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The Mike Toole Show - Ghibli Before Ghibli


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Paploo



Joined: 21 Nov 2006
Posts: 1875
PostPosted: Sun Apr 10, 2011 6:07 pm Reply with quote
I'm surprised Littel Norse Prince/Horus hasn't found it's way to DVD yet- Discotek has done a great job getting out bilingual editions of many 60's/70's anime films that had prior VHS releases here like Puss in Boots and Animal Treasure Island. Looks like Optimum managed a release in the UK http://optimumreleasing.com/dvd.php?id=194
If it has a Netflix and Hulu stream, I'm assuming someone here has it and is just awaiting the right offer?

I know there was a french release of Heidi here in Canada years ago, though it looks to have gone out of print. It would be keen if someone worked out the rights for these shows..... there Ghibli connection might make them more marketable than you'd think for such old shows.

I bought Anne of Green Gables and Future Boy Conan artbooks in Disney World's Mitsukoshi store in Epcot [an indication that Mitsukoshi's staff knows it's Ghibli, not that Disney has a hold on either franchise- this was imported Japanaese merch], and I certainly wouldn't mind seeing Disney pick them up for TV broadcast with well known actors and the quality they put into their Ghibli releases. They'd certainly be at home on ABC Family or any of Disney's other cable networks, though I'm guessing it's all in the hands of the japanese rights holders, given these shows were made before Ghibli came into being.

Geneon managed things nicely picking up Panda Go Panda, Sherlock Hound and one of the Lupin TV series they worked on.

I'm guessing we'll see a bluray of the Borrowers accompanied by Whisper of the Heart since that just got announced for Japan. Hoping they give Only Yesterday a go.

Not much fuss out there for the just released Tales of Earthsea- almost picked it up myself, but despite beign a Ghibli fan and a big Earthsea fan am sort of unsure if I want it right away.
I'd have to say I'd jump at dvd boxsets of either Anne of Green Gables or Future Boy Conan.
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Charred Knight



Joined: 29 Sep 2008
Posts: 3085
PostPosted: Sun Apr 10, 2011 6:38 pm Reply with quote
My one complaint was that Mike made it look like Studio Topcraft only worked with Rankin and Bass once, when Studio Topcraft worked for Rankin and Bass constantly on such work as The Hobbit, and Flight of Dragons.

Now Topcraft is a studio which I would like to hear more about.
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mdo7



Joined: 23 May 2007
Posts: 6396
Location: Katy, Texas, USA
PostPosted: Sun Apr 10, 2011 8:00 pm Reply with quote
Charred Knight wrote:
My one complaint was that Mike made it look like Studio Topcraft only worked with Rankin and Bass once, when Studio Topcraft worked for Rankin and Bass constantly on such work as The Hobbit, and Flight of Dragons.

Now Topcraft is a studio which I would like to hear more about.


That's true, I like to hear more about Topcraft. Also, there's been a debate about some of Rankin-Bass work should be reclassified as anime. Thundercats is one example. Also, I found that Rankin-Bass had help from other Japanese animation studio like Mushi production, and Toei animation. I read on toonzone that Hayao Miyazaki worked on Rankin-Bass's The Last Unicorn and now because of this, The Last Unicorn is reclassified as anime. Another Rankin-Bass's animation has been reclassified as anime, The Stingiest man in Town which by the way is based on Charles Dicken's A Christmas Carol. It's now considered anime because the director of that Christmas special is none other then Katsuhisa Yamada, who is behind Mazinger Z anime and Devil Hunter Yohko. It's very interesting how some of our well known anime directors, animators were involved with American cartoon from the past.
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Dr Marc



Joined: 03 Jul 2008
Posts: 2
PostPosted: Sun Apr 10, 2011 9:22 pm Reply with quote
mdo7 wrote:


I read on toonzone that Hayao Miyazaki worked on Rankin-Bass's The Last Unicorn and now because of this, The Last Unicorn is reclassified as anime.


No. Hayao Miyazaki did *NOT* work on "The Last Unicorn" and the article you cited does not say that. Miyazaki was working full time on the Nausicaa manga at the time of TLU's production and had no contact with Topcraft until they were hired to do the animated version of Nausicaa.

Further, most of Topcraft's work was for US productions, so much so that when the were chosen to do Nausicaa, few of the Japanese fans had even heard of them. Animage magazine had to run an article about Topcraft and TLU just to assure the fans the studio was up to the job.

While some may classify TLU as anime, I prefer calling it "anime-influenced." If you define anime as "animation done by a Japanese company primarily for a Japanese audience (even if they intend to export it later)" then TLU isn't anime. To this day TLU has never been released theatrically or on home video in Japan.
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Ryo Hazuki



Joined: 01 Jan 2008
Posts: 370
Location: Finland
PostPosted: Mon Apr 11, 2011 12:03 am Reply with quote
Paploo wrote:

I bought Anne of Green Gables and Future Boy Conan artbooks in Disney World's Mitsukoshi store in Epcot [an indication that Mitsukoshi's staff knows it's Ghibli, not that Disney has a hold on either franchise- this was imported Japanaese merch], and I certainly wouldn't mind seeing Disney pick them up for TV broadcast with well known actors and the quality they put into their Ghibli releases. They'd certainly be at home on ABC Family or any of Disney's other cable networks, though I'm guessing it's all in the hands of the japanese rights holders, given these shows were made before Ghibli came into being.


Actually Disney would have to edit the scenes in Anne of Greengables people are talking about religion and the scene where Anne accidentally gets Diana drunk because of the American broadcasting standards and practices. Christianity and alcohol weren't something that Takahata just decided to add but were in the original book.

In Conan on there's a torture scene and underage smoking.
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Dudley



Joined: 07 Jul 2008
Posts: 29
PostPosted: Mon Apr 11, 2011 5:06 am Reply with quote
I don't know where that comes from, but Jarinko Chie wasn't produced by Knack. Knack had absolutely nothing to do with the show, thank god. It's a TMS production. You can easily tell by it's relatively high animation standard. No Knack show would ever look like this - it would've meant putting effort into it. Razz

I'm a bit disappointed you brush over Jarinko Chie so quickly. It's a very quirky, amusing slice-of-life comedy. And especially the movie is quintessential Takahata with it's down-to-earth observations of everyday life of not-so-everyday's people.
It's highly recommended for all Takahata fans out there!
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BrianRuh



Joined: 17 Dec 2003
Posts: 162
Location: West Lafayette, IN, USA
PostPosted: Mon Apr 11, 2011 6:54 am Reply with quote
If you've got a region-free player, you can still pick up UK R2 editions of Panda Go Panda and Hols (aka Little Norse Price) for pretty cheap.
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mdo7



Joined: 23 May 2007
Posts: 6396
Location: Katy, Texas, USA
PostPosted: Mon Apr 11, 2011 9:15 am Reply with quote
Dr Marc wrote:
mdo7 wrote:


I read on toonzone that Hayao Miyazaki worked on Rankin-Bass's The Last Unicorn and now because of this, The Last Unicorn is reclassified as anime.


No. Hayao Miyazaki did *NOT* work on "The Last Unicorn" and the article you cited does not say that. Miyazaki was working full time on the Nausicaa manga at the time of TLU's production and had no contact with Topcraft until they were hired to do the animated version of Nausicaa.


I think you need to reread the article again. It did say Hayao Miyazaki did work, and I'll quote this part of the article:

Toonzone blog wrote:
For anime fans, Topcraft's legacy endures even today. You see, two years after The Last Unicorn, the studio was employed to produce another movie in 1984. It was supervised by the writer and director of the film--one Hayao Miyazaki. You may have heard of him. The movie, as some of you have undoubtedly guessed by now, was Nausicaa of the Valley of the Wind. The smashing success of that film led to the creation of Studio Ghibli in 1985. When Ghibli was founded, most of Topcraft's staff and artists were brought on board. The rest, as they say, is history.


Unless you have evidence that counter Toonzone's article. I stick with this article.


Quote:
While some may classify TLU as anime, I prefer calling it "anime-influenced." If you define anime as "animation done by a Japanese company primarily for a Japanese audience (even if they intend to export it later)" then TLU isn't anime. To this day TLU has never been released theatrically or on home video in Japan.


So, Voltron was an adaptation of 2 anime, Golion and Dairugger XV. Did you know Toei and WEP made a movie, Voltron: Fleet for Doom. Fleet of Doom never got a Japanese release even to this day. So according to your logic, Voltron is not a anime, right? BTW, who said that anime was ever exclusive to Japanese audience. I've known anime that are made for non-Japanese audience.

-Ulysses 31:French-Japanese co-production, this anime came out in France first in 1982, it wasn't broadcasted in Japan until 1988.

-Afro Samurai (The anime was shown first in US in Jan 2007, it was not shown in Japan until May.)


Last edited by mdo7 on Mon Apr 11, 2011 9:19 am; edited 1 time in total
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Mr_Panda



Joined: 19 Dec 2008
Posts: 5
Location: Being Godly
PostPosted: Mon Apr 11, 2011 9:16 am Reply with quote
I'm glad more people have an interest in Topcraft. Very Happy If it's of any interest, I actually have written at length on the subject about their work and how it fits into the anime world--including its debated status. I should probably digitize that, come to think of it.

Incidentally, I would never define anime by its "intended" audience. And while many seem to subscribe to that criteria, I do not. It's a very sketchy method that is--many times--inaccuracte; given the lengthy discussion one could have on the industry's dependence on export.

In any case, at least someone besides me has taken an interest. Wink Now I have to go type.

Edit: Oh, by the way. Miyazaki did not work on the Last Unicorn in any capacity I have ever been able to verify. The article cited is poorly worded, but it actually does not say he did either. What it means is that Miyazaki supervised the (Naussica) project, and he was the director etc.
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Charred Knight



Joined: 29 Sep 2008
Posts: 3085
PostPosted: Mon Apr 11, 2011 9:52 am Reply with quote
mdo7 wrote:

I think you need to reread the article again. It did say Hayao Miyazaki did work, and I'll quote this part of the article:

Toonzone blog wrote:
For anime fans, Topcraft's legacy endures even today. You see, two years after The Last Unicorn, the studio was employed to produce another movie in 1984. It was supervised by the writer and director of the film--one Hayao Miyazaki. You may have heard of him. The movie, as some of you have undoubtedly guessed by now, was Nausicaa of the Valley of the Wind. The smashing success of that film led to the creation of Studio Ghibli in 1985. When Ghibli was founded, most of Topcraft's staff and artists were brought on board. The rest, as they say, is history.


Unless you have evidence that counter Toonzone's article. I stick with this article.



No, the paragraph is talking about how after The Last Unicorn Studio Topcraft made Naussica it's just worded in a weird manner.

Mr_Panda wrote:
I'm glad more people have an interest in Topcraft. Very Happy If it's of any interest, I actually have written at length on the subject about their work and how it fits into the anime world--including its debated status. I should probably digitize that, come to think of it.

Incidentally, I would never define anime by its "intended" audience. And while many seem to subscribe to that criteria, I do not. It's a very sketchy method that is--many times--inaccuracte; given the lengthy discussion one could have on the industry's dependence on export.

In any case, at least someone besides me has taken an interest. Wink Now I have to go type.


I would love to read what information you have because the relation between Topcraft and Ghibli appears to be really interesting.
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mdo7



Joined: 23 May 2007
Posts: 6396
Location: Katy, Texas, USA
PostPosted: Mon Apr 11, 2011 11:19 am Reply with quote
Mr_Panda wrote:
Incidentally, I would never define anime by its "intended" audience. And while many seem to subscribe to that criteria, I do not. It's a very sketchy method that is--many times--inaccuracte; given the lengthy discussion one could have on the industry's dependence on export.

Edit: Oh, by the way. Miyazaki did not work on the Last Unicorn in any capacity I have ever been able to verify. The article cited is poorly worded, but it actually does not say he did either. What it means is that Miyazaki supervised the (Naussica) project, and he was the director etc.


Yeah, I guess I didn't read that part carefully. My apologies about that. Hayao Miyazaki wasn't involved with The Last Unicorn, guess I didn't read the whole thing carefully. I'm very glad you agree with me about anime intended audience. I could use Ulysses 31 and Afro Samurai to back my defense. Also I could also use this:

Little Nemo: This has been reclassified as anime because it was a coproduction between US and Japanese. This anime was made with an American audience in mind. Yet it came out in Japan first in 1989, it didn't went to America until 3 years later in 1992 with some edit for that release.

There were some other cartoon which I'm trying to classify as anime or not:

The Adventure of T-Rex: This 1992 cartoon/anime was a co-production between Dic and Kitty Film (famous for doing Ranma 1/2, Urusei Yatsura). There was a Japanese dub of this showalso. There's hasn't been any debate about if this should be classify as anime or not. But should ANN and all of us classify Adventure of T-Rex as anime or not despite being a co-production.

Bionic Six: This animation is a Japanese-US coproductions. This cartoon/anime was directed by Osamu Dezaki(famous for directing anime like Lupin the 3rd, Rose of Versailles, and the movie version of Air and Clannad). Not only it's a coproduction, the plot of Bionic Six somewhat almost resemble Cyborg 009 (Is Bionic Six going to be called a Americanized Cyborg 009). Just like Adventure of T-Rex nobody has brought up if this show should be reclassify as anime or not.
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Dr Marc



Joined: 03 Jul 2008
Posts: 2
PostPosted: Mon Apr 11, 2011 11:23 am Reply with quote
mdo7 wrote:

I think you need to reread the article again. It did say Hayao Miyazaki did work, and I'll quote this part of the article:

Toonzone blog wrote:
For anime fans, Topcraft's legacy endures even today. You see, two years after The Last Unicorn, the studio was employed to produce another movie in 1984. It was supervised by the writer and director of the film--one Hayao Miyazaki. You may have heard of him. The movie, as some of you have undoubtedly guessed by now, was Nausicaa of the Valley of the Wind.


Unless you have evidence that counter Toonzone's article. I stick with this article.


As pointed out in a later post here, the Toonzone article is poorly worded and you just misread it. The "it" in "It was supervised..." is referring to "another movie in 1984" in the previous sentence. "It" here is referring the film "Nausicaa", not "The Last Unicorn" (which was released in 1982, so they can't be referring to it as a 1984 movie).

I'm one of the folks who have run Nausicaa.net for over a decade and a half now and also one of the folks who did the original research back in the early 90s tracing the connection between Topcraft and Miyazaki. We never found anything connecting Miyazaki with Topcraft before Tokuma Publishing (the folks who own Animage magazine) hired Topcraft to make the film "Nausicaa" (which was started in 1983 and released in March 1984).
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mdo7



Joined: 23 May 2007
Posts: 6396
Location: Katy, Texas, USA
PostPosted: Mon Apr 11, 2011 12:10 pm Reply with quote
Dr Marc wrote:
mdo7 wrote:

I think you need to reread the article again. It did say Hayao Miyazaki did work, and I'll quote this part of the article:

Toonzone blog wrote:
For anime fans, Topcraft's legacy endures even today. You see, two years after The Last Unicorn, the studio was employed to produce another movie in 1984. It was supervised by the writer and director of the film--one Hayao Miyazaki. You may have heard of him. The movie, as some of you have undoubtedly guessed by now, was Nausicaa of the Valley of the Wind.


Unless you have evidence that counter Toonzone's article. I stick with this article.


As pointed out in a later post here, the Toonzone article is poorly worded and you just misread it. The "it" in "It was supervised..." is referring to "another movie in 1984" in the previous sentence. "It" here is referring the film "Nausicaa", not "The Last Unicorn" (which was released in 1982, so they can't be referring to it as a 1984 movie).

I'm one of the folks who have run Nausicaa.net for over a decade and a half now and also one of the folks who did the original research back in the early 90s tracing the connection between Topcraft and Miyazaki. We never found anything connecting Miyazaki with Topcraft before Tokuma Publishing (the folks who own Animage magazine) hired Topcraft to make the film "Nausicaa" (which was started in 1983 and released in March 1984).


If you read my above post, I apologized that I didn't read carefully. So you're the person that ran Nausicaa.net, you should have said that the first time when you commented the first time.
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bravetailor



Joined: 30 May 2009
Posts: 817
PostPosted: Mon Apr 11, 2011 2:52 pm Reply with quote
I have seen the entire Anne of Green Gables anime in Cantonese.

Most anime fans wouldn't be able to get through it. Many of them can't even get through Whisper of the Heart, even though a good minority (which includes me) praises it a lot.

I have no doubt that a large part of Ghibli's appeal with the populace is their high production values, vivid colours and imaginative stories. Many works by "Ghibli before Ghibli" don't have those aspects that appeal to modern audiences both casual and anime fans. For most viewers, they would be considered boring.

Of course, animation and film buffs would see the sophisticated techniques already coming into place in early "G before G" but those are a minority audience within an already minority audience.
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Jrittmayer



Joined: 13 Oct 2009
Posts: 304
Location: New Jersey
PostPosted: Mon Apr 11, 2011 3:14 pm Reply with quote
Once again Mike Toole droppin knowledge on us like its nobodies business! Great read!

Also, Panda Kopanda was probably the greatest thing ever to be dubbed in English.
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