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Answerman - Why Is It Socially Unacceptable To Be An Otaku In Japan?


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Actar



Joined: 21 Nov 2010
Posts: 1074
Location: Singapore
PostPosted: Fri Jun 09, 2017 11:35 pm Reply with quote
What do Japanese youths think about otaku? Here's an interview. Of course, this is hardly representative and we can't confirm that they're being honest, but it's an interesting watch nonetheless.

https://www.youtube.com/watch?v=Od5gmTJJS6c


Last edited by Actar on Fri Jun 09, 2017 11:40 pm; edited 2 times in total
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CrownKlown



Joined: 05 May 2011
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PostPosted: Fri Jun 09, 2017 11:39 pm Reply with quote
I don't know honestly, just the articles on her seem to contradict this great dislike for otaku or at least anime/manga. I see article all the time on here where a provincial district wants anime mascots, or some company makes moe anime personified characters. I dont think its an issue with anime as much as its an issue with obsession. Ie nobody cares if you like anime, its seems actually pretty accepted even main stream but if you take it to far.

I think the difference between East and West is what is too far.
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Kikaioh



Joined: 01 Jun 2009
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PostPosted: Sat Jun 10, 2017 12:46 am Reply with quote
Stuart Smith wrote:
If the incident with Kurt Eichenwald is any indication, people would rather pretend that side of the nerdom is a small minority or non-existant entirely, rather than admit the truth Anglo countries are a lot more shameful and prideful about those things.

The main difference is here it's forced to be hidden away in the shadows. Plenty of porn comics, videos, and pictures exist, but they're digital only, because having a huge convention like Comiket or store hosting physical releases is impossible in our society versus Japan. One just needs to go to one of those furry sites and see how much artists make from commissions, or head over to the Patreon and see artists making up to 30K a month. To put in perspective, that's heads and shoulders above more than what 'mainstream' journalists, or ex-TGWTG allumini/YouTubers are making.

'Out of sight, out of mind' and all of that. If it's not a front page article on Buzzfeed, most people will ignore it.

Those comic films and AAA games are in the same manner of Sazae-san or One Piece in Japan. It's fine to like them, but breaking through the first tier to the more obscure stuff below is when the stigma hits. Dismissing them as 'niche subcultures' is intellectually dishonest. As someone who worked in a comic shop during his youth, comics were more mainstream then than they are now, since sales have slumped despite the movie boom and DC and Marvels attempt at pushing them. In printed regard, manga is far more mainstream in Japan than comics are here. If you're going to talk about Wonder Woman to your co-workers, it better be Gal Gadot, because people will think you're a nerd if you talk about the fan favorited Perez run of the 80s and 90s.


Any fantasy, sci-fi or comic book nerd from the 80s and 90s is giddy with joy at the current mainstream pop culture that largely celebrates and embraces those genres. You can hardly walk into a mall, Wal-Mart or a Barnes and Noble without seeing Marvel, Star Wars, TLotR, Harry Potter, and videogame memorabilia, T-Shirts and products for sale. They're a huge part of mainstream pop culture, largely catering to a generation of mid-to-young adults who've come to embrace geekdom with their personal identities. Most young adults I know wouldn't bat an eye if you mentioned being a fan of 80s or 90s comic books -- depending on your personality, they might even think you have more fan cred in comparison.

TBH, I sort of sense a shifting in the goalposts with your commentary. In a way, it feels like you're trying to suggest that the word "nerd" doesn't refer to "nerds" anymore, and instead is actually relegated to pervy fans, social deviants, etc. So maybe it depends on how you view "nerdness". If you look at the word "nerd" strictly as a pejorative that only applies to people who carry a social stigma for their strange/unpopular hobbies, then maybe your perceptions work in that context. But even then, you can't deny that the "nerds" of yesteryear are the pop culture leaders of today. I mean, a single 2-hr Avengers movie can bring in over a billion dollars in revenue, most of which comes from global markets. Popular though Sazae-san and One Piece might be in Japan, I don't think their scale is much the same. TBH, Sazae-san maybe compares more favorably to The Simpsons, and One Piece... I dunno, maybe Dr. Who..?
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belvadeer





PostPosted: Sat Jun 10, 2017 1:24 am Reply with quote
Quote:
Japanese society -- and Asian societies in general -- tend to favor collectivism and social harmony over individualism. It's a lot more of a "thing" to shame or shun people who throw off harmony, who are antisocial.


Pretty much this. In other words, if you're born in Japan, you're a worker bee/ant and you must not interrupt the flow of tedious everyday life. Being a rebel makes you an enemy of the hive/colony, so you must be reconditioned. If you resist reconditioning, then you must be shamed.
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GOTZFAUST



Joined: 03 Jan 2016
Posts: 35
PostPosted: Sat Jun 10, 2017 1:44 am Reply with quote
So what about the people that spend alot of time and money in the arcades. Alot of those activities are not solitary
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Paiprince



Joined: 21 Dec 2013
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PostPosted: Sat Jun 10, 2017 2:43 am Reply with quote
Kikaioh wrote:
Paiprince wrote:
Oh get over your ethnocentrist high horse man. A lot healthier? Do you just ignore the flat out deviant behaviors of MLP'ers and Homestuckers? Chris-chan? The average comic book demographic of XXL nasty looking balls with manners akin to a kindergartener? The list goes on and on.


You can try to focus on niche Western subcultures as a defense, but you can't deny the enormous impact that comic book films and videogames have had on Western pop culture in the last 20 years. Nerd entertainment has practically become mainstream in the West, while in Japan it's still looked down on by working-class adults. I do think that that cultural divide plays a part in the social frustrations that are fueling the type of increasingly pandering output we're seeing in anime these days. 80's and 90's anime actually seemed a lot more genre-driven and internationally-inspired compared to the more insular and trope-driven titles that make up a sizable chunk of the modern market, so it's not like I've always felt this way about Japan; actually, back in the 90's I practically felt the opposite.


Tropes and Genres that I like ="genre-driven and internationally-inspired" I assure you that the anime back then were full of formulaic and fad driven schlock that you deride the modern counterparts now. Your arguments have been full of personal opinions and assumptions that it's hardly evidence you can back it up.
And you're seriously downplaying on anime's impact on mainstream when series like Shingeki no Kyojin, One Punch Man and Boku no Hero Academia among others gain reception in the mainstream. These shows garnered mass appeal while still keeping the interest of their hardcore otaku crowd similar to the average cape comic adaptation. So the thought of anime slinking back to cater to just one specific niche audience is outright wrong. Dial down that bias against modern anime dude and blind faith on cape comics. It's making you develop tunnel vision.
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Actar



Joined: 21 Nov 2010
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PostPosted: Sat Jun 10, 2017 4:10 am Reply with quote
Wow... I can't believe my comment was edited to remove content that was not inflammatory in any way without any reason or explanation. All I did was point out that some of the comments here were guilty of generalizing. Even the part of my post that looked at the otaku community in a positive light was removed. Please tell me what was wrong with my post and how it deviated from what the others were posting.
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Stuart Smith



Joined: 13 Jan 2013
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PostPosted: Sat Jun 10, 2017 5:23 am Reply with quote
Kiikaioh wrote:
Any fantasy, sci-fi or comic book nerd from the 80s and 90s is giddy with joy at the current mainstream pop culture that largely celebrates and embraces those genres. You can hardly walk into a mall, Wal-Mart or a Barnes and Noble without seeing Marvel, Star Wars, TLotR, Harry Potter, and videogame memorabilia, T-Shirts and products for sale. They're a huge part of mainstream pop culture, largely catering to a generation of mid-to-young adults who've come to embrace geekdom with their personal identities. Most young adults I know wouldn't bat an eye if you mentioned being a fan of 80s or 90s comic books -- depending on your personality, they might even think you have more fan cred in comparison.


Some might be estatic, but there also others annoyed that the big screen adaptions have usurped the source material if that is what they want to talk about. Pop culture specifically refers to mainstream culture, and it's going to be those adaptions that carry that responsibilities. I've had more than a few friends sigh that Sauron will forever be depicted as a lighthouse with an eyeball on it, or Spider-Man has organic webshooters. I had an English teacher in high school who was known to dislike the movie Jurassic Park for it's ruining of the book, and other kids would call him loser for not liking a popular movie and reading a book.

Kikaioh wrote:
TBH, I sort of sense a shifting in the goalposts with your commentary. In a way, it feels like you're trying to suggest that the word "nerd" doesn't refer to "nerds" anymore, and instead is actually relegated to pervy fans, social deviants, etc. So maybe it depends on how you view "nerdness". If you look at the word "nerd" strictly as a pejorative that only applies to people who carry a social stigma for their strange/unpopular hobbies, then maybe your perceptions work in that context. But even then, you can't deny that the "nerds" of yesteryear are the pop culture leaders of today. I mean, a single 2-hr Avengers movie can bring in over a billion dollars in revenue, most of which comes from global markets. Popular though Sazae-san and One Piece might be in Japan, I don't think their scale is much the same. TBH, Sazae-san maybe compares more favorably to The Simpsons, and One Piece... I dunno, maybe Dr. Who..?


Nerd is, or was, a derogitory term. The term has lost it's meaning, co-opted by marketers who turned it into a trendy label for billion dollar grossing movies and TV shows. If used in the 90s like it was today, nerd would be used to describe people who enjoyed Independence Day or Seinfeld. Popular things the average person watches, which would be the superhero and book movies of today. The current term to describe nerds of yesteryear today seems to be neckbeard, weeaboo, or manchild. Those still carry the negative term.

Those subcultures mentioned are what I would call the nerds of today. The shows or games that would get you the same looks as they did today. You must know a surprisingly open minded set of mainstream sports and FPS game fans if they don't look at people oddly for picking up JRPGs with a pretty boy or cute girl on the cover, or openly admit to watching kids cartoons like Disney sitcoms and get treated no different than if they said they liked Avengers. Not necessarilly limited to perverted groups, but that was the most common example people were ashamed of in this thread, and I was merely saying you're underestimating just how many people are into that stuff in the west since you have to actually go looking for it to find it, but it's there in spades.

-Stuart Smith
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EricJ2



Joined: 01 Feb 2014
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PostPosted: Sat Jun 10, 2017 5:30 am Reply with quote
Lactobacillus yogurti wrote:
I do try to distinguish between being an anime fan (I'm one of the moderate types now... I even stopped drawing a long time ago), and an otaku (when someone's interest pervades the rest of his/her life and he/she decides it's more important than being a wholly functional part of society).
Don't get me wrong, though. Liking anime isn't a sin, but going as far as breaking an engagement, dropping out of college, or even getting a mediocre job just to have more time to indulge in something that in the end doesn't give you anything other than pleasure is just too much.


"Thank" you, Lact, for illustrating, in EXACT gruesome detail, my point about what the Japanese believe anyone who exposes himself to anime is:
Once you express a personal fondness for an anime show, that devil-addiction Anime Reefer Madness immediately sets in, and by the time two minutes have passed, you've already quit your job, pulled down all the shades on your apartment so the sun won't come in, married Serval-friend as your 2-D Waifu because she didn't reject you like that girl in high school, buried your bedroom in Pretty Cure figures, spent your parents' entire monthly support check on ramen cups, potato chips and Pocky, and bragged to 2000 of your Twitter friends about your pride in being a burden on society. Why, everyone knows that.

...Gee, I must be even worse, I've seen two anime episodes! Rolling Eyes
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GracieLizzy



Joined: 26 Sep 2006
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Location: Sunderland, England, UK
PostPosted: Sat Jun 10, 2017 5:43 am Reply with quote
Whenever this topic comes up it always strikes me that to an extent that the Japanese usage of "otaku" generally (including train, miltary, bento box .etc) reminds me of the British usage if "anorak" as a verb. It even has a similar sort of linguistic sense to it as an anorak is a type of warm weather coat that became associated with people who wearing them when partaking in certain hobbies that are considered a bit dull by most of society like cataloguing Royal Mail post boxes, or roundabouts, or car tax disks, or stamp collecting. There's a similar "Eh so long as you keep it to yourself" attitude towards this in British culture too.
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Kikaioh



Joined: 01 Jun 2009
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PostPosted: Sat Jun 10, 2017 7:34 am Reply with quote
Paiprince wrote:
Tropes and Genres that I like ="genre-driven and internationally-inspired" I assure you that the anime back then were full of formulaic and fad driven schlock that you deride the modern counterparts now. Your arguments have been full of personal opinions and assumptions that it's hardly evidence you can back it up.
And you're seriously downplaying on anime's impact on mainstream when series like Shingeki no Kyojin, One Punch Man and Boku no Hero Academia among others gain reception in the mainstream. These shows garnered mass appeal while still keeping the interest of their hardcore otaku crowd similar to the average cape comic adaptation. So the thought of anime slinking back to cater to just one specific niche audience is outright wrong. Dial down that bias against modern anime dude and blind faith on cape comics. It's making you develop tunnel vision.


The thing is, the business model back in the 80s into the 90s seems to have been less constrained by production committees, at least compared to modern works. You can tell just by how many shows were very clearly inspired by foreign films and cinema. The impact of Alien and 2001:A Space Odyssey could be seen in works like Gall Force and Lily C.A.T., references to films like Back to the Future show up in Burn Up and Tenchi in Love, Blade Runner had a huge influence on Bubblegum Crisis/Ghost in the Shell/Megazone 23, Dungeons and Dragons likewise on Lodoss War and Slayers, Star Wars especially on an entire generation of Sci-Fi anime, or Jackie Chan's popular Hong Kong films on action-comedies like Ranma and Dragon Ball. Much of anime back in the day was influenced by the larger global community, but modern anime seems to be a bit ways less so, instead focusing more on popular tropes like harems, cute-girls-doing-cute-things, bishonen idol groups, shonen action, etc. I think it's easier to see the production committee model churning out those sorts of shows less as a celebration of fantasy and sci-fi genres, and more as a means of pandering to the tastes of their target audiences. It's been my understanding over the years that this was largely the result of the 90s recession stretching out over the decades and driving the industry more towards catering to reliable target markets, and relying less on auteur-driven passion projects.

As for One Punch and Boku no Hero Academia gaining reception in the mainstream... I think that's kind of a stretch. I mean, maybe they're better known in Western circles than some of the more otaku-laden light-novel adaptation sorts of shows, but I don't think they've much cracked mainstream recognition in Japan. Attack on Titan is a rare case, but that's more the exception than the rule. It's one of the few series that's broken beyond the otaku bubble and largely appeals to mainstream audiences while shirking much of the popular modern anime tropes, and I would categorize it more in the vein of shows like Dragon Ball or Detective Conan, that aren't quite a reflection of the overall otaku scene.

And hey, everyone here is speaking largely from personal opinions and assumptions. My opinions come from being in the fandom for several decades and having been to Japan a number of times over the years and interacted with various Japanese people. Getting a bead on pop culture oftentimes is a matter of perception: even someone who grew up in Hokkaido might not have a grasp for the otaku scene in Tokyo.

Stuart Smith wrote:
Some might be estatic, but there also others annoyed that the big screen adaptions have usurped the source material if that is what they want to talk about. Pop culture specifically refers to mainstream culture, and it's going to be those adaptions that carry that responsibilities. I've had more than a few friends sigh that Sauron will forever be depicted as a lighthouse with an eyeball on it, or Spider-Man has organic webshooters. I had an English teacher in high school who was known to dislike the movie Jurassic Park for it's ruining of the book, and other kids would call him loser for not liking a popular movie and reading a book.

Nerd is, or was, a derogitory term. The term has lost it's meaning, co-opted by marketers who turned it into a trendy label for billion dollar grossing movies and TV shows. If used in the 90s like it was today, nerd would be used to describe people who enjoyed Independence Day or Seinfeld. Popular things the average person watches, which would be the superhero and book movies of today. The current term to describe nerds of yesteryear today seems to be neckbeard, weeaboo, or manchild. Those still carry the negative term.

Those subcultures mentioned are what I would call the nerds of today. The shows or games that would get you the same looks as they did today. You must know a surprisingly open minded set of mainstream sports and FPS game fans if they don't look at people oddly for picking up JRPGs with a pretty boy or cute girl on the cover, or openly admit to watching kids cartoons like Disney sitcoms and get treated no different than if they said they liked Avengers. Not necessarilly limited to perverted groups, but that was the most common example people were ashamed of in this thread, and I was merely saying you're underestimating just how many people are into that stuff in the west since you have to actually go looking for it to find it, but it's there in spades.

-Stuart Smith


I tend to think the people who are annoyed are usually the outliers/hipsters in the crowd, who define their enjoyment of entertainment by how esoteric and unknown their favorite works are.

Otherwise though, I think it's fair to say we're just looking at the word "nerd" from different angles, and I agree with a good portion of your perspective in that respect, if you're looking at the word from its traditional usage. Even then, though, I would say the Western subcultures that have been mentioned are still somewhat healthier in contrast, largely because I feel the mentality of "individuality" in the West makes it less of a stigma for people who choose not to move in lock-step with pop-culture. In that sense, I think much of the furry fandom or MLPers are a bit more socially liberated and able to be publicly proud of their obsessions in comparison to their Japanese counterparts, and while they maybe share a similar degree of public scorn/ridicule, there's an innate Western flamboyant individuality, I think, that prevents those fandoms from being quite as insular and socially bed-ridden.
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JulieYBM



Joined: 07 Apr 2012
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PostPosted: Sat Jun 10, 2017 9:38 am Reply with quote
Otaku are often confused for being anti-social, but anyone who follows Japanese artists, animators or cosplayers on social media will know that's far from the truth. As Saitou Tamaki loves to put it, Otaku enjoy 'performing' their hobby for others. It certainly explains why the Comic Market pulls in a 500,000 attendees or massive amount of smaller events and entire districts dedicated to Otaku. I think part of the reason Furukawa Toshio has become such an Otaku of sorts is that he can feed into his love of acting. By showing off his collection as he does he can 'perform' in a different way.

Another big problem I see often is that people think Otaku are synonymous with NEET or hikikomori. They're not. A hikikomori can be a hikikomori without being a NEET or an Otaku and a NEET could be neither a hikikomori nor an Otaku. Otaku have jobs. They go outside, too. I recall reading in Beautiful Fighting Girl (Saitou Tamaki) that many of his psychologist colleagues are themselves Otaku. Doctors and lawyers, too, which would explain how such massive collections can be amassed by a Otaku.

Apollo-kun wrote:
It's very much worth mentioning one of the biggest contributing factors behind otaku being shunned - Tsutomu Miyazaki, aka The Otaku Killer. The guy kidnapped little girls and did all sorts of horrific things to them, and when he was caught, it was revealed that he was a massive otaku - something the media ran with.


Reports I've read suggest the opposite: Miyazaki was not an Otaku because all of his recordings were random, rather than a concentrated effort. He may have been closer to a maniac, a group often confused with the Otaku.

Kikaioh wrote:
This article hit a lot of nails on the head. Particularly the comment that much of anime has become something of a salve for the social anxieties of Japanese nerd-dom. TBH, I feel like the modern Production Committee model is business-driven to the point of exploiting that fact, to the detriment of the most vulnerable of fans. For many in the fandom, anime is becoming more than just a salve --- it's turning into a surrogate for personal relationships and a normal life.

Nerd-dom in the West, I think, is a lot healthier in comparison. There's a certain mainstream open-ness and acceptance of previously nerd-only genres that isn't driven nearly as much by sexual or social frustrations.


Such a dismissive attitude towards alternative ways of living and loving will not win over anyone. What is a 'normal life'? A wife/husband of the opposite sex, two-to-three kids, two cars and a mortgage? The generic description of 'normal' lives that society and Hollywood love to push in their media seems suspiciously absent of happiness.

Part of what created the initial boom of Otaku was hopeless men unable to achieve the sort of social and financial status that made it possible to get married, have cars, kids, a house and extravagant vacations. By placing so much emphasis on 'normal' it created the 'leftovers' that eventually became Otaku. As painful as a transition as that must have been, it was definitely for the better. We now have a sub-culture where individuals can go to be accepted with open arms to live life without being judged so negatively for not fitting in. They can live existences where they can take care of themselves.
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Kikaioh



Joined: 01 Jun 2009
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PostPosted: Sat Jun 10, 2017 10:59 am Reply with quote
JacobYBM wrote:


Such a dismissive attitude towards alternative ways of living and loving will not win over anyone. What is a 'normal life'? A wife/husband of the opposite sex, two-to-three kids, two cars and a mortgage? The generic description of 'normal' lives that society and Hollywood love to push in their media seems suspiciously absent of happiness.

Part of what created the initial boom of Otaku was hopeless men unable to achieve the sort of social and financial status that made it possible to get married, have cars, kids, a house and extravagant vacations. By placing so much emphasis on 'normal' it created the 'leftovers' that eventually became Otaku. As painful as a transition as that must have been, it was definitely for the better. We now have a sub-culture where individuals can go to be accepted with open arms to live life without being judged so negatively for not fitting in. They can live existences where they can take care of themselves.


I don't view much of the modern otaku scene to actually be happy. Rather, they seem to watch certain anime to try and fill a void of happiness in their personal lives. I don't think it's so much an "alternative lifestyle" as it is a "coping mechanism". Anime back in the 80's and 90's, and somewhat into the aughts, seemed to be "escapist" in the sense of finding adventures in a comparatively boring world. Anime in the modern day seems to be more "escapist" in the sense of finding intimacy in a comparatively lonely existence. TBH, when people try to excuse the modern fandom as an "alternative lifestyle", I kind of see it as a defensive denial to continue an unhealthy addiction.

I'm also not sure what you mean by "the initial boom of otaku". To my understanding, the 80's OVA generation was sort of the initial start of the anime fandom that's persisted to the modern day. Back then, Japan's economy was booming, and early anime fans were often the ones who could afford the new and relatively expensive VHS machines back in those days. "Otaku" was a bit more of a general term that started to get more and more associated with the anime scene, and it wasn't until the slow 90's recession that we started to see both the industry and the fandom transform more along the lines of the otaku generation that you seem to be referring to.

As for the otaku scene having "open arms" to outside lifestyles, I think the backlash that series like Free! and Yuri on Ice! generated within parts of the fandom goes to show that not all otaku are cut from the same open-minded cloth.
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Akane the Catgirl



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PostPosted: Sat Jun 10, 2017 11:03 am Reply with quote
Let me start by saying that one of my least favorite anime archetypes is the otaku surrogate. By god, I hate them. Why? Well, in order to talk about otaku characters, we have to talk about otaku culture.

The one thing I've noted about otaku is that they are very proud of being otaku. They are also overly sensitive and very prideful. A good chunk of otaku (the one that actually matters) have a tendency to reject otaku characters that are, gasp, flawed, because they view them as a pesonal attack. So we have a bunch of boringly perfect main characters because either the authors are too afraid to offend their audience, or the audience themselves have taken over and are creating characters that reflect themselves. It is the literal definition of "circle jerking", and that is why I hate otaku surrogate characters so much. That, and the otaku thing is a cheap and lazy way to get the audience to empathize with the main lead. Miyzaki was right- otaku are poisoning the anime industry.

Notably, Kazutaka Kodaka of Danganronpa fame also doesn't seem to care for otaku culture, if the way he portrays otaku characters is anything to go by. (Hi Hifumi Yamada. Hi Ryota Mitarai. Hi spoiler[Tsumugi Shirogane]).
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mbanu



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PostPosted: Sat Jun 10, 2017 12:12 pm Reply with quote
Otaku are the neckbeards of Japan. I mean, the word itself basically means "M'lady-er" Smile
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