Forum - View topicAnime Expo 2008 - ADV Films
Goto page Previous 1, 2, 3, 4, 5, 6 Next Note: this is the discussion thread for this article |
Author | Message | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
bradc
Posts: 152 |
|
|||||||||||||||||
Anime has always been a niche/subculture. I can't say the same for Tokyo Pop trying to bring comics into screen and think it's entirely Hollywood. Now we have a problem, since Hollywood these days are adapting anime-manga onto a big screen: Dragon Ball? Speed Racer? Transformers? Evangeleon? What could they come up with next being Live Action? There is a rumour that they are even adapting Death Note onto big screen... VA can get rock star status but if the US market actually make voice acting AGENCY for them, which something like this is never going to happen. Since they rely on Distrobutors like ADV, Ocean Group, Bandai Visual.. etc. Majority of them being overshadowed by Hollywood and big name celebrities, which makes them nothing. If anime is not a big deal here? Why on earth are there so much many anime convention run yearly in the US... Otakon, Anime Expo, Sakura Con... etc. Anime is basically the next big thing in existence next to Star Trek and Star Wars. Let's not forget the Pokémon Boom in 1999 that made anime what it is today... |
||||||||||||||||||
Keonyn
Subscriber
Posts: 5567 Location: Coon Rapids, MN |
|
|||||||||||||||||
Just about everything has a convention these days, and you'd be surprised at the number of people that show up for some of them. Cities and companies wouldn't be opening huge halls and making significant profits just from building "convention centers" if that were not the case. Anime just makes a big bang because the attendees stick out so much with all the people cosplaying and such. Let's not pretend that a large group of anime fans piling up in one spot one time a year is a sure sign that there's some great anime revolution going on and that it's going to be the next big thing. Heck, correct me if I'm wrong, but it seems as though anime is actually beginning to slump over the past two years.
If anime is the next big thing then why can't anime movies survive on the big screen. They show on a handful of screens and are cast out by the theaters after only a few weeks. DVD sales of anime also hardly even compare to the sales or non-anime titles. Even major Miyazaki releases barely make high sales rankings when they were released. Even the stations that broadcast anime are beginning to shy away from it. Convention attendance might be a great thing to make one optimistic about anime, but little else has a similar effect. I'm all for further exposure of anime and to see its popularity grow, but you need to be realistic here, it's just not happening. Besides, even Star Trek is considered a niche product, and while Star Wars is a bit more mainstream in regards to the movies, the products and events themselves are also the result of more of a niche market. VA's in the US aren't going to get rockstar status just by making an agency. The reason they're overshadowed by Hollywood is because, in general, the US market just doesn't care about anime. There may be a decent number of fans out there, but in comparison to the rest of the market as a whole, anime makes up a very small share. No matter how good the VAs are, and I find many of them to be terrific, they are not going to achieve any great "rockstar" status when their work occurs in a niche product with such a small overall market share. This is especially the case when that market is divided between the local VAs and the overseas VAs. |
||||||||||||||||||
Mohawk52
Posts: 8202 Location: England, UK |
|
|||||||||||||||||
|
||||||||||||||||||
GATSU
Posts: 15550 |
|
|||||||||||||||||
Hellkorn:
I'm not really dodging the issue, since you're basically making the same point as me, except for the last argument. Japan clearly wants certain anime which it thinks will make money on DVD/Blu-Ray in Japan first, unless the licensors are too lazy to manufacture the dvds themselves, or unless the show has niche appeal.
They knew there would be difficulties, but they likely didn't believe Sojitz would be that difficult that they'd force them to re-negotiate for every single friggin' dvd.
No, I'm not dodging it. Their manga line was never that successful in the first place, and so it takes less priority than their anime line, plain and simple.
If they were spitting in the fans' faces, they'd flood the market with OEL titles, while canceling manga titles which actually made money for them.
It's not that they squandered their assets. It's that things didn't work out, in spite of them playing the game the same way as everyone else. That happens to good companies.
Geneon did just that with ADV.
Yes, and Toei came to 4Kids only a few months after FUNimation tried to get the rights to One Piece. That situation had no bearing on FUNimation any more than your example had any bearing on ADV.
Not personally, but I don't really see films like TK mentioned much at the Japanese box office by ANN or other sites; so they either did poorly, or they got weak distribution, or both. |
||||||||||||||||||
dragonrider_cody
Posts: 2541 |
|
|||||||||||||||||
That's partially true. Most, if not all LA VA's are in SAG. The same can't be said for the Texas VA's. Most of the VA's that frequent ADV and Funimation are non-union. Though some, like Vic Mignogna who also frequents LA, are also union. For huge shows like Pokemon or Naruto, it is common, and sometimes required to use union actors. But even union actors will work for non-union fees in smaller productions. This practice is also common in Hollywood for small, independent films. |
||||||||||||||||||
firecrouch
Posts: 125 |
|
|||||||||||||||||
I actually talked to John Ledford after the panel about that and he told me it was actually GONZO's decision to put "Welcome to the NHK" on Crunchyroll, they just told ADV to put their support behind it. |
||||||||||||||||||
Kireek
Posts: 274 |
|
|||||||||||||||||
Did no1 ask them about the newtype/piq mess and if people will be getting a refund?
|
||||||||||||||||||
samuelp
Industry Insider
Posts: 2246 Location: San Antonio, USA |
|
|||||||||||||||||
I'm pretty cure I can tell you the answer they would give: "The people from PiQ aren't here right now, so I don't know. You'd have to ask them" Of course, everyone from PiQ has been fired, so... |
||||||||||||||||||
bmfrosty
Posts: 6 |
|
|||||||||||||||||
I knew that I was going to get the comedy option for a response when I asked, but I felt compelled. |
||||||||||||||||||
Hon'ya-chan
Posts: 973 |
|
|||||||||||||||||
Yeah, but how many are just there to become the next person Chris Hansen tells them to "Have a seat" or are shouting 4chan memes?? Still, i'm not really sure that ADV is actually gonna survive. They've done so much negative stuff it's pretty hard to ignore. Unless they do a major PR campaign, they may need to step down or quit altogether. |
||||||||||||||||||
HellKorn
Posts: 1669 Location: Columbus, OH |
|
|||||||||||||||||
Gatsu, I really refuse to believe that you little to no sense of "fan loyalty" to ADV.
My point being that there are certain titles that Japan is going to want to have released on Blu Ray domestically, but that obviously other titles are free to go elsewhere. ADV is denying that fact.
Yeah, they probably saw little profit from Yotsuba&!, Evangelion: Angelic Days and Cromartie... Oh, wait. It still doesn't make any sense that a company the size of ADV, not to mention constant concerns over their manga division, would have someone at the head have NO IDEA how it's doing.
Different insults to fans. ADV's PR is just outright disappointing. Read pages two to three.
Playing the same game would result in the successes that FUNimation, Bandai Entertainment, Media Blasters and The Right Stuf are seeing right now.
Uh, no. You nor anyone else on here -- excepting perhaps ANN staff -- have any idea the exact details of that situation, who backed out first and who said what. There is no basis for your assumption, other than your bias against Geneon.
Incomparable. FUNimation never had the rights; 4Kids teased more money and promises in front of Toei and got the show. ADV has been having problems all year with direct statements alluding to this and various other clues, all of which you seem to ignore. |
||||||||||||||||||
Beruda
Posts: 114 |
|
|||||||||||||||||
Obviously some people have their reasons for not trusting or believing ADV and that's fine but I for one hope 2009 will be a better year for them and us than 2008 has been. I don't have any issues with any company so I'll just take a wait and see attitude and wish them the best.
Also as much as I like anime it is not mainstream and I don't think it will be any time soon if at all. As several people have said animation is not taken seriously here and is reserved for children's and general audience films. To me it is not viewed as a legitimate medium suitable to tell any kind of story. B. |
||||||||||||||||||
GATSU
Posts: 15550 |
|
|||||||||||||||||
Hellkorn:
They're not denying it. They're just stating that their titles fall into the former category.
I think Evangelion: Angelic Days is probably as big as it gets for them. Azumanga clearly didn't take off the way people thought it would, so Yotsuba fans are really hoping those wideban books help motivate ADV to continue it. And while Cromartie probably did better than it should, if it lasted this long, it's an anomaly in a market which thrives on fan-service-like Excel Saga.
Well, no one at TP had any idea how those OEL books were doing...
I'll take honesty over BS.
You seem to forget that Right Stuf's success comes from one of ADV's unsuccessful titles, while MB is more niche than when it started. As for FUNimation and Bandai, not everyone has ready access to guaranteed cash-cows like DBZ and Gundam.
Perhaps, but if ADV actually went to the trouble of ironing out a press release, I imagine that they really wanted in on Geneon's library, but Geneon was being inflexible.
If you want to be technical, neither did ADV.
And you don't think FUNimation didn't do the same to Sojitz?
I'm not ignoring the statements. I just recognize that they did the best they could, given the circumstances. |
||||||||||||||||||
Zalis116
Moderator
Posts: 6900 Location: Kazune City |
|
|||||||||||||||||
|
||||||||||||||||||
bmfrosty
Posts: 6 |
|
|||||||||||||||||
Seiyuu tend to be Japanese. Everything else is just a function of anime being a more mainstream medium there. As for the japanese language track being preferred, that's a function of often not being annoyed so much by annoying voices that you can't understand and often better production in the Japanese version - you know who you are. There is certainly a laundry list of ways that Japanese ADR is handled differently that American, but I only know an item or two, and will leave it up to a more knowledgeable poster to answer that question. |
||||||||||||||||||
All times are GMT - 5 Hours |
||
|
Powered by phpBB © 2001, 2005 phpBB Group