, I like Production I.G's visual styles. |
Indeed, Devilman was all kinds of awesome. And March sure seems like it's going to be Netflix's month, with 3 originals that look pretty awesome + the sadly underrated Children of the Whales... can't wait!
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Pierrot.
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Posted: Fri Jan 26, 2018 10:38 am
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| Admiral Pizzaman wrote: | | After what they did with Devilman: Crybaby, I think I begin to respect Netflix. And as always, I like Production I.G's visual styles. |
Netflix only licensed Devilman Crybaby. They're not even in the production committee.
I'm also not sure what you mean by Production I.G's visual style but the visuals in the pv looks like Kazuto Nakazawa's style who was a character designer for Terror in Resonance and Days produced by MAPPA.
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Kadmos1
Joined: 08 May 2014
Posts: 13615
Location: In Phoenix but has an 85308 ZIP
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Posted: Fri Jan 26, 2018 3:29 pm
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Allow at least 2 anime titles to be weekly streams. Those 2 series get a weekly simuldub the same week that their respective 3rd subbed epi. debuts. The seasonal anime lineup is open to most territories simultaneously. That is, barring certain territories blocking Netflix, Territory B gets the epi. within 36 hours of Territory A getting it. When NF has started doing all these points for each season, I will have more respect for their decisions on streaming anime that are Netflix-first licenses.
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MarshalBanana
Joined: 31 Aug 2014
Posts: 5499
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Posted: Fri Jan 26, 2018 6:03 pm
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| Pierrot. wrote: |
| Admiral Pizzaman wrote: | | After what they did with Devilman: Crybaby, I think I begin to respect Netflix. And as always, I like Production I.G's visual styles. |
Netflix only licensed Devilman Crybaby. They're not even in the production committee.
I'm also not sure what you mean by Production I.G's visual style but the visuals in the pv looks like Kazuto Nakazawa's style who was a character designer for Terror in Resonance and Days produced by MAPPA. |
I suppose Stand Alone Complex could be a style that is associated with Production I.G. I'm not sure what other shows they've done that have that look, but I suppose this bears a resemblance.
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KH91
Joined: 17 May 2013
Posts: 6176
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Posted: Thu Mar 01, 2018 7:49 pm
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Good trailer. As expected of JK of MWAM. Girl in the trailer was cute.
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