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NEWS: Funimation's Fullmetal Alchemist Rights Expire on July 31


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leafy sea dragon



Joined: 27 Oct 2009
Posts: 7163
Location: Another Kingdom
PostPosted: Tue May 31, 2016 7:53 pm Reply with quote
MarshalBanana wrote:
WOW this has been blown way out of proportion, I'm not defending AOA, but given that this is not a new title, I doubt they are going to start throwing out giant $300+ sets, or $60 8 parts out. And even if they do, they will still give out a standard Blu-Ray. I know they did that wit Gurren lagann, but the Blu-Ray set was brand new.


I think what's really ruffling feathers is that it's likely Aniplex will never release Fullmetal Alchemist at all. They are essentially cutting off availability to a staple anime series.

Ambimunch wrote:

Yeah, not "anytime soon". Their strategy is to sit on the license of the older shows, for years, and let demand pile up. Then they would release 13 episode sets at $100, print those in limited quantities - and watch them sell like hotcakes. I'm pretty sure that's what they'll do. We won't see FMA re-released until 2020 or so (and I'm not even exaggerating).


Does hype really work in that way though? I always thought that if you make people wait for too long, demand goes down from people who get sick of waiting and move on to something else.

InuNaruPokeAlchemist wrote:
I'm happy I have multiple copies of the original and I payed an arm and a leg for the Blu-ray collectors edition. Tis a shame since I loved the original FMA as much as brotherhood.


Don't worry, you can always get Automail replacement limbs.

angelmcazares wrote:
Saying that Aniplex s being unfair to casual fans is a weak argument to me. True, casual fans will not pay over $100 for a complete show, but I suspect they also have hard times accepting to pay $40 for a complete set from Funimation or Sentai. I believe that casual fans are important for Funimation, but mostly when they acquire titles with wide appeal like Attack on Titan. But for Aniplex casual N.A. anime fans are inconsequential.

The reason why Aniplex USA is still around after 5 years of resentment and flame wars is because enough of the more hardcore anime collectors are willing to pay their prices. Casual fans have never been (and probably never will be) a concern for AoA.


Fullmetal Alchemist IS a show with a wide appeal. It was a phenomenon comparable to Bleach, and I WOULD say that at its height, it was equals with Attack on Titan. That's why I think it's a real shame this is going out of the casual market and strictly into that of dedicated collectors.

ohstalon06 wrote:
Aniplex right now is acting in a similar way to how Adult Swim acted when they changed their programming philosophy in the late 2000s, the sort of 'we don't care what made us popular we're going to do things our way and to hell with whatever helped us reach this level of success in the first place' mentality. Aniplex wouldn't have Aniplex USA without the success of FMA which was all on Funimation's back and that's is what has me and many other fans upset at Aniplex. The American anime market should not turn into the Japanese market because it hurts the ability of new fans to really go out and buy a show if they like it.


According to an interview with Jason deMarco on the Toonami Faithful Podcast (I can't provide a link, as the podcast is defunct and the site is gone), what was going on then was that the Cartoon Network executives were asserting more and more control over Toonamias it continued to succeed. It began with Hamtaro and slowly turned into a block of merchandise-driven shows for little kids. I don't know if you can take my word or deMarco's word for it, but it does make sense.

wonderwomanhero wrote:
I'm still not understanding...why can't they renew the rights? Was it always going to be a limited time, despite the extreme popularity of the franchise? What happens to the manga?


The show has always belonged to Aniplex, and FUNimation paid them to be able to dub it, distribute it, and manage the IP in the Anglosphere. Because Aniplex is the original owner, they can outright refuse to sell these rights to FUNimation, which is what happened.

penguintruth wrote:
Hm, it seems to me that "hardcore anime collectors" are the people who want to spend LESS on individual releases so they can buy MORE, as they are hardcore collectors, therefore wanting MORE discs, not LESS for more money. People like me, with hundreds of discs, and very few prestige releases. Because I want to be able to buy more anime, not more prestige.

I think the better term for the people buying Aniplex releases is "prestige collectors". I'm the hardcore collector, because I collect more by spending less.

Looking at the several plastic drawers stuffed with anime discs in my room, I find it difficult to believe anyone would NOT consider me "hardcore" in the sense of collection.


The word "hardcore" is so vague that I think this became a matter of semantics. People who will pay big prices to get a home video release of a particular show I refer to as "dedicated," as they are big fans of that particular show, not necessarily of anime in general. (Or they have a mountain of disposable income, to where $400 or so means about the same to them as $40.)
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DangerMouse



Joined: 25 Mar 2009
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PostPosted: Tue May 31, 2016 7:54 pm Reply with quote
Break Xerxes wrote:
It sucks that Funimation is losing some of their most popular titles. I already went and bought 03 including the movie and ovas, as well as the rest of the manga so now I have all of Fullmetal Alchemist.

I still haven't see 03, as I been re-watching Brotherhood since I bought the Blu-Rays before Funimation lost it. Once I finish it, I'll watch 03.


This. I'm glad I bought everything FMA on blu-ray already. They did so much for FMA that it's ridiculous seeing Aniplex be so childish, even if it's their right in the business sense.

penguintruth wrote:
angelmcazares wrote:

The reason why Aniplex USA is still around after 5 years of resentment and flame wars is because enough of the more hardcore anime collectors are willing to pay their prices. Casual fans have never been (and probably never will be) a concern for AoA.


Hm, it seems to me that "hardcore anime collectors" are the people who want to spend LESS on individual releases so they can buy MORE, as they are hardcore collectors, therefore wanting MORE discs, not LESS for more money. People like me, with hundreds of discs, and very few prestige releases. Because I want to be able to buy more anime, not more prestige.

I think the better term for the people buying Aniplex releases is "prestige collectors". I'm the hardcore collector, because I collect more by spending less.

Looking at the several plastic drawers stuffed with anime discs in my room, I find it difficult to believe anyone would NOT consider me "hardcore" in the sense of collection.


Agreed. I'm right there with you. This is generally the way I am "hardcore" as well, I like the prices being reasonable so that I can buy a shit ton of shows.
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Angel M Cazares



Joined: 23 Sep 2010
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PostPosted: Tue May 31, 2016 8:03 pm Reply with quote
penguintruth wrote:
I think the better term for the people buying Aniplex releases is "prestige collectors". I'm the hardcore collector, because I collect more by spending less.

Looking at the several plastic drawers stuffed with anime discs in my room, I find it difficult to believe anyone would NOT consider me "hardcore" in the sense of collection.

I will not deny that having hundreds of discs is hardcore, but to me being that money conscious seems incompatible if you are in a hobby like anime collecting. But I like the phrase "prestige collector". Although, it does not really apply to me because 3/4 of my anime collection are very affordable products released by Funimation, Sentai and Viz. At most 15% of my collection is stuff from Aniplex USA and Japanese imports.

I don't mind paying for prestige releases, but only for anime I really, really enjoy (or when I don't have any other choice). I did not buy the LE's for Madoka and Kill la Kill; I bought the regular edition BD's.

leafy sea dragon wrote:
Fullmetal Alchemist IS a show with a wide appeal. It was a phenomenon comparable to Bleach, and I WOULD say that at its height, it was equals with Attack on Titan. That's why I think it's a real shame this is going out of the casual market and strictly into that of dedicated collectors.

I am not denying that FMA 2003 was a huge phenomenon, and it is one of the most important titles for the N.A. anime industry. And I am sure Funimation did everything in their power to retain the rights.
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ohstalon06



Joined: 17 Apr 2008
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PostPosted: Tue May 31, 2016 9:46 pm Reply with quote
leafy sea dragon wrote:
According to an interview with Jason deMarco on the Toonami Faithful Podcast (I can't provide a link, as the podcast is defunct and the site is gone), what was going on then was that the Cartoon Network executives were asserting more and more control over Toonamias it continued to succeed. It began with Hamtaro and slowly turned into a block of merchandise-driven shows for little kids. I don't know if you can take my word or deMarco's word for it, but it does make sense.


It does and I do remember that period of time, but I was specifically talking about Adult Swim, specifically when they abandoned the nightly anime block (which included stuff like Lupin and Case Closed) and shifted Code Geass and Moribito to the 5 a.m. spot of death. Not to mention their constant digs at anime fans through their bumpers because of (what I still think are legitimate) complaints at a sudden middle finger to the fans that helped the AS block get off the ground (No Midnight run with uncut Gundam Wing? No Adult Swim with Rick and Morty)
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leafy sea dragon



Joined: 27 Oct 2009
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PostPosted: Tue May 31, 2016 9:55 pm Reply with quote
Oh, that. That was pretty weird. I don't know anything about what happened behind the scenes, but my best guess is that there was some rivalry going on between Adult Swim Action and Adult Swim Comedy and it was Adult Swim Comedy rubbing in the Action people's faces that they were winning in the ratings by huge margins. Bear in mind that Adult Swim Comedy is just as bite-the-hand to its own fans (if you recall the bumpers where they opened up to suggestions to how to change the bumpers, so they took in every suggestion at once that didn't contradict each other, resulting in an intentionally confusing mess), so I get the impression that this is how they behave towards everybody, not just anime fans.

I remember them being at a convention somewhere (Momocon, I believe) handing T-shirts that say "I hate anime" to FUNimation people. It is certainly within the sense of humor Adult Swim Comedy has.
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Zalis116
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PostPosted: Tue May 31, 2016 10:20 pm Reply with quote
Not surprising given the detective work done in the wake of Brotherhood's expiration. I still need to see if I can track down the OVAs and maybe Star of Milos, but at least I've got the dearly-bought 13-disc release of FMA '03 from back in the day, and managed to get the two DVD collections for FMA '09 after the news was revealed. Given that '03 was an SD digital production and '09 was known to be animated at 540p-ish, I'm not losing sleep over not having Blu-Rays for them.

Zetabag wrote:
DuchessBianca wrote:
I dislike AoA's prices as much as the next person but are we going to forget that not too long ago anime was sold in singles with a few episodes each for $30-$40? From nearly every NA company?


I'm gonna have to disagree with this.

Back then most titles were between $20-30 and the popular titles had 4-5 episodes per volume. Less well known titles had 3 episodes. While buying every individual volume was more expensive than buying a complete collection it was still affordable since you only had to spend $20-$30 every few months.

Aniplex is basically charging what a complete collection is almost worth for each individual volume.
But if you factor inflation into the mix, the price differences become a fair bit less stark. If you take the MSRP of a 2006-released 7-disc 2-cour series at $30/disc with an extra $10 for an artbox, you get $220, which is $261.10 in 2016$. Not all that different.

Greed1914 wrote:
However, they didn't have the commentary tracks or the 5.1 audio. Apparently, Geneon, or maybe New Generation, retained those, and Aniplex didn't acquire them.
That's a pattern that goes beyond Aniplex -- Discotek's re-release of Dragon Half had ADV's dub, but not the 5.1 surround mix or the commentary tracks. It appears that while the basic English dubs themselves revert to the Japanese rights-holders when the licensees' rights expire, any dub-specific extras (commentary, outtakes, sock-puppet theatre, perhaps also 5.1 mixes, etc.) remain the property of the original dubbing company / distributor. Same for enhanced subtitle features like the AD-Vidnotes in Excel Saga, PaniPoni Dash, and Nerima Daikon Brothers, none of which made it to the Funimation re-releases afaik.
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Kalessin



Joined: 15 Aug 2007
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PostPosted: Wed Jun 01, 2016 4:40 am Reply with quote
Well, I guess that I shouldn't be surprised that this instantly devolved into an AoA hate-fest. It totally sucks that Funimation has lost this license, and honestly, I wish that it were the case that as long as the company that had licensed a show was continuing to release it and treat it well, they'd always be able to renew the license. So, Aniplex's behavior on this is definitely not what any of us want to see. That being said, I'm not going to get in on the AoA hate (especially since the folks at fault here are Aniplex Japan, not Aniplex of America). AoA's prices suck, but at least they do really high quality releases for great shows. And while it sucks to have to pay their prices, you know that you're going to get high quality, which is often not the case with the other studios (e.g. I was recently watching some Sentai shows after having been watching some AoA shows, and the difference in the encode quality of the video was painful).

Personally, my biggest complaint with AoA is that they don't keep their titles in print, which screws over fans down the line or anyone who can't pay for their shows when they're first released (though at least their titles don't go out of print practically on the release date like they used to). But their releases are top-notch, and I'm not at all unhappy when they release a series. If anything, it's a sign that you're going to get a high quality release of a high quality show.

The company who deserves our ill-will at this point is Aniplex of Japan for cutting off licenses of old content for seemingly no good reason. I could understand being worried about reverse importation and the like with new series, but these are series that have been out for years, so that really shouldn't be a concern. And you know that only a fraction of them (if any of them) will ever get licensed for release by AoA down the line. So, it's not even like they're going to turn around and gouge us for many (if any) of these series. They're just going to take them away, which is downright unfriendly, much as they technically have the right to do so.

So, I'm not at all interested in ragging on AoA, but what Aniplex of Japan is currently up to certainly seems like spitting in the faces of their overseas fanbase, and they deserve our scorn.
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HeeroTX



Joined: 15 Jul 2002
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PostPosted: Wed Jun 01, 2016 4:00 pm Reply with quote
leafy sea dragon wrote:
Fullmetal Alchemist IS a show with a wide appeal. It was a phenomenon comparable to Bleach, and I WOULD say that at its height, it was equals with Attack on Titan. That's why I think it's a real shame this is going out of the casual market and strictly into that of dedicated collectors.

FMA WAS that show. FMA is now what Trigun was 5-10 years ago, which is to say an aging favorite that had passed its time and isn't really pulling new people like it once did. I'm sure there are still people finding it, and I'm sure there are still some people that want to buy it, but those numbers are comparatively small and not as "wide" as your statement implies. (heck, I don't think Bleach (your comparison point) really pulls as much anymore and that one actually was actively running more recently)

I'm not saying FMA is "bad" but it wasn't going to be pulling significant "casual" attention in the foreseeable future.
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theNightster



Joined: 14 Mar 2014
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PostPosted: Wed Jun 01, 2016 10:48 pm Reply with quote
now it will cost you an arm and a leg to own FMA
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leafy sea dragon



Joined: 27 Oct 2009
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PostPosted: Thu Jun 02, 2016 12:26 am Reply with quote
HeeroTX wrote:
FMA WAS that show. FMA is now what Trigun was 5-10 years ago, which is to say an aging favorite that had passed its time and isn't really pulling new people like it once did. I'm sure there are still people finding it, and I'm sure there are still some people that want to buy it, but those numbers are comparatively small and not as "wide" as your statement implies. (heck, I don't think Bleach (your comparison point) really pulls as much anymore and that one actually was actively running more recently)

I'm not saying FMA is "bad" but it wasn't going to be pulling significant "casual" attention in the foreseeable future.


A side effect of any show that's ever had wide appeal, however, is that it will continue to have appeal to newcomers for many years after, as it's gained a kind of word-of-mouth fame and as people who had watched the show before recommend it to other people. That's what I meant. I still see people trying to recommend Bleach to me to this day when they learn that I'm into anime. (More so than any other anime, possibly besides Naruto.)

These are the kinds of shows that a company can create small print runs of for an entire generation or longer. I have no doubt FUNimation continued to sell many copies of Fullmetal Alchemist up to the announcement that they'd lose the license. Season sets of The Simpsons continue to sell well even though consensus says the show reached its prime 15 years ago or more.
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