Forum - View topicNEWS: Otakon Enforces Copyright at Artists' Alley
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redbeangirl
Posts: 10 |
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OK...I really was trying to avoid playing this card, but I think it's appropriate here... I actually work, professionally, in the US animation industry. I've written two liscensed books for Scholastic, based on the show I work for, and I've also written three episodes for it in addition to having sold numerous story premesis. As I'm not the creator of the show, very few of the characters involved in this endeavors are of my creation. So what you're saying, basically, is that my work is not creative. And I REALIZE that there's a difference between creating something because you're a fan and creating something because it's your job. But I don't think that the fact that my work is "creator-approved" and some random fan's work is not makes me a better person, a better writer, a better artist, etc. It just means that I'm lucky enough to get to do this for a living. Because I WAS that fan. I created fanfiction and fanart for YEARS, and still do. And what I learned in those years is what let me get this job in the first place.
So, fan comics should just stop existing, basically? And no one but the artist should be able to have a copy of any piece of fanart? Or only independantly wealthy people who can afford to give them away for free should be able to distribute them? Again, I'm not being sarcastic. I'm dead serious.
First, though I could perhaps have chosen my examples more strategically, I think that a point needs to be made regarding public domain -- the only difference between fanart for "Pride and Prejudice" and fanart for "Fullmetal Alchemist" is that the latter is still protected by copyright laws, and the former is in the public domain. This makes a big difference legally, but I don't get the impression that many of the arguements I've been seeing are about legality so much as morality, and morally the only difference is that Jane Austin isn't around to care any more. No one would accuse me of being a hack artist if I released a series of prints based on my favorite scenes from Pride and Prejudice. But if Hiromu Arakawa doesn't mind it if I draw Winry pinups, then why is it so much worse for me to do so? Second, I obviously don't agree that I'm being "specious and unreasonable." I think I'm trying to make a point that something being "official" doesn't make it "better." The new Batman cartoon is official, and is a total piece of crap, IMO. And the Evangellion doujinshi that my friend created are gorgeous, subtle, and add to my understanding of the existing series. I realize that fanart is legally troublesome -- again, it's my business to know. What's bothering me is the dismissive attitudes towards fanartists, their work, and the time it takes to create that work. |
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Colonel Wolfe
Posts: 370 |
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A few points of interest I came across which could explain the method about fan-created works of art:
Source: http://fanart.lionking.org/Copyright.shtml
Source: http://www.templetons.com/brad/copymyths.html
Source: http://elftown.lysator.liu.se/_Copyright%20and%20Intellectual%20Property |
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jvowles
Otakon Representative
Posts: 219 Location: Maryland |
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A point of clarification here, though my other staffers have done a nice job of clarifying several points.
The posting on our forums listed *several* changes for 2006's Artist Alley. The only one of them that should not be considered an official policy statement is the one that was marked as "pending final wording changes from chair and legal" (or words to that effect) -- and in point of fact did not mention the words "fan art". And in a later post, Rachel Ann specifically clarified WHY she didn't use the term "fan art". Rachel Ann posted these things as a heads-up to the active artists on the BBS, in hopes that questions would help clarify the final policy statement that appears on the website. She should have been a bit clearer. I'm probably going to go in and edit the post to read "Proposed policy for 2006" or something similar. We want to allow for as much expression of fan enthusiasm as we can...but we also need to minimize the risk to our organization. As Jon Harmon indicated, that's not just lawsuits, but damage to industry relations. Right now they are generally supportive because they know we make a good-faith effort to play by the rules. (Heck, RightStuf let us play KareKano fansubs for a few years while they were working on the official release.) They know that we actively enforce our bootleg policy to the best of our ability (yes, dealers have been kicked out for breaking the rules), and that we are scrupulous about what fansubs we show. And they provide permission to show stuff, help with getting guests, prizes, and so forth. We are simply too big to escape notice, and some of the past abuses by individuals in the alley were too much to ignore. (If only some of those folks would take the creativity they apply to seeking loopholes and apply it instead to their own work...) Our final policy needs to ensure that our staff can deal with flagrant exploitation by our less scrupulous members, and thus protect the intellectual property of the artists we all claim to be fans of. I expect that it will be tempered by real-world considerations (such as long-standing refusal of *most* copyright holders to take action against most fan works) and legal opinion (from an actual lawyer versed in such matters, not from people who read lots of wikipedia articles), but aimed at ensuring that reasonable examples of "fan art" can continue. I am confident that reasonable people doing reasonable things will be allowed to continue doing them. But if the actual owner of the thing you're selling is reasonably likely to object to it, and it's clearly not a work of parody, our default position HAS to be "you can't sell it". I'm glad that the discussion has mostly shifted to more rational considerations, rather than the knee-jerk "it's not fair!" and "you're trying to squash the little guys to bow to your corporate masters" complaints and over-the-top predictions that Otakon would collapse over this issue. To say that there was a massive overreaction among certain areas of the community over this issue would be a massive understatement. But sadder still, there has been far too much unwarranted personal nastiness and rude accusations -- that we're lying, that we don't care about fandom anymore, that we're just trying to enrich ourselves. Most of this nonsense has come from a very small (and willfully uninformed) section of fandom, but such attacks sting anyway, especially since running even *part* of an organization like ours requires an enormous personal commitment. Thick skins are necessary (especially in very visible, front-line jobs) but they only go so far. So for those of you who've been rational and raised intelligent concerns, but given us the benefit of the doubt, you have my thanks. Your concerns were heard and will be addressed as best we can. |
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hikaru004
Posts: 2306 |
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So in other words.... (a voluntary summary )
1. Fanart is a form of copyright infringement unless it falls into a specific category of exclusion. Distributors, etc ignore it if it's in their best interest. 2. If the copyright holder gets pissed at you, you will be sued. If you are sued, get a good lawyer and prepare for an out of court settlement. 3. Also, pray that the feds don't make an issue of it. They can come after you too! |
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prime_pm
Posts: 2339 Location: Your Mother's Bedroom |
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Well, redbeangirl, colonel wolfe, thank you for making some very good points. As I said before, we've entered a very weird area, and everyone made some great points.
I can't make any more points on this subject. This entire discussion is just too much for me at this time. I want to, at least, find a job in order to even continue to be a fan of anything. But you allmake good points. In one way, it's illegal, but at another, it's supported by people like Disney and redbeangirl. There will be some people who will try to enforce these laws, however, and some will try to exploit fan art for their own benefits. Sometimes the world is just too big to understand. This entire discussion has now called into question all forms of art today. Just what is art supposed to be? Is it a Van Gogh screaming in surreality? Is it the ceiling of an Italian chapel or twelve apostles having their last supper? Is it several triangles and circles arranged in different situations on a matte? Is it a bunch of flowers that explicate sexual innuendo? Or is it a bell or southern guy that illustrates the comforting sensation of mexican food or fried chicken? The line between art and market continues to be shaved each day. Just keep this in mind: McDonalds' ad involves a large yellow M surrounded by a red background. The design is so attracting that McDonald's, I swear to God, copyrighted those two colors: yellow and red. And now, nobody else is allowed to use these colors without the legal permission of McDonald's CEO. The trick is that there are hundreds of different tints of yellow and red, and McDonald's only copyrighted one tint of each. And that's how it works. Also, redbeangirl, what animation industry do you work for? And are there any entry level positions available, perhaps clerical or something? I need work badly. |
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Tempest
I Run this place.
ANN Publisher Posts: 10426 Location: Do not message me for support. |
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Nothing Zac said was to the tune of "Fancomics stopping to exist." He was saying that fan-artists shouldn't try to profit from their hobby. There's no reasonable reason to believe he was suggesting independantly wealthy people be able to give the fan-art away for free and that not-so wealthy people not be allowed to sell it. He was saying that fan-artists should create & display, not sell or distribute. I think it's reasonable to believe that most fan-artists have the financial means to continue their hobby and display their work without selling it. I strongly disagree with Otakon's policy. At the very minimum I think they should permit fans to display derivative work provided they don't sell it. But its true that many "fan-artists" have turned derivative work into a real source of income, they sell prints for $5~$20 a piece at conventions. I know artists who earn their living in the artists' alley. Hopefully Otakon will massage this policy into something that allows fan-activity, and supresses profiteering. -t |
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redbeangirl
Posts: 10 |
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This is pretty much completely off-topic, so I'll try and keep it brief, but...
If you live near enough to an animation studio/anime liscensing company for commuting to be reasonable, and can afford to work for next to nothing, I highly recommend applying for an internship. It really is the best way to get involved in the industry, and if you work hard, pay attention, and ask lots of questions it's not unlikely that you'll eventually be hired. After that, it's just a matter of putting in time and moving up the ladder. |
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redbeangirl
Posts: 10 |
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I think that there's a confusion here between "making money" and "getting paid back for your basic investment." If I want to make a physical comic, it will cost a certain ammount of money. From my experience, the average minicomic (15 or so pages, black and white with a color cover, made with a copy machine) costs between $2 and $5 to make. A table at artist alley costs about $25, assuming I'm sharing it with someone else. At a GOOD con, I'll sell maybe 20 comics. Most artists (I can't speak for everyone) price their stuff so that they can pay back the cost of production and the cost of the table. Many of us end up LOSING money, but we do it because we're fans and we're crazy like that. What I'm saying is that I don't think it's unreasonable or immoral for someone to want to recoup their financial investment. You can disagree with me, of course, but I just wanted to be clear about this point. |
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Colonel Wolfe
Posts: 370 |
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All this talk about FanArt being protected undercopyright laws and held by the owners of those works is bull. FanArt falls into the same category as anime fansub groups. The vast majority of the fansub groups are seen by the owners of the original anime as a source of free advertising for their shows as it gets more fans out there giving them a wider audience and some free publicity when the show is licensed for distributionj in the United States. As a matter of fact, ADV Films has began paying close attention to these groups to determine what shows they'll license next. Most of these companies leave the fansub groups because most fansubbers are honorable where it comes down to removing their fansubbed versions from downloading sites when a show is licensed.
FanArt, although not as large, is only produced by fans who want to share their support for their favourite shows. FanArt created by fans who do share their support of the show is often looked down upon especially when it comes to some convention organizers. Som because of the panic button they created for themselves, they have severely restricted the sale of such FanArt claiming copyright infringement. I think they are so afraid of these people who create fanart that they have banned it outright. I honestly think that convention organizers can obviously tell if someone is flagrantly violating the copyright law and take it on a case by case basis instead of banning the sale of FanArt outright. I think these organizers can obviously tell if someone has flagrantly violated the law against those booth operators who are selling FanArt or Doujinshi in a limited way ... |
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prime_pm
Posts: 2339 Location: Your Mother's Bedroom |
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Thanks for the response, and sorry for taking this off-topic.
Unfortunately, I've been out of college for a year, so I'm pretty much unqualified for most internships. It's my own fault for not taking any the entire time. But thank you for the advice. |
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hikaru004
Posts: 2306 |
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No confusion from my standpoint. Sympathy for attempting to recoup losses, though. Unless the artist has permission or falls into a category of exclusion, it doesn't matter if he/she profits or not from his/her activites. He/She is basically surviving at the discretion of the copyright holder and can be the subject of legal action at any moment. It's not the way conventions should operate. They share the blame in this for allowing the artist on their premises to engage in that activity. The conventions are also big targets since they bring in alot of income. Closing any potential legal loophole is a good strategy imo. |
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darkhunter
Posts: 2992 Location: Los Angelas |
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Like it has been said before. There's nothing wrong with creating fanart to express your love for the show. Maybe even win a prize too. But when you're selling it to earn a profit, that's a different story. |
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Ohoni
Posts: 3421 |
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So are you saying that artists like Mike Weiringo or John Romita Jr. are devoid of creativity when they draw Spider-Man, or that Bryan Hitch is devoid of creativity when he draws Ultimates, or that John Cassaday is devoid of creativity when he draws the X-Men, just because those are not their original creations? A artist brings a lot to the process in the pose and style that he brings to a character, even if that character itself is not the artist's original invention, the interpretation is. If a piece is "just" a slightly modified version of the character then why would anyone buy it? The ones that do well are when the artist's own unique style and take on the character brings something new and appealing enough to the piece that the customer wants it for himself.
going to a con and setting up a booth costs money. Plenty of fanartists, good ones at that, make little or no actual profit at the con, but it does help them to break even.
Maybe for you Mr. Moneybags. |
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kimonostereo
Posts: 6 |
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But aren't these publications making money off the magazines these fan artwork pieces are published in? I wouldn't doubt that friends and family will go out and purchase additional issues because their friend, son or daughter's artwork appeared in a publication giving the publisher more profit off of fan artwork. |
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Zac
ANN Executive Editor
Posts: 7912 Location: Anime News Network Technodrome |
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Speaking from experience, fanart is published in magazines because it's fun for the fan that drew it and it's fun for other fans who like those characters. The amount of people who buy the magazine because their art is in it is negligible; there is no remotely substantial monentary gain for the magazine when they publish fanart. It's done entirely to please their readers. |
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