We may have returned to the present at the end of last week's episode, but that may have been a fake-out because the show has more to say about Big Mom's origin and wastes no time crawling back to the past. We got an inkling as to what motivates her as a pirate and why she's so nuts, but that still doesn't explain everything. What we learn this week is that Big Mom's ambiguous-but-not-really devouring of her orphanage had two witnesses: a giant from Elbaph who spreads the story among his people (giving them all the more reason to hate and fear her), and a loner pirate named Streusen who we come to realize is now Big Mom's head chef and the co-founder of the Big Mom pirates. Basically, Streusen assumed parenting duty of this child after her biological parents abandoned her and her adoptive caretaker got eaten. He sees a lot of potential in her immense strength, and his food-creating Cook-Cook powers make them a perfect duo.
This is the point in the exploration of Big Mom's psyche that I think has the potential to be extremely interesting, but making heads or tails of her motivations becomes more muddled. A major scene in this episode is a memory of Mother Carmel teaching her children about equality and racism—though knowing what we know, the sentiment is dubious at best—and Linlin's interpretation of this idea is to create a fantasy world where everybody is equal size. Equality means that everyone becomes more like me! This would explain all the money she would go on to spend on Caesar's gigantism science. Streusen encourages this fantasy, and the two start conquering the world together. Somewhere along the line, she goes from innocent child who doesn't understand her actions to cackling witch demanding that everybody give her all their sweets. I'm not sure the contradiction in her logic is something the show quite manages to suss out in a compelling way, but I like the idea of a villain who conflates her need for instant gratification with world peace.
Sadly, most of this episode consists of a trio of rocket launchers flying through the air in slow motion as Capone and his crew tear it up. This episode is incredibly flat from a pacing and storyboarding point of view, and that build in tension over the rocket launchers just makes the outcome that much more obvious. At the last second, in the midst of her crying and reminiscing, Big Mom's Conquerer's Haki blows up all three rockets in mid-air, and our heroes are completely boned. It also doesn't help that the Haki just feels like a scream on top of a scream, and nothing about Big Mom's physical position has changed in about three episodes. The part of the escape plan that does work cinematically is when Caesar swoops in with one of Brulee's mirrors, but since Big Mom is still screaming, the mirror shatters at the worst possible time and now the Straw Hats and Firetanks are forced to fight. The comedic timing on this moment is fantastic.
In theory, I like the layers upon layers of failure that our heroes are now faced with. It's that exact kind of Shonen Jump carrot-and-stick storytelling that I eat right up, but I think the rocket launchers' misfire can accidentally exhaust the audience instead of excite them. There was no way they were actually going to assassinate Big Mom in this arc, so the stakes don't really hit until the mirror breaks just to kick us while we're down. "How is the crew going to fight their way out of this?" is a more exciting and earnest question than "Are they really going to kill an Emperor?"
There's a lot that's potentially interesting about this episode, but it doesn't do the structure of the story many favors. Jumping in and out of Big Mom's backstory just when we thought we were done with it gets confusing, and the build-up is centered around an event that both doesn't work in hyper shonen slow motion and has a pretty obvious outcome. It's not an especially pretty-looking episode either, so even an important moment like this turns out to be kind of a shrug.
This is a hopeful epilogue to the television show.― None of us is ever as put together as we seem. For that matter, few people are precisely who we perceive them to be, and these hard truths are at the core of the Senpai is an Otokonoko film, Sunshine After the Rain. Arguably, those have always been themes of the series, particularly as regards two of the three leads, Makoto and Saki. Makoto, althou...
Even when your lead characters are villains, Apocalypse Bringer Mynoghra shows they're still someone to root for.― There's nothing quite like Apocalypse Bringer Mynoghra—an isekai series that takes place within the world of a 4X-type of strategy game, in which our protagonist (with the help of characters from the game) creates and rules over an evil kingdom. It has dark moments, villain protagonists...
From Shugo Chara to Hot Gimmick, Chris and Steve decide to throw Rebecca a bone by looking at the shojo manga bundle offered by HumbleBundle.― From Shugo Chara to Hot Gimmick, Chris and Steve decide to throw Rebecca a bone by looking at the shojo manga bundle offered by HumbleBundle. Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Net...
What the book lacks in story, it certainly makes up for with its creative artistic direction― The world of common book superheroes is extremely malleable. For the most part, you can take a lot of traditional superheroes and put them into any unconventional setting. While you might need to jump through some logical leaps of why a character is in a completely different land or dealing with completely ...
Story about unlucky man reborn into blessed fantasy life launched in 2020― Starts Publishing announced on Tuesday that Fukufuku's Fuun kara no Saikyō Otoko (The Strongest Man Starts from Misfortune) novel series is inspiring a television anime. Zun Nakabayashi, who draws the illustrations for the novels and also draws the manga adaptation, drew the below illustration to celebrate the announcement. M...
We're giving away $600 in Amazon gift cards to celebrate the launch of KAIJU NO. 8 THE GAME! Available now to download on Google Play and the App Store.―
We're giving away $600 in Amazon gift cards to celebrate the launch of KAIJU NO. 8 THE GAME! Available now to download on Google Play and the App Store. 📅 Give-Away runs 2025-09-05 to 2025-09-19
🌎 Open to US players only ✨ 6 winners will each rece...
Film tops weekend with US$70.6 million, breaking Pokémon: The First Movie's 26-year-old record― The Box Office Mojo and The Numbers websites reported that Demon Slayer: Kimetsu no Yaiba Infinity Castle - Akaza Sairai, the first film in the Demon Slayer: Kimetsu no Yaiba Infinity Castle trilogy, has earned US$70,611,098 in its opening weekend at #1 at the U.S. box office. Besides breaking the record ...
We're here to breakdown the hype and give you the top ten reasons you can't miss this series!― Call of the Night Season 2 creates a whole new vibe for vampire romance and HIDIVE is dropping new dub episodes weekly, every Wednesday at 1pm Eastern. We're here to breakdown the hype and give you the top ten reasons you can't miss this series! Check out the trailer for season 2 here: Top 10 Reasons to Wa...
There’s a reason why Romeo’s Blue Skies is such a well-loved entry into the storied World Masterpiece Theater catalogue. Despite having plenty of anime-only content, it understands the message of the original novel and retells it in a way best suited for its time.― In 1933, a couple, Lisa Tetzner and her Jewish husband Kurt Held, left Germany for Switzerland, for reasons that should be obvious to an...
Leeanne M. Krecic shares how comic series' characters are all reflections of herself, from Charles to Monica.― Leeanne M. Krecic has accomplished what many fans only dream about: a studio is adapting her original story into an anime series. Also known as "Mongie," Krecic first launched Let's Play online comic on the WEBTOON platform in 2016, where it grew to 7.5 million readers, earned an Eisner Awa...
Bâan is Garnt “Gigguk” Maneetapho’s attempt to turn his own personal expat experience into an isekai anime designed to convey those feelings—and it succeeds beautifully.― As the title suggests, Bâan -The Boundaries of Adulthood- is the story of two people on the cusp of adulthood looking for a place to call home. (“Bâan” [บ้าน] is the Thai word for “home” if you were unaware.) Each feels they don't ...