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Review

by Rebecca Silverman,

Wonderful Precure!

Episodes 37 - 50 Anime Review

Synopsis:
Wonderful Precure! Episodes 37 - 50 Anime Review
As Gaou and his forces continue attacking, the Cures learn about the truth behind the neglected shrine and the wolf enshrined there. Human and animal relationships don't always go as well as those between our protagonists, and that's a truth that they'll have to confront as they deal with death, abandonment, and other issues happening around and to them. But surely they can save everyone in the end, right?
Review:

It's an inevitability of children's media that deals with animals that, sooner or later, the topic of death comes up. Most animals people love as pets don't live as long as humans, and the loss of a pet is often one of the first encounters with death a child has. I was four when my cat Oliver passed, and the conversation my parents had with me about it still lives in my heart; it's the reason why children's literature like Wilson Rawls' Where the Red Fern Grows and Judith Viorst's picture book The Tenth Good Thing About Barney exist. While I don't enjoy reading sad animal books anymore now than I did when I was little, I have to applaud Wonderful Precure! for the decision to cover these topics and to make extinction a central theme of the final quarter of the series. They're handled with a much kinder, lighter touch than many of the classic books on the subject, making them a particularly good example of the genre.

That's a long way to say that these final episodes made me cry multiple times, more than any other Precure series. But that's in many ways a compliment because Wonderful Precure! arguably takes a lot of what Healin' Good Precure was attempting to do (and may have done, had the pandemic not interrupted it) and does it better. Partly because the story acknowledges that, as much as they may want to, the Cures can't save everyone, at least not in the sense of righting past wrongs. Gaou's entire motive in attacking Animal Town is based on his anger at what happened to the wolves over one hundred years ago, and no amount of hugs and love can undo their extinction. We see this foreshadowed in episodes forty-four and forty-five when Fuku, an elderly, beloved dog, dies and villain Torame is redeemed. Fuku is Iroha's first encounter with the death of a pet, and the story her person, Otsuru, tells the Cures about how she adopted Fuku despite having resolved never to have a dog again after losing her childhood pet, is a beautiful illustration of what an animal can bring us. Otsuru knows that she'll outlive Fuku, but she accepts that, as most of us do because loving Fuku and being loved by Fuku is enough to mitigate the pain. Still, Iroha couldn't cope with that in episode forty-four, and the following episode has her still attempting to work through the experience.

That's where Torame comes in. One of Gaou's minions, Torame has consistently been portrayed as puppyish, framing his fights with the Cures as games. When they realize that he really does think he's playing with them, the Cures spend episode forty-five actively engaging with Torame in a series of games, which culminate in Torame's spirit being released to go on to the afterlife. Torame, it turns out, is one of the wolves hunted to extinction in what later became Animal Town, and that means that he and Zakuro have been dead for a long, long time. By treating him like the wolf cub that he is, the Cures can resolve his lingering pain and free him from his regret. Like Fuku, Torame just wanted to be happy, and helping him to move on to the afterlife allows Iroha to recognize that while death is always sad, it's okay to be and to use the good memories to help you move forward. Torame, as we see in the final episode, isn't gone forever: his spirit lives on with the other wolves in the forest around Animal Town, but even more importantly, he still exists in their memories and hearts.

It's a lot for a children's show, but that's the enduring power of Pretty Cure's best seasons, and indeed, all good children's media. The stories and characters can engage readers of all ages, allowing everyone to take something from them that is appropriate for where they are in life. Wonderful Precure!'s discussion of death and extinction, as well as the importance of considering how humans interact with animals, is accessible for the intended audience as well as adult viewers, serving as both a lesson and a reminder – a lesson to the younger ones and a reminder for the older to treat the world kindly. The character of Subaru, a teenager who witnessed the eradication of the wolves during his lifetime, helps to drive this home. Subaru felt powerless and angry, which led to him making vengeance-based decisions that hurt more people, especially Zakuro.

While it may seem simplistic that Cure Wonderful solves the problem with a group hug, we have to look beyond the surface of the gesture. This season's Cures have consistently eschewed violence for play and affection, something which hasn't worked for all viewers. But the finale drives home the point of why this choice was made. Violence, in the form of killing the wolves, began the problem. Subaru's anger both tied him to his place of death and begat more violence as he sought to mete out what was dealt to him. In other words, violence only birthed more violence. The way to counter that is with nonviolence and love, and so that's what the Cures used. Subaru and the wolves needed to experience the acceptance they didn't get for the cycle to be broken. That's also possibly behind the decision to make Komugi a papillon, a toy spaniel breed. Sure, they're cute, but spaniels are also retrievers, dogs tasked with bringing things back. That's what Cure Wonderful does: she brings animals' and people's true selves back from the edge, retrieving them from despair and taking them into the light.

As with other Precure series, like Go! Princess Precure, there is a bittersweetness to this ending. Although Yuki, Komugi, and (at long last) Daifuku are given the ability to talk once more despite losing their transformation compacts, they're no longer able to become human. (I still think Satoru and Daifuku got a raw deal, only getting to transform at the very end and not even getting Cure names.) When we pair that with episodes forty-four and forty-five, that also may indicate that they still have animal lifespans. Still, this comes alongside rumors that someone lost in the woods was saved by a wolf, so we know that spirits live on, giving this a bit more hope. At the end of the day, this series is all about hope. When you lose it, like Subaru, despair sets in. But Komugi will always be there to hug you, to help you pick yourself back up and start moving forward again. It's a message embodied by the best magical girl stories, and although this series had its issues, it ultimately conveys that.

Grade:
Overall (sub) : A-
Story : A-
Animation : B+
Art : B+
Music : B+

+ Deftly handles difficult topics, balances the serious with the silly. Satoru and Daifuku finally get their chance.
Some episodes are fairly off-model, bittersweet ending won't work for all younger viewers.

Animal death, themes of extinction and death.

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Production Info:
Series Director: Masanori Satō
Series Composition: Yoshimi Narita
Script:
Deko Akao
Misuzu Chiba
Sawako Hirabayashi
Mio Inoue
Yusuke Kanbayashi
Junko Komura
Yoshimi Narita
Storyboard:
Yoko Furuya
Morio Hatano
Yuuna Hirosue
Shinji Itadaki
Ryūta Kawahara
Kazuya Kitō
Chiaki Kon
Bon Kuramu
Ryōta Nakamura
Yūya Nomoto
Ayaka Noro
Kouji Ogawa
Noriyo Sasaki
Masanori Satō
Hana Shinohara
Yūya Takahashi
Yūki Taki
Emi Tezuka
Yutaka Tsuchida
Hanako Ueda
Junichi Yamamoto
Kazuki Yokouchi
Episode Director:
Morio Hatano
Hideki Hiroshima
Yuuna Hirosue
Takao Iwai
Kazuya Kitō
Yūya Nomoto
Ayaka Noro
Mitsutaka Noshitani
Kouji Ogawa
Masanori Satō
Hana Shinohara
Emi Tezuka
Tsuyoshi Tobita
Yutaka Tsuchida
Hanako Ueda
Tomoki Watanabe
Kazuki Yokouchi
Unit Director:
Yūki Taki
Junichi Yamamoto
Music: Erika Fukasawa
Original creator: Izumi Todo
Original Manga: Futago Kamikita
Character Design:
NaSka
Yoko Uchida
Art Director: Miki Imai
Art:
Miki Azuma
Yuko Doi
Ryūta Hayashi
Miki Imai
Yuki Nakabayashi
Shota Suzuki
Midori Tanaka
Natsuko Tosugi
Rika Uehara
Zhu Xing Xu
Daigorō Yamaguchi
Animation Director:
Nobuto Akada
Noel Año-Nuevo
Yoshie Anzai
Mitsuru Aoyama
Joey Calangian
Lin Gui Du
Yoko Furuya
Seung Hee Han
Mika Hironaka
Hanao Iida
Akira Inagami
Mai Ishii
Nishiki Itaoka
Keisuke Katayama
Yūki Kitajima
Hikaru Koga
Ami Konishi
Ragi Kuon
Reggie Manabatt
Seiji Masuda
Hitomi Matsuura
Kenji Miuma
Yukiko Nakatani
Aya Nasuno
Karen Nishiyama
Shinya Nogami
Hiroshi Numata
Makoto Ozawa
Natsumi Sakai
Keizō Shimizu
Yuka Takemori
Akira Takeuchi
Katsumi Tamegai
Eri Tokugawa
Yoko Uchida
Yukiko Ueda
Ken Ueno
Yu Ting Xiao
Keiko Yamamoto
Art design: Rie Iida
Cgi Director:
Tomohiko Takahashi
Yūki Taki
Director of Photography: Shinichi Igarashi
Producer:
Saya Koseki
Kanako Tada
Maki Takahashi
Rika Tone

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