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REVIEW: Andromeda Stories GN 1-3


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GATSU



Joined: 03 Jan 2002
Posts: 15567
PostPosted: Sat Oct 24, 2009 11:32 pm Reply with quote
I think you're being a bit hard on Vertical's editions, considering the limited audience for that manga in the first place. But the review of the actual content is spot on, unfortunately.
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Ryo Hazuki



Joined: 01 Jan 2008
Posts: 370
Location: Finland
PostPosted: Sun Oct 25, 2009 3:52 am Reply with quote
I haven't read Andromeda Stories but I can really agree that I would prefer the color pages and the original cover art over the ones we get. Black Jack, Buddha, MW, Apollo's Song and Dororo would really look much better on my shelf with Osamu Tezuka's drawings than pretentious pop art covers.
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Pirkaf



Joined: 14 Feb 2008
Posts: 156
PostPosted: Sun Oct 25, 2009 4:10 am Reply with quote
Well, To Terra... is better but Andromeda Stories are still a must for any serious manga fan.
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Sun Oct 25, 2009 5:39 am Reply with quote
Casey's (long overdue) review of the content pretty much mirrors my feelings about the series. It's not nearly as good as To Terra and it's a clumsily told, problematic story that's a must buy for Takemiya's artwork alone.

I'm not sure where she's coming from with regards to the print quality though - they have so-so reproduction values (and that's presumably down to the quality of the pages the licensor provided Vertical to work from) but they're not egregiously fuzzy or pixilated and certainly look a lot better than some of the half-arsed crap that Tokyopop and others have released over the years.

As for the covers...Casey's tiresome inverse snobbery raises its head again. Is it weeaboo Orientalism? Fan insecurity? Regardless, they actually look pretty damn good, they complement the To Terra books perfectly and they're rather more commercially viable than any of the original Takemiya covers I've seen (of which there are number in Masanao Amano's Manga reference book and its accompanying DVD).

Ryo Hazuki wrote:
Black Jack, Buddha, MW, Apollo's Song and Dororo would really look much better on my shelf with Osamu Tezuka's drawings


All of those releases do feature Tezuka's drawings on their covers. And nothing of Tezuka's gets released without being okayed first by Tezuka Productions so his estate is obviously happy with them.
Does anybody get similarly excised when an old movie or novel is re-released with a new, more contemporary cover? No - it's standard practice and manga is not some kind of cultural sacred cow that requires special protection from being re-contextualised and re-marketed.

Quote:
than pretentious pop art covers.


"Pretentious" how? What specious claims of importance or excellence are those Tezuka covers making?
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Ryo Hazuki



Joined: 01 Jan 2008
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Location: Finland
PostPosted: Sun Oct 25, 2009 6:00 am Reply with quote
Moomintroll wrote:

All of those releases do feature Tezuka's drawings on their covers. And nothing of Tezuka's gets released without being okayed first by Tezuka Productions so his estate is obviously happy with them.
Does anybody get similarly excised when an old movie or novel is re-released with a new, more contemporary cover? No - it's standard practice and manga is not some kind of cultural sacred cow that requires special protection from being re-contextualised and re-marketed.


In my opinion comic panels just don't work as a cover art just like I prefer official poster art for DVD covers to photoshopped screenshots. The reason I still keep the two Viz Black Jack books is because of their cover art. Would't it be a shame if Nausicaä covers had just zoomed panels as covers instead of beautifully drawn and colored covers that are used?
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Moomintroll



Joined: 08 Oct 2007
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Location: Nottingham (UK)
PostPosted: Sun Oct 25, 2009 7:19 am Reply with quote
Ryo Hazuki wrote:
Would't it be a shame if Nausicaä covers had just zoomed panels as covers instead of beautifully drawn and colored covers that are used?


It certainly would. But then Miyazaki has an illustrator's approach to his non-animated work (that being the career he got his start in) and it shows in his covers whereas Tezuka viewed things through the eyes of a cartoonist - for all the genius he displayed between the covers (in terms of movement, decompression and page composition), I don't think he was ever particularly outstanding when it came to cover design and illustration.

The Viz Black Jack covers (which are themselves heavily redesigned) don't do anything for me - they don't even have the appealing retro-kitsch quality of the covers of Astro Boy and the other early Tezuka works released by Dark Horse.
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portgas



Joined: 17 Jul 2004
Posts: 66
PostPosted: Sun Oct 25, 2009 10:56 am Reply with quote
The content review is spot on. However, the fault still lies with Takemiya in not being able to communicate the story, no matter how "good" the art. As far as the art goes, I think the reviewer is a bit too fangirlish in her admiration; if the art can't tell the story, it's a failure no matter how attractive and compatible with what one likes. I'm not as much of an admirer of the artwork as the reviewer, but I can respect it as stellar example of its type.

While I do agree with the assessment of Chip Kidd's overvalued skills, I don't think the cover is that bad, and I don't recollect the "paratextual" problems that are being cited. But I'll take another look.
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vashfanatic



Joined: 16 Jun 2005
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PostPosted: Sun Oct 25, 2009 11:33 am Reply with quote
Quote:
This is the second work to be published in under the name of the illustrious Keiko Takemiya


Typos typos... who edits your reviews?

Quote:
The incestuous relationships woven half-heartedly throughout Jimsa's family also smell just a mite too strongly of an unhealthy Japanese obsession with racial purity.


Actually, your description makes me think of Wagner's Ring Cycle more than any distinctively Japanese notions of racial purity, not to mention Dune. And aren't you going a little bit hard on the fuzzy science given how forgiving you were with Jyu Oh Sei?

Lastly...

More evidence that the grading system makes no sense and is rather useless. She rips on the story and characters as awful and it still gets a B-? Color me baffled.
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Area88



Joined: 26 Jan 2006
Posts: 374
PostPosted: Sun Oct 25, 2009 2:03 pm Reply with quote
I have the Andromeda Stories 1981 TV special on DVD.

It's really good although very long and desperatly needs English subtitles due to the heavy dialogue nature of the show.

I might pick up the manga to see how it compares.

Thanks ANN for continuing to review the older manga.
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scrapps



Joined: 16 Mar 2006
Posts: 43
PostPosted: Sun Oct 25, 2009 3:17 pm Reply with quote
I've never minded any of Vertical's covers, but what you have to remember is that manga fans are only part of the audience that they are trying to market to with these releases. These are also marketed toward the indie comic fans, who seem to be more likely to pick up something older. Let's face it, as much as I would like it to be different, most manga fans aren't purchasing these titles.
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Sun Oct 25, 2009 8:18 pm Reply with quote
scrapps wrote:
I've never minded any of Vertical's covers, but what you have to remember is that manga fans are only part of the audience that they are trying to market to with these releases. These are also marketed toward the indie comic fans, who seem to be more likely to pick up something older. Let's face it, as much as I would like it to be different, most manga fans aren't purchasing these titles.


I couldn't agree more. And, on reflection, I suspect that points to the source of much of Casey's vitriol (at least as far as the Takemiya books are concerned): the material's being marketed, in part, to an audience she's not a member of and she thinks that means something is being taken away from her. In her mind the likes of Hagio and Takemiya were pioneers in introducing homo-eroticism into shoujo manga and, ergo, they "belong" exclusively and forever more to the fujoshi clique (despite the fact that, however influential they were in forming it, those artists pre-date that niche and have always had a wider scope and appeal beyond it).

The Takemiya works that Vertical have put out were both actually originally produced for teenage boys and the market for vintage comics - including the Japanese ones - lies, as you say, primarily outside the otaku scene but Casey isn't going to let trifling details like that temper her entitlement issues: she'd rather Vertical deliberately lost money by exclusively targeting the few hundred people in North America who share her academic passion for the roots of BL than suffer having to share "her" artists with a wider audience.
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Big Hed



Joined: 04 May 2006
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Location: Melbourne, Australia
PostPosted: Mon Oct 26, 2009 1:47 am Reply with quote
vashfanatic wrote:
She rips on the story and characters as awful and it still gets a B-? Color me baffled.


This was my thought as well. I was expecting a C/C- for the overall after reading the review.

Furthermore, I think the cover art is actually very attractive; at least that which is pictured. My impression of the illustration is that it reflects its old-school inspirations while sporting an appealingly modern edge.
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Pippin4242



Joined: 01 Jan 2006
Posts: 111
PostPosted: Mon Oct 26, 2009 12:17 pm Reply with quote
Moomintroll wrote:
Ryo Hazuki wrote:
Black Jack, Buddha, MW, Apollo's Song and Dororo would really look much better on my shelf with Osamu Tezuka's drawings


All of those releases do feature Tezuka's drawings on their covers.


Dude, I'd finished Dororo before I noticed his drawings properly. They are... recoloured garishly, to say the least. And the background art is totally unrelated (I checked the credits). It... doesn't work. I see what they were getting at, but I think pretentious is a fair comment.

The Black Jack ones aren't awful, but other editions have been much more attractive.

*~Pips~*
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vashfanatic



Joined: 16 Jun 2005
Posts: 3495
Location: Back stateside
PostPosted: Mon Oct 26, 2009 1:30 pm Reply with quote
Big Hed wrote:
Furthermore, I think the cover art is actually very attractive; at least that which is pictured. My impression of the illustration is that it reflects its old-school inspirations while sporting an appealingly modern edge.


I know I tend to rip on Casey a lot, but I actually do agree with her that this is a boring cover. It's relatively attractice aesthetically, but it doesn't scream "check me out!" But then again, a lot of official covers to manga are boring and wouldn't make you want to read what's inside. I love Monster and 20th Century Boys, but the covers are dull and uninteresting; small wonder so many manga get covered in blurbs to make sure you know that what's inside is worth reading.
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Mon Oct 26, 2009 7:22 pm Reply with quote
Pippin4242 wrote:
Dude, I'd finished Dororo before I noticed his drawings properly. They are... recoloured garishly, to say the least. And the background art is totally unrelated (I checked the credits). It... doesn't work.


I'm not overly keen on the Dororo covers myself (though the spines look pretty good). They're easily the weakest of the manga covers Vertical have put out.

Quote:
I see what they were getting at, but I think pretentious is a fair comment.


That depends on what you think they were aspiring to really.

vashfanatic wrote:
It's relatively attractice aesthetically, but it doesn't scream "check me out!"


It isn't supposed to scream "check me out!" - that isn't how you sell classic comics (or classic anything else for that matter).
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