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Anime Expo 2008 - ADV Films


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bradc



Joined: 17 Sep 2007
Posts: 152
PostPosted: Sun Jul 06, 2008 5:43 pm Reply with quote
Keonyn wrote:
That's a pretty faulty statement. For one thing, conventions get more people each year, but that doesn't seem to be translating to DVD sales now does it? Sales is what drives the industry, if thousands of downloaders go to a convention then that doesn't mean a thing or benefit anime at all.

Also, statistically dubs generally do outsell the sub. A bunch of die-hard fans attending conventions doesn't provide an accurate assessment of what the fandom in general wants. That's like going to the Republican National Convention to run a poll to see who's going to win. Die-hards may dislike dubs, sure, but then again some actually still like the dubs. Casual fans often prefer dubs, and like it or not, as with any industry, it is often the casual fans that keep it alive. I've been an anime fan for a long long time, but honestly, if they stop providing dubs then I'll stop providing funds. I'm not about to hand money to an industry that isn't capable of providing a product worth paying for.

Do english VA's get rockstar status? No. But that's more related to cultural difference than anything. Animation is, as is pointed out so regularly, just not that big of a deal here. No matter how big these anime conventions get, they still pale in comparison to other markets in the US, and anime is still very much a niche market no matter how much you would like it to be otherwise. Heck, a good sports team drawn in as many people or more on a nightly basis here in the US.

Obviously here in America people aren't going to raise anime voice actors to "rockstar" status no matter how good they are, because in the US most people generally don't care about anime, let alone the people who act in the shows. Then even within the fandom they have to go up against purists and sub actors, something the sub actors don't have to deal with. So honestly, it's apples to oranges guy, I hate to break it to you. The problem is you're looking at it from a very 1-dimensional point of view, but the picture is always larger than most people account for. You can't compare 1 to 1 when the circumstances are so incredibly different.


Anime has always been a niche/subculture. I can't say the same for Tokyo Pop trying to bring comics into screen and think it's entirely Hollywood. Now we have a problem, since Hollywood these days are adapting anime-manga onto a big screen: Dragon Ball? Speed Racer? Transformers? Evangeleon? What could they come up with next being Live Action? There is a rumour that they are even adapting Death Note onto big screen...

VA can get rock star status but if the US market actually make voice acting AGENCY for them, which something like this is never going to happen. Since they rely on Distrobutors like ADV, Ocean Group, Bandai Visual.. etc. Majority of them being overshadowed by Hollywood and big name celebrities, which makes them nothing.

If anime is not a big deal here? Why on earth are there so much many anime convention run yearly in the US... Otakon, Anime Expo, Sakura Con... etc. Anime is basically the next big thing in existence next to Star Trek and Star Wars. Let's not forget the Pokémon Boom in 1999 that made anime what it is today...
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Keonyn
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Joined: 25 May 2005
Posts: 5567
Location: Coon Rapids, MN
PostPosted: Sun Jul 06, 2008 6:00 pm Reply with quote
Just about everything has a convention these days, and you'd be surprised at the number of people that show up for some of them. Cities and companies wouldn't be opening huge halls and making significant profits just from building "convention centers" if that were not the case. Anime just makes a big bang because the attendees stick out so much with all the people cosplaying and such. Let's not pretend that a large group of anime fans piling up in one spot one time a year is a sure sign that there's some great anime revolution going on and that it's going to be the next big thing. Heck, correct me if I'm wrong, but it seems as though anime is actually beginning to slump over the past two years.

If anime is the next big thing then why can't anime movies survive on the big screen. They show on a handful of screens and are cast out by the theaters after only a few weeks. DVD sales of anime also hardly even compare to the sales or non-anime titles. Even major Miyazaki releases barely make high sales rankings when they were released. Even the stations that broadcast anime are beginning to shy away from it. Convention attendance might be a great thing to make one optimistic about anime, but little else has a similar effect.

I'm all for further exposure of anime and to see its popularity grow, but you need to be realistic here, it's just not happening. Besides, even Star Trek is considered a niche product, and while Star Wars is a bit more mainstream in regards to the movies, the products and events themselves are also the result of more of a niche market.

VA's in the US aren't going to get rockstar status just by making an agency. The reason they're overshadowed by Hollywood is because, in general, the US market just doesn't care about anime. There may be a decent number of fans out there, but in comparison to the rest of the market as a whole, anime makes up a very small share. No matter how good the VAs are, and I find many of them to be terrific, they are not going to achieve any great "rockstar" status when their work occurs in a niche product with such a small overall market share. This is especially the case when that market is divided between the local VAs and the overseas VAs.
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Mohawk52



Joined: 16 Oct 2003
Posts: 8202
Location: England, UK
PostPosted: Sun Jul 06, 2008 6:08 pm Reply with quote
bradc wrote:
VA can get rock star status but if the US market actually make voice acting AGENCY for them, which something like this is never going to happen. Since they rely on Distrobutors like ADV, Ocean Group, Bandai Visual.. etc. Majority of them being overshadowed by Hollywood and big name celebrities, which makes them nothing.
Mostly all VAs in the US are in the Screen Actors Guild whether they appear on screen, or not, and nearly all have their own agent finding them work. I got that from personally speaking with 2 of them. BTW they seem to get the "star" treatment when ever they come over to the UK conventions. Maybe they should consider moving over here then. Wink
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GATSU



Joined: 03 Jan 2002
Posts: 15550
PostPosted: Sun Jul 06, 2008 6:53 pm Reply with quote
Hellkorn:
Quote:
Dodging the issue. Of course we shouldn't expect a Blu Ray for a Ghost in the Shell/Evangelion/Gundam/what have you in the United States before Japan -- but, amazingly enough, not all anime are popular franchises made to print money. Taking a stance that Japan doesn't want it out on Blu Ray here before it's available domestically has been proven to be untrue.


I'm not really dodging the issue, since you're basically making the same point as me, except for the last argument. Japan clearly wants certain anime which it thinks will make money on DVD/Blu-Ray in Japan first, unless the licensors are too lazy to manufacture the dvds themselves, or unless the show has niche appeal.

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What are you talking about. It's stated in the video that early on in the partnership they knew that there would be difficulties.


They knew there would be difficulties, but they likely didn't believe Sojitz would be that difficult that they'd force them to re-negotiate for every single friggin' dvd.

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"One of." You're dodging the issue again.


No, I'm not dodging it. Their manga line was never that successful in the first place, and so it takes less priority than their anime line, plain and simple.

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They've even acknowledged the difficulties with their manga division in a recent press release (and consequently spat in the fans' faces).


If they were spitting in the fans' faces, they'd flood the market with OEL titles, while canceling manga titles which actually made money for them.

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In this case, I'm mostly witnessing frustration at a company that has completely failed to have good PR and has consistently squandered their assets and goals with little respect to stability and the future.


It's not that they squandered their assets. It's that things didn't work out, in spite of them playing the game the same way as everyone else. That happens to good companies.

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Gatsu, a company does not just sour their relationship with another and lose all of their licenses with little to no negotiations in a matter of a few days.


Geneon did just that with ADV. Rolling Eyes

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For that matter, Gen Fukunaga himself stated that Sojitz came to FUNimation earlier this year in regards to their titles -- that's not just a mere correlation.


Yes, and Toei came to 4Kids only a few months after FUNimation tried to get the rights to One Piece. That situation had no bearing on FUNimation any more than your example had any bearing on ADV.

Quote:
Curious: do you actually have sources with reliable numbers to back that claim up?


Not personally, but I don't really see films like TK mentioned much at the Japanese box office by ANN or other sites; so they either did poorly, or they got weak distribution, or both.
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dragonrider_cody



Joined: 14 Jun 2008
Posts: 2541
PostPosted: Sun Jul 06, 2008 8:36 pm Reply with quote
Mohawk52 wrote:
bradc wrote:
VA can get rock star status but if the US market actually make voice acting AGENCY for them, which something like this is never going to happen. Since they rely on Distrobutors like ADV, Ocean Group, Bandai Visual.. etc. Majority of them being overshadowed by Hollywood and big name celebrities, which makes them nothing.
Mostly all VAs in the US are in the Screen Actors Guild whether they appear on screen, or not, and nearly all have their own agent finding them work. I got that from personally speaking with 2 of them. BTW they seem to get the "star" treatment when ever they come over to the UK conventions. Maybe they should consider moving over here then. Wink


That's partially true. Most, if not all LA VA's are in SAG. The same can't be said for the Texas VA's. Most of the VA's that frequent ADV and Funimation are non-union. Though some, like Vic Mignogna who also frequents LA, are also union.

For huge shows like Pokemon or Naruto, it is common, and sometimes required to use union actors. But even union actors will work for non-union fees in smaller productions. This practice is also common in Hollywood for small, independent films.
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firecrouch



Joined: 11 Feb 2007
Posts: 125
PostPosted: Mon Jul 07, 2008 4:50 am Reply with quote
Kireek wrote:
Well if ADV do carry on i find it a waste of time i for one will never go back to them after the whole Newtype/PIQ fiasco and not giving the 15000 subscribers a refund this and John Ledford blaming fansubs only for 2 months later to put NHK on crunchroll which made him look an idiot.


I actually talked to John Ledford after the panel about that and he told me it was actually GONZO's decision to put "Welcome to the NHK" on Crunchyroll, they just told ADV to put their support behind it.
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Kireek



Joined: 01 Jul 2008
Posts: 274
PostPosted: Mon Jul 07, 2008 6:45 am Reply with quote
Did no1 ask them about the newtype/piq mess and if people will be getting a refund?
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samuelp
Industry Insider


Joined: 25 Nov 2007
Posts: 2246
Location: San Antonio, USA
PostPosted: Mon Jul 07, 2008 6:48 am Reply with quote
Kireek wrote:
Did no1 ask them about the newtype/piq mess and if people will be getting a refund?

I'm pretty cure I can tell you the answer they would give:

"The people from PiQ aren't here right now, so I don't know. You'd have to ask them"

Of course, everyone from PiQ has been fired, so...
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bmfrosty



Joined: 07 Jul 2008
Posts: 6
PostPosted: Mon Jul 07, 2008 11:00 am Reply with quote
FullmetalCJ wrote:
- Mutineer's Moon is still in the works? Yuh-huh.

I knew that I was going to get the comedy option for a response when I asked, but I felt compelled.
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Hon'ya-chan



Joined: 31 Jul 2007
Posts: 973
PostPosted: Mon Jul 07, 2008 2:53 pm Reply with quote
bradc wrote:
Fans are not a small amount.

The number of people going to anime conventions grow each year, and conventions get a lot of revenue for hosting it yearly. Most and majority do prefer Japanese Seiyuu, who are more popular than the English VA here, where the English VA doesn't even get the status of a rockstar, nor have their own magazines where the Japanese do.


Yeah, but how many are just there to become the next person Chris Hansen tells them to "Have a seat" or are shouting 4chan memes??

Still, i'm not really sure that ADV is actually gonna survive. They've done so much negative stuff it's pretty hard to ignore. Unless they do a major PR campaign, they may need to step down or quit altogether.
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HellKorn



Joined: 03 Oct 2006
Posts: 1669
Location: Columbus, OH
PostPosted: Mon Jul 07, 2008 3:04 pm Reply with quote
Gatsu, I really refuse to believe that you little to no sense of "fan loyalty" to ADV.

GATSU wrote:
I'm not really dodging the issue, since you're basically making the same point as me, except for the last argument. Japan clearly wants certain anime which it thinks will make money on DVD/Blu-Ray in Japan first, unless the licensors are too lazy to manufacture the dvds themselves, or unless the show has niche appeal.


My point being that there are certain titles that Japan is going to want to have released on Blu Ray domestically, but that obviously other titles are free to go elsewhere. ADV is denying that fact.

Quote:
No, I'm not dodging it. Their manga line was never that successful in the first place, and so it takes less priority than their anime line, plain and simple.


Yeah, they probably saw little profit from Yotsuba&!, Evangelion: Angelic Days and Cromartie... Oh, wait.

It still doesn't make any sense that a company the size of ADV, not to mention constant concerns over their manga division, would have someone at the head have NO IDEA how it's doing.

Quote:
If they were spitting in the fans' faces, they'd flood the market with OEL titles, while canceling manga titles which actually made money for them.


Different insults to fans. ADV's PR is just outright disappointing. Read pages two to three.

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It's that things didn't work out, in spite of them playing the game the same way as everyone else.


Playing the same game would result in the successes that FUNimation, Bandai Entertainment, Media Blasters and The Right Stuf are seeing right now.

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Geneon did just that with ADV. Rolling Eyes


Uh, no. You nor anyone else on here -- excepting perhaps ANN staff -- have any idea the exact details of that situation, who backed out first and who said what. There is no basis for your assumption, other than your bias against Geneon.

Quote:
Yes, and Toei came to 4Kids only a few months after FUNimation tried to get the rights to One Piece. That situation had no bearing on FUNimation any more than your example had any bearing on ADV.


Incomparable. FUNimation never had the rights; 4Kids teased more money and promises in front of Toei and got the show. ADV has been having problems all year with direct statements alluding to this and various other clues, all of which you seem to ignore.
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Beruda



Joined: 22 Mar 2005
Posts: 114
PostPosted: Mon Jul 07, 2008 7:59 pm Reply with quote
Obviously some people have their reasons for not trusting or believing ADV and that's fine but I for one hope 2009 will be a better year for them and us than 2008 has been. I don't have any issues with any company so I'll just take a wait and see attitude and wish them the best.

Also as much as I like anime it is not mainstream and I don't think it will be any time soon if at all. As several people have said animation is not taken seriously here and is reserved for children's and general audience films. To me it is not viewed as a legitimate medium suitable to tell any kind of story.

B.
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GATSU



Joined: 03 Jan 2002
Posts: 15550
PostPosted: Mon Jul 07, 2008 9:56 pm Reply with quote
Hellkorn:
Quote:
My point being that there are certain titles that Japan is going to want to have released on Blu Ray domestically, but that obviously other titles are free to go elsewhere. ADV is denying that fact.


They're not denying it. They're just stating that their titles fall into the former category.

Quote:
Yeah, they probably saw little profit from Yotsuba&!, Evangelion: Angelic Days and Cromartie... Oh, wait.


I think Evangelion: Angelic Days is probably as big as it gets for them. Azumanga clearly didn't take off the way people thought it would, so Yotsuba fans are really hoping those wideban books help motivate ADV to continue it. And while Cromartie probably did better than it should, if it lasted this long, it's an anomaly in a market which thrives on fan-service-like Excel Saga.

Quote:
It still doesn't make any sense that a company the size of ADV, not to mention constant concerns over their manga division, would have someone at the head have NO IDEA how it's doing.


Well, no one at TP had any idea how those OEL books were doing...
Rolling Eyes

Quote:
ADV's PR is just outright disappointing. Read pages two to three.


I'll take honesty over BS.

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Playing the same game would result in the successes that FUNimation, Bandai Entertainment, Media Blasters and The Right Stuf are seeing right now.


You seem to forget that Right Stuf's success comes from one of ADV's unsuccessful titles, while MB is more niche than when it started. As for FUNimation and Bandai, not everyone has ready access to guaranteed cash-cows like DBZ and Gundam.

Quote:
You nor anyone else on here -- excepting perhaps ANN staff -- have any idea the exact details of that situation, who backed out first and who said what. There is no basis for your assumption, other than your bias against Geneon.


Perhaps, but if ADV actually went to the trouble of ironing out a press release, I imagine that they really wanted in on Geneon's library, but Geneon was being inflexible.

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Incomparable. FUNimation never had the rights;


If you want to be technical, neither did ADV.

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4Kids teased more money and promises in front of Toei and got the show.


And you don't think FUNimation didn't do the same to Sojitz?

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ADV has been having problems all year with direct statements alluding to this and various other clues, all of which you seem to ignore.


I'm not ignoring the statements. I just recognize that they did the best they could, given the circumstances.
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Zalis116
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Joined: 31 Mar 2005
Posts: 6900
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PostPosted: Tue Jul 08, 2008 2:43 am Reply with quote
bradc wrote:
Most and majority do prefer Japanese Seiyuu, who are more popular than the English VA here, where the English VA doesn't even get the status of a rockstar, nor have their own magazines where the Japanese do.
Okay, I just have to ask: can anyone out there explain to me the difference between a "seiyuu" and a "voice actor"? Obviously there must be some important distinction to necessitate the use of different terms for two groups of people who do THE EXACT SAME THING: stand in front of a microphone and read scripts so that animated characters have a voice.
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bmfrosty



Joined: 07 Jul 2008
Posts: 6
PostPosted: Tue Jul 08, 2008 3:13 am Reply with quote
Zalis116 wrote:
Okay, I just have to ask: can anyone out there explain to me the difference between a "seiyuu" and a "voice actor"? Obviously there must be some important distinction to necessitate the use of different terms for two groups of people who do THE EXACT SAME THING: stand in front of a microphone and read scripts so that animated characters have a voice.


Seiyuu tend to be Japanese. Everything else is just a function of anime being a more mainstream medium there.

As for the japanese language track being preferred, that's a function of often not being annoyed so much by annoying voices that you can't understand and often better production in the Japanese version - you know who you are.

There is certainly a laundry list of ways that Japanese ADR is handled differently that American, but I only know an item or two, and will leave it up to a more knowledgeable poster to answer that question.
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